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Isang Gabi... Tatlong Babae! (1974)
Character: N/A
A three-part, social drama on parent-child relationships, it stars the Philippine movies’ most beautiful face, Amalia Fuentes as the Phaedra-like, upper-crust stepmother who falls in love with her stepson, the adorable Boots Anson Roa as the slum mother who has to choose between her bastard son and her good-for-nothing love, the alluring Pilar Pilapil as the social climbing fashion model who belittles her sacrificing adoptive parent.
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Bituing Marikit (1957)
Character: N/A
A remake of Carlos Vander Tolosa’s original 1937 hit of the same name, which launched Sampaguita Pictures.
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Bobby (1958)
Character: N/A
Bobby was born during the prewar era, blooming into a troubled, but sensitive young man.
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Sonata (1957)
Character: N/A
The story of a love you will not easily forger and the song that will make you remember.
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Bilanggong Birhen (1960)
Character: Flora
A story of a woman suffering under the viciousness of the worst kind of enemy imaginable: her family. Will her determined efforts to break free of their clutches succeed and allow her to find her rightful place in the world?
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Kahapon Lamang (1959)
Character: N/A
The three movie queens of Sampaguita Pictures lead a star-studded adaptation of the popular CBN program.
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Mother Dearest (1961)
Character: segement 'The Rebel'
Seven stories contained in letters received by the Mother of Perpetual Help Shrine at Baclaran, Phillippines.
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Dirty Games (1981)
Character: N/A
Blinded mad by jealousy over the close friendship between his wife and buddy, a man masterminds his own son's kidnapping to test the suspected lovers' reaction to it. He realizes, however, that his trusted accomplice has other plans.
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Oro Blanco (1965)
Character: N/A
Beauty on the run, every friend a suspect, every breath a gasp of fear, and only one gallant to brave all odds.
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Salamat sa Alaala (2015)
Character: Herself
The documentary serves as a tribute to National Artist for Cinema Gerardo de Leon in celebration of his Centennial Year. “Salamat sa Alaala.” is inspired by the music composed by the late film director when he was a teenager playing background music for silent movies in Manila theatres. The video opens up with a capsulated history of the birth of the Filipino movies followed by a series of shots of veteran actresses, the academe and the young generation of filmmakers affirming his unique qualities as a world-class film figure. Then we unravel his private life as a family man. The documentary is one way of thanking him for his lasting legacy in the art form he left behind.
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Wedding Bells (1959)
Character: N/A
The wedding anthology consists of four stories 'Pamanhikan' (starring Susan Roces and Jose Mari), 'Pikot' (Amalia Fuentes and Romeo Vasquez), 'Tanan' (Barbara Perez and Greg Martin), and 'Honeymoon' (Gloria Romero and Juancho Gutierrez).
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Esperanza at Caridad (1963)
Character: N/A
The MOVIE QUEEN who gave up everything for the sake of her sister and paid the price. The OVERNIGHT SENSATION who had too much of fame, too soon BEFORE SHE WAS READY FOR IT!
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Rodora (1956)
Character: N/A
A story of a mother and daughter separated by fate, the mother who have no memory of the child she bore, and the daughter who hopes to find her long-lost mother.
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Lydia (1956)
Character: N/A
She was the angel of mercy in a home where love and happiness reigned until tragedy struck.
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Tawag Ng Tanghalan (1958)
Character: Filomena Tulongbituon
A film that depicts the radio talent search program on DZBB-AM "Tawag ng Tanghalan" which originated in the 1950s.
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Tulisan (1962)
Character: Fernanda
This film is about the warring women bandits. Roberta leads a group that will rescue her kidnapped twin-sister, Senyang, from Fernanda's group.
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Happy Days Are Here Again (1974)
Character: Herself
A compilation of film clips featuring dance and song performances culled from various films of the so-called big three - Sampaguita, LVN, Premiere.
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My Only Love (1982)
Character: Camille
Billy and Cindy are teeners trapped in the conflicted world of their parents. Two children of two marriages gone sour. Young and confused by the whole situation, they try to look for answers, but the whole business of life is not as simple as it seems. Left with no choice but to come to terms with whatever it is that life presents, they rely on each other for emotional support. And in the process, they learn that despite their parents marital woes, much remains in life and love reserved for the two of them.
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Mortal Sin (1983)
Character: N/A
A 1982 Filipino bomba film directed by Joey Gosiengfiao.
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Adriana (1969)
Character: Adriana
Filipino romantic horror movie from 1969.
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Amy, Susie and Tessie (1960)
Character: N/A
After arguing with their playboy father, teenage sisters Amy, Susie and Tessie decide it's time to become independent women. Once the girls realize they can support themselves, they open the door to a whole new world of adventure.
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Joey, Eddie, and Lito (1961)
Character: N/A
A 1961 Filipino romantic musical comedy about three musicians who fell in love with three women.
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The Big Broadcast (1962)
Character: N/A
Two teenagers gatecrash a movie studio to see their idols who promised to choose them as their next leading lady.
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Ibulong Mo sa Hangin (1966)
Character: Leonore Escudero
Siblings discover that their father has their vampire mother chained up in the cellar. The mother bites her son and soon everyone in the community is either dead or a vampire.
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Kulay Dugo ang Gabi (1964)
Character: Charito / Katrina
Dr. Marco's most beloved Katrina has died. As a vampire, Marco has devised a plan to bring her back from the dead. It requires large amounts of human blood and will eventually necessitate the transplantation of a human heart.
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Aguila (1980)
Character: Isabel
Flashbacks encompass the history of the Philippines as well as the life story of the elderly Daniel Aguila. The Aguila family gathers to celebrate Daniel's 88th birthday, but the old man is nowhere to be seen--he has been missing for a decade. Suspecting that his father is in Mindanao, one of his sons takes off for that region in a determined search. Along the way, his memories of the nation and his father's life tell the story of 80 tumultuous years of personal and historical development.
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