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大根と人参 (1965)
Character: N/A
One day a company executive learns that his younger brother, whom he recommended, embezzled company funds. To save the situation he withdraws his life savings and gives money to his younger brother. He then suddenly disappears…
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黒の奔流 (1972)
Character: Fujie Kaizuka
A ryokan maid is on trial for pushing a familiar guest off a cliff to his death. An eager attorney offers to take the case to gain notoriety.
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三羽烏三代記 (1959)
Character: N/A
The story tells of Tsuchiya, a university professor and a widower who is in love with a widow who runs a small restaurant, and his son is in love with a runaway girl who turns out to be the leader of a religious sect. Kusano is the henpecked proprietor of a rice biscuit shop who dreams of owning a bird and dog shop and his daughter is in love with a boarder, employed by the private detective agency searching for the runaway girl. The agency head has his own dream of arranging thirty marriages and has already accomplished twenty-seven. Tatsumi is a newspaper reporter who dreams of a big scoop to enable him to marry a girl TV producer and his friend a mountain climbing enthusiast who dreams of joining a Himalayan expedition but is opposed by his wife. His love of the mountains is shared by a boarder in their home and by a fishmonger's son.
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思春期 (1952)
Character: Mayumi Nishida
Parent apathy to sexual education leads to various troubles for the young cast.
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海の地図 (1959)
Character: Akiko
Akiko Mizushina, a university student, is in love with Keisuke Okazaki, a member of the rugby team at the same university. Sugiura, a brilliant scholarly student, also has feelings for Akiko. During the summer vacation, Akiko thought she was enjoying the joys of youth, but she was filled with a feeling that something was missing.
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春の囁き (1952)
Character: N/A
After graduating from a high school in the Seto Inland Sea, Koji, a childhood friend of Yaeko, went to Tokyo to enter university wearing a heartfelt sweater.
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愛染かつら (1962)
Character: N/A
1962 Japanese movie. Remake of the 1939 movie
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やくざ囃子 (1954)
Character: N/A
Makino Masahiro film starring Okada Mariko
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「春情鳩の街」より 渡り鳥いつ帰る (1955)
Character: Suzuyo
Yoshida Denkichi does loses sight of his wife Chiyoko and daughter Toyoko during the war, and is taken in by a familiar woman, Oshige, and becomes the owner of "Fujimura" in the town of Hato. Eiko is a timid woman who hates Terada, a watchmaker who is obsessed with her; Tamie is a hard worker who asks for money from customers to support her mother and daughter Teruko; Tane, who dreams of the day they can be together, gives money to her lover Takeda; Machiko, an apres girl, is selective about her customers in the name of romance. They are women working in the red light district at "Fujimura."
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渦 (1961)
Character: N/A
1961 Japanese movie
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鏡の女たち (2003)
Character: Ai Kawase
Three women who share memories of the Hiroshima disaster try to uncover the hidden family ties that may or may not bind them together.
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女舞 (1961)
Character: Senya
A promising dancer asks her professor to write a libretto for a Nō play. He then introduces her to a student of classical literature, but also a classical theatre student in the hope that the latter will marry Senya..
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夫婦 (1953)
Character: Kumiko, Shigekichi's sister
A married couple looking for an apartment move in with the husband's co-worker, a widower. The husband becomes jealous of the widower and his wife.
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Maihime (1951)
Character: Shinako
The troubled relationship between a writer and his ballet teacher wife, who has for years loved another man, finally leads to the breakup of the family.
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土砂降り (1957)
Character: Matsuko Abe
Tane, the lady proprietor of an inn for amorous couples, lives there with her three children. When her eldest daughter loses her fiancé due to the fact her mother is a mistress, her despair drives her to become a cabaret hostess.
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花の中の娘たち (1953)
Character: N/A
Girls in the Orchard (1953) is about tension between the life of a family in a rural area with all the traditions (continuing family business, taking care of the land)-- and the modernity and lure of a life in the city.
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Tsuma futari (1967)
Character: N/A
After a random encounter at a bar, two couples collide. Two men, two women, embroiled in a love-and-hate drama that threatens to engulf them. The sexual anxiety between the interwoven couples tautens right up to the nearly unbearable tension of the climax...
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製作＝東宝 (1953)
Character: Koto
Period film about a feudal era judge living in Edo
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白魚 (1953)
Character: Kuniko
A family comprised of a man, woman and their only son is torn apart when the father, who is a doctor with his own clinic, is to go off to war. Soon the wife and the son are left without an update of his status and whether he is alive or not. With the clinic lying dormant the doctor's wife rents the premises to her husband's underling. This is a man who does not accept payment from the poor. The woman, in the meantime, works at a restaurant whose owner being ill has given her additional duties. Her younger sister is an unmarried finance writer who also lives with them. It is both sisters, however, who receive marriage proposals.
