|
Modisto de Señoras (1969)
Character: D'Maurice
Successful fashiondesigner D'Maurice seduces married women while he pretends to be gay in order to avoid arousing suspicion among his clientele's husbands
|
|
|
|
|
El sinvergüenza (1971)
Character: N/A
Smooth-talking ladies' man runs an employment agency for call girls masquerading as language tutors.
|
|
|
|
|
La otra mujer (1972)
Character: N/A
Businessman hires a stand-in to pass as the father of his mistress' children.
|
|
|
|
|
El renegado blanco (1960)
Character: N/A
Cowboy comedy turns serious and adventure-y in the middle. Sequel to Los hermanos diablo.
|
|
|
El Bronco Reynosa (1961)
Character: N/A
Star of cowboy-movies returns to his home and locals expect him to be heroic like he is onscreen.
|
|
|
|
|
|
|
Mientras el cuerpo aguante (1958)
Character: N/A
Housekeeper inherits her employer's fortune, tries to enter into society and make a good match for her God-daughter.
|
|
|
Un nuevo modo de amar (1968)
Character: N/A
A phony psychic convinces a young widow that her nest husband will die soon after the wedding... so she tells her fiancé to take a number, and marries a rando to sidestep that problem.
|
|
|
Venganza Apache (1960)
Character: N/A
Three good guys vs a bad dude who sells weapons to the Apaches and provokes a range war between US Cavalry and a splinter group of tribesmen, breaking the standing treaty between their tribe and the invaders. Sequel to Los Hermanos Diablo.
|
|
|
Cuando tú me quieras (1951)
Character: N/A
A shoe-clerk's aunt and uncle send him to a remote fishing village to retrieve a distant cousin and bring her back to the bosom of the family.
|
|
|
|
|
|
|
La estrella vacía (1960)
Character: Jiménez
Mourners share their memories of a dead film-star at her wake, a la Citizen Kane. Only melodrama.
|
|
|
Casa de citas (1978)
Character: Andrés Chozas
Luciano has been working in an important company for fifteen years without be rewarded for his efforts, his fidelity and submission. On the recommendation of a cousin, he acts as front man for the shameful business of his managers. They get it so far as to force him to marry the former mistress of one of the directors. Finally, because of a fire in the chalet where he lives and where they cook the dirty business of which he is not responsible for, Luciano ends up in jail for covering up and taking on some responsibilities that are not his, fulfilling his role of straw man until the end.
|
|
|
Don Juan 67 (1967)
Character: Mauricio Galán
Mauricio, millionaire, and irreclaimable Don Juan, lives only for and to seduce women of every class and condition. With the help of his butler manages to capture the hearts of many to abandon and then having a panic marriage.
|
|
|
El sátiro (1981)
Character: N/A
Don Juan tired of using various disguises, is willing to revive its charm and maintain its reputation
|
|
|
|
|
|
|
|
|
Bromas, S.A (1967)
Character: Alberto/Rogelio Naveda
Eccentric millionaire hires a team of young people to help him stage practical jokes.
|
|
|
24 horas de placer (1969)
Character: Mauricio Saldivar
Man develops a reputation as a great bedroom athlete after publishing a 'spicy' novel.
|
|
|
Fray Don Juan (1970)
Character: Juan Primero - Juan Segundo
A Dominican friar finds himself wrapped in tangled skirts because he is mistaken for his twin brother, a womanizer.
|
|
|
La Cama (1968)
Character: Charlie
The story of a women who escapes from her wedding with a womanizer.
|
|
|
|
|
|
|
El jinete negro (1961)
Character: Mauricio Elias
A rancher disguises himself as a generous bandit and murders a tax collector, but is discovered.
|
|
|
Los hermanos Diablo (1959)
Character: N/A
The three Diablo brothers are effete dandies who love chamber music and afternoon tea... but they also love brawling and whoring and all that wild west stuff. They inherit a ranch, and all hell breaks loose when they go to take ownership of it.
|
|
|
|
|
Préstame tu cuerpo (1958)
Character: Gabriel Jiménez
Heaven Can Wait scenario; a young woman dies forty years ahead of schedule because her guardian angel made a mistake... so the divine powers that be put her back on earth in a new body.
|
|
|
No tiene la culpa el Indio (1978)
Character: N/A
A Mexican indian from Xochimilco has clairvoyant powers and is able to predict the future when the sight of some features of a beautiful woman gets him into a trance. A greedy urban playboy notices and tries to profit from the indian's power by supplying enough female beauty to look at. But then things go wrong.
