|
Acteón (1967)
Character: Primera Mujer
An expressionist reimagining of the classic Greek myth involving Acteón and Diana, transposed to Spain's Costa Brava by a future auteur of horror cinema. Based on the myth from Ovid's Metamorphoses in which Acteón accidentally catches a glimpse of Diana, the goddess of love, and is subsequently turned into a deer for his dogs to devour, Jorge Grau's modernist retelling resets the story to contemporary Spain, where a fisherman – played by Martin LaSalle, star of Bresson's Pickpocket – follows an enchanting, flirtatious stranger into the city.
|
|
|
Escuela de seductoras (1962)
Character: N/A
Three friends in love, are ignored because of their lack of gift to conquer. After learning of the existence of a school of seduction, are enrolled as students.
|
|
|
Bikini Paradise (1967)
Character: Julia
A pair of U.S. Navy officers are marooned on a South Pacific island with a group of women whom want to use them for marriage and mating purposes.
|
|
|
Saul e David (1964)
Character: Michal
David of Bethlehem slays the giant and becomes a rival to King Saul.
|
|
|
Rote Lippen, Sadisterotica (1969)
Character: N/A
"Red Lips" are two female detectives trying to find missing models and dancers. A pop artist called Klaus Thriller and his werewolf-like assistant, Morpho, are the main suspects for the murderers.
|
|
|
|
|
Diez fusiles esperan (1959)
Character: Merche
During the first Carlist war in the 1830s in Spain a lieutenant falls into the enemy's hands and is arrested. When condemned, he claims he only wanted to see his newborn baby.
|
|
|
|
|
Diferente (1962)
Character: N/A
A young man from the gentry rejects all the values his family upholds while they rejects his own; so that, despite his efforts to please and the fact that he works in the family business, he ends up finding out that his uptight and competent brother calls him useless and effeminate.
|
|
|
La pandilla de los once (1963)
Character: N/A
Inspired by the American gangster films, a group of thugs decides to dock the Bank of Spain. "El Rubio" explains to his men that, to commit the armed robbery, they will have to dig a gallery in the Cibeles. But, due to the threats of a rival band, "El Rubio" decides to disguise itself and pretend to be one of the most famous actors of the moment.
|
|
|
Marisol rumbo a Río (1963)
Character: N/A
Separated by continents, twin sisters Marisol and Mariluz live worlds apart—one in Madrid with her struggling mother, the other in Rio under the care of a wealthy uncle. When Marisol’s mother sacrifices everything to reunite the family in Brazil, their arrival threatens a sinister scheme: Mariluz’s governess and her lover are plotting to steal the uncle’s fortune. With the truth unraveling and danger closing in, the twins must fight not just for reunion—but for survival.
|
|
