Sandro Ruffini

Personal Info

Known For

Acting

Known Credits

0.4193

Gender

Male

Birthday

20-Sep-1889

Age

(137 years old)

Place of Birth

Rome, Lazio, Italy

Also Known As
  • Сандро Руффини

Sandro Ruffini

Biography

NO BIOGRAPHY AVAILABLE


Credits

Le due tigri Le due tigri (1941) Character: Yanez de Gomera
Darma, Tremal Naik's daughter is kidnapped by the thugs and secluded in a temple in the jungle. The religious sect want her to become the priestess of the goddess Kali. Sandokan will set her free, and Surama the legitimate heiress to the throne of Lahore.
Ergastolo Ergastolo (1952) Character: avvocato Leonardi
Rosa Lulli, has an illegitimate 20-year-old son, named Stefano, who lives with her in the house of Professor Arlotta. Stefano is in love with Lydia, the granddaughter of the professor. The couple has a gambling addiction: the need to obtain a large sum to meet gambling debts, which pushes him to accept the loving invitation of Jeannette, owner of a dance school, where Stefano goes to play.
La freccia nel fianco La freccia nel fianco (1945) Character: Conte Traldi
Started in the summer of 1943 by Lattuada and , the because of the war that raged in Italy at the time, the shooting was interrupted several times only to stop for good in September of the same year. It only resumed after the war, in the spring of 1945, but with Mario Costa as the director instead of Lattuada. It was eventually released in September 1945 with only Lattuada billed as the director. Similarly, the film was started with Vittorio Gassman in the role of Brunello, but when the shooting resumed in 1945 he was replaced by Leonardo Cortese
Le due sorelle Le due sorelle (1950) Character: padre Giovanni
A young marquis seduces a farmer's daughter and then leaves her while she's pregnant with his child. Many years later he comes back and seduces the girl's sister.
Né de père inconnu Né de père inconnu (1950) Character: Henri Mussot
By taking the defense of Raymond Denis, accused of having killed his mistress, when she committed suicide because he did not want to recognize his child, the lawyer Claude Nogent, learns that he himself was born of unknown father.
Le fiacre 13 Le fiacre 13 (1948) Character: N/A
To secure her fortune with Monsieur Vaudieu de la Tour, the Machiavellian Claudia kills her lover's elder brother and steals his child. The boy is adopted by a coachman, and later, as secretary to the Minister of Justice, discovers the truth, punishes the bad guys, rewards the good ones and marries the daughter of another innocent man, unjustly accused by Claudia.
Fiamme sulla laguna Fiamme sulla laguna (1951) Character: Padre di Anna
After the death of his father, Anna starts working in the navy where he falls in love with a navy man.
Sancta Maria Sancta Maria (1942) Character: N/A
Nadia, a young Soviet journalist who is passing through Pompeii, discovers the power that comes from the Catholic faith when the painter she loves, Paolo, and who saved her from drowning during the shipwreck of the cruise in which they met, is at the gates of death because of a serious illness whose symptoms are similar to those of leprosy.
L'uomo dal guanto grigio L'uomo dal guanto grigio (1948) Character: N/A
A famous painting by Antonello da Messina, "the man with a gray glove", has been entrusted to an old restorer. When, subsequently, the painting is withdrawn from the restorer's studio and exposed, the art critic Drago discovers that it is not the original, but a copy.
Melodie eterne Melodie eterne (1940) Character: Gentiluomo
The life of Wolfgang Amadeus Mozart
Il cavaliere di San Marco Il cavaliere di San Marco (1939) Character: Orsenigo padre
Daniele Orsenigo, a young Venetian fighting for the unification of Italy, has an important message to deliver to the Carboneria of Parma.
Fedora Fedora (1942) Character: De Sirieux
This film relates the story of Russian Princess Fedora (Louise Ferida), in Czarist times, whose royal lover is assassinated on the eve of their marriage. She pledges vengeance, only to become the victim of her vow when she falls in love again.
Salvate mia figlia Salvate mia figlia (1952) Character: Chirurgo
A farmer steals some jewelry, desperately looking for money to allow his sick daughter to be operated by a famous surgeon.
Giallo Giallo (1934) Character: Giorgio
A woman becomes convinced that her husband is an infamous wife-killer intent on adding her to his list of victims.
Brivido Brivido (1941) Character: Ignazio Usticky
A crime novel writer is experiencing writer's block while writing his latest book. Then a woman is murdered in his home, and this crime gives him inspiration to finish his novel. Without noticing, he even founds the real culprit.
La campana di San Giusto La campana di San Giusto (1954) Character: N/A
The adventures of Roberto, an heroic Italian soldier from Trieste during World War One.
Abbasso la miseria! Abbasso la miseria! (1945) Character: Porzio Ray