|
|
|
|
|
Los resbalosos (1960)
Character: N/A
Border town is overrun with wastrels and scofflaws, so the City Council decides to hire a notorious gunslinger to help them clean up their streets.
|
|
|
Cómicos de la Legua (1957)
Character: Juanito
The guy that runs the concession stand at a vaudeville theatre gets tangled up with a gang of thieves.
|
|
|
Tápame contigo (1970)
Character: N/A
Mauricio Garcés plays a composer who tries to seduce several women. The actor performs the song "Soy tan hermoso", which became a popular hit a t the time.
|
|
|
El matrimonio es como el demonio (1967)
Character: Raúl Álvarez
The story of a Playboy bachelor who does not know the good that is, until he is married. Slowly, the man discovers that having a woman is not easy, but sometimes ... being faithful recomended. After sympathetic experiences and funny situations, he realizes that there are two uncorrectable errors committed by the man in your life: Being born and married!
|
|
|
La llorona (1960)
Character: Felipe Arnáiz
A woman takes revenge in the family of her lover.
|
|
|
Las Fieras (1969)
Character: Sebastian/Maurice Lafayette
Historia de un grupo de estafadores internacionales y sus artimañas.
|
|
|
Click, fotógrafo de modelos (1970)
Character: Mauricio
Mauricio is a photographer that works for a very important advertisement company. It all starts with Mauricio's work being criticized by the company, to which Mauricio jumps into the discussion and explains to the company that his idea was misinterpreted, and quits. Mauricio bent on revenge, and promises to be enemy number one of his former employers, sets off and works so hard photographing so many models, that he develops a click that when he blinks his eyes, he can see anybody in their underwear. A lot of Mauricio charm, famous quotes and pranks in this movie, very entertaining and beautiful women for that time. Very recommendable.
|
|
|
Los fanfarrones (1960)
Character: N/A
Three young ladies become the owners of a rough and tumble cowboy bar that they're not well-equipped to manage.
|
|
|
|
|
|
|
La Muerte Enamorada (1951)
Character: Doctor I (as Mauricio Morel)
A man's life changes forever when death -- in the form of a female grim reaper -- moves in with him and his family, all so that he can buy a bit more time on earth. The only catch is, his family has no idea that their houseguest, a woman their father says is a foreign relative, is there to take their daddy away. Miroslava Stern, Fernando Fernandez and Jorge Reyes star in this inventive Spanish-language comedy.
|
|
|
Cuando ¡Viva Villa..! es la muerte (1958)
Character: Journalist
The third and final chapter of director Ismael Rodríguez's series about Pancho Villa. Several stories about the life and death of the famous mexican revolutionary general.
|
|
|
|
|
El criado malcriado (1969)
Character: Pablo Namnun
Man hiding from the police is trapped into posing as a butler at a rich family's country estate.
|
|
|
El dinero tiene miedo (1970)
Character: Juan Quesada
John is a rogue that convinces two friends to be trusted with your money, ensuring that you will place in Switzerland in very good condition, but his plan will encounter some difficulties.
|
|
|
El mundo de los vampiros (1961)
Character: Rodolfo Sabre
A vampire uses two sisters to seek revenge from the last member of a family that persecuted the undead in Europe, but his plan is threatened by a man who knows how to destroy him with a peculiar piece of music.
|
|
|
Una bala es mi testigo (1960)
Character: N/A
Cowboy goes to track down the man who murdered his brother, but it turns out to be someone other than the one he was looking for. Together, they set things straight and take care of the real murderer.
|
|
|
El barón del terror (1962)
Character: Coroner
In 1661 Mexico, the Baron Vitelius of Astara is sentenced to be burned alive by the Holy Inquisition of Mexico for witchcraft, necromancy, and other crimes. As he dies, the Baron swears vengeance against the descendants of the Inquisitors. 300 years later, a comet that was passing overhead on the night of the Baron's execution returns to earth, bringing with it the Baron in the form of a horrible, brain-eating monster that terrorizes the Inquisitor's descendants
|
|
|
La cabeza viviente (1963)
Character: Roberto / Acatl
A group of archaeologists break into the tomb of an ancient Aztec general, arousing the warrior's head and sending his undead servant out to take revenge on the careless scientists.
|
|
|
|
|
Despedida de casada (1968)
Character: Felipe
A newlywed couple already wants to separate, but the apartment they live in belongs to both in equal parts, so they must go on living together until they discover--after solving many problems--in the end how much they really do love each other.
|
|