The two drivers Giovanni and Gaetano are friends. Gaetano, bold and ruthless, thrives in the black market, while Giovanni, who is a naive and fundamentally honest worker from the North of Italy, cannot get any profit and his wife, an energetic and talkative Roman woman, can't help blaming him for his poor business skills. Returning from a trip to Naples, he brings home a little hungry orphan, Nello. At first Giovanni's wife doesn't want the boy, but then she begins to like him. The little boy does whatever he can to help the family. Nello's father, who everybody thought to have died during the war, finds his little son and, being a rich business man, he employs the good and generous Giovanni. Meanwhile the former friend Gaetano is caught by the police and convicted for his illegal trades.
I mariti I mariti (1941) Character: N/A
In Naples in the second half of the nineteenth century, a young noblewoman falls in love with a nobleman of ill repute.
Abbandono Abbandono (1940) Character: Pierre Courier
In 1830 Pierre Courier, a rich and elderly shipowner, awaits the return of his son Stefano, who has just returned from a long trip to Trinidad in the ship in which he is captain.
L'Affaire Maurizius L'Affaire Maurizius (1954) Character: Le proviseur
Prosecutor Etzel discovers that his father has sentenced a man, Leonardo Maurizius, on mere presumptions. He then makes it a point of honor to trace the sources of the case to uncover the truth.
Sperduti nel buio Sperduti nel buio (1947) Character: N/A
Naples of the early twentieth century. A thug keeps a girl completely submissive and, having discovered that she is the daughter of a nobleman, tries to blackmail the father.
Napoli milionaria Napoli milionaria (1950) Character: Narrator
A combination of a satire on war and a comedy with war as the background. It tells of the ordinary people living on a Naples sidestreet, from 1940 to 1950 under the dominance of the Fascists, the Nazis and then the Allies occupation forces. Primary among the citizens is Gennaro Iovine (Eduard De Filippo)who has a penchant for innocently getting into trouble, and his friend Pasquale (Toto.) The latter is a rail-sweeper who becomes a professional stand-in...a corpse used to conceal contraband...serving jail time for those who don't care to spend the time to do the time...a substitute at a political rally when violence threatens the scheduled speaker
Anni difficili Anni difficili (1948) Character: Narrator, Italian original version
Aldo Piscitello, a minor government clerk, is forced in 1934 to join the Fascist party. When the war comes, he finds himself able only to talk ineffectually in secret against Mussolini, even as his own son Giovanni is sent into battle. By the end of the war, Aldo has found the courage to stand up for his beliefs, but by then it is too late.
La fortuna viene dal cielo La fortuna viene dal cielo (1942) Character: Giovanni Pap
The merchant Giovanni Illes is tracked down by the debtors, but cannot pay his debts. To save her father from bankruptcy, Anna talks to the lawyer, trying to earn an extension. The lawyer grants it to him, but he gets too close, even physically. She wants to defend herself, but his power dominates the impotence of the woman.
Giuseppe Verdi Giuseppe Verdi (1953) Character: Impr. Marelli
The life and loves of great composer Giuseppe Verdi are played against a background of the great operas of the 19th Century. A tender love story of his successful and turbulent life, with more than 20 excerpts from his acclaimed operas.
Il testimone Il testimone (1946) Character: Lawyer of defense
A man, standing trial for robbery with murder, faces the death penalty. The testimony of an old civil servant may give him a reprieve but not peace of mind.
Ore 9: Lezione di chimica Ore 9: Lezione di chimica (1941) Character: Carlo Palmieri
In a girls' school, Maria, a student, is accused of having an affair with the young professor Marini. The main accuser is her classmate Anna, played by Alida Valli.
Gli eroi della domenica Gli eroi della domenica (1952) Character: The Doctor
Gino Bardi is a centre-forward in a football team which is about to be relegated to the second division. Just before a very important match a girl he has a relationship with proposes him to rig it. He refuses the offer but he actually begins playing like an amateur and the crowd begin to smell something fishy going on.
Nessuno ha tradito Nessuno ha tradito (1952) Character: N/A
A retiring teacher tells a young teacher the story of two old pupils, who once the war begins they will become enemies ...
Enrico Caruso - Leggenda di una voce Enrico Caruso - Leggenda di una voce (1951) Character: Narratore
This music filled biopic follows the life of the legendary tenor Enrico Caruso from childhood poverty in Naples to the beginning of his rise to fame.
Beatrice Cenci Beatrice Cenci (1941) Character: Giudice Moscato
Italian historical drama portraying the story of the sixteenth century Italian noblewoman Beatrice Cenci.
L'amorosa menzogna L'amorosa menzogna (1949) Character: Narrator (voice) (uncredited)
This short documentary explores the world of Italian photo comics (fumetti), focusing on the models who posed as romantic heroes and heroines for popular illustrated stories. By contrasting their staged screen personas with their everyday lives, the film offers an observational look at a mass-culture phenomenon in postwar Italy.



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