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白井権八 (1956)
Character: Komurasaki
The film adaptation of the famous tragic love story of the young samurai Shirai Gonpachi and the beautiful courtesan Komurasaki.
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女の坂 (1960)
Character: Akie Tsugawa
Tradition and modernity clash when a young woman inherits a sweet-making firm in Kyoto.
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四谷怪談 (1965)
Character: Oiwa
The ghost of a samurai's wife takes revenge on her husband.
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春の夢 (1960)
Character: Chizuko Okudaira
When a wealthy, selfish family decides to take care of an elderly hobo who collapsed near their home, they are beset by visits from his numerous friends.
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愛人 (1953)
Character: Yoshi
Comedy about a 50-something movie director, his new bride, a classical dancer, and his adult son and daughter and their loves.
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坊っちゃん (1953)
Character: Madonna
1953 Toho adaptation of Natsume's novel.
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足にさわった女 (1952)
Character: Yasukichi's Sister
A screwball tale of a suspected “lady thief” and the detective who is on her trail, following her from Osaka to her home village, where she is going to hold a memorial service for her father. Of course, the detective falls in love with his prey.
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恋化粧 (1955)
Character: Sonoko
An Ishiro Honda film.
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生きてはみたけれど・小津安二郎伝 (1983)
Character: Self
An extremely lovely tribute to Ozu, on the 20th anniversary of his death. It uses a combination of footage from vintage films and new material (both interviews and Ozu-related locations) shot by Ozu's long-time camera-man (who came out of retirement to work on this). Surprisingly (or perhaps not), it focuses less on Ozu's accomplishments as a film-maker than on his impact on the lives of the people he worked with..
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温泉若おかみの旅情殺人推理7 (1998)
Character: Asakura Takako
Akane is the young mistress of Notoraku Inn in Ishikawa Prefecture. She is trained by her mother-in-law, Takako, daily. One day, as Yohei, Akane's husband, and Takako are on their way to a friend's wedding, Rekiko, Yohei's childhood friend, confesses her feelings for Yohei in front of everyone at the hotel. The next day, Reiko's body is found and Akane and Yohei become murder suspects.
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四萬人の目撃者 (1960)
Character: Aiko
Prosecutor Takayama investigates the sudden death of a third baseman in the middle of a game.
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温泉若おかみの殺人推理9 (2000)
Character: Tokiko Matsuzaki
Nami, the young madam of a well-established hot spring hotel in Kotohira, is reunited with her childhood friend Kana who has come to participate in an art auction. However, when people with links to the auction start getting killed one after another, Nami sets out to find the criminal with her detective husband Ryohei.
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夜の終り (1953)
Character: N/A
Walking home late one night, a down-on-his-luck sewage worker runs into a drunk businessman with a briefcase full of cash. His impulsive decision will lead to a long, dark night of the soul, while his lady love, a bar hostess, tries to cope with her sudden change of fortune.
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旅路 (1955)
Character: Otaka
Forced on the road by yakuza obligations, a man sets out on a reckless journey to Tsumagoi. Movie posters for local cinemas were often displayed at sento (public baths) too. The handwritten text on the bottom here announces the film will play at Hassen for 3 days.
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娘三羽烏 (1957)
Character: Michiko Saeki
Japanese romantic comedy film.
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悪女の季節 (1958)
Character: N/A
The common-law wife and daughter of a wealthy old man plot to murder him and steal his fortune, with the help of their male acquaintances.
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さらばラバウル (1954)
Character: Sumiko Komatsu
A squadron of Japanese fighter pilots realise that they are never going to win the war when they understand that Japanese military tactics have little regard for life. Seeking the companionship of any woman who will have them, they spend their days indulging in every fantasy in order to escape the overwhelming fear of death looming just over the horizon.
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金の卵 (1952)
Character: N/A
Once an average and seemingly ordinary Tokyo girl, she suddenly finds herself as a TV star owing to her discovery by a casting company, which noticed photographs that her cousin had sent. When another actress falls ill she is given the role instead. Her first film is a success propelling the young actress to popularity, her own fans, money and a house. While everything looks dandy from the outside not all is well within the family however.
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義士始末記 (1962)
Character: Okatsu
In the 15th year of the Genroku era (1688), the world praised the 47 ronin who avenged the death of their master Asano Takumi-no-kami. Shogun Tsunayoshi, who ruled at that time, experienced difficulties in what punishment to impose on the soldiers. As a result, it was decided to sentence them to seppuk (ritual suicide).
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無宿人別帳 (1963)
Character: Kumi
This suspense drama set in the mid 1700's depicts the plan of the Tokugawa rulers to send a number of homeless men to a remote island Sado to perform forced labor. Living conditions on the island are terrible and the men soon become rebellious. Based on a short story by Seichō Matsumoto.
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告白的女優論 (1971)
Character: Kyoko Ichimori
In this intricately layered Japanese film, the nature of actresses and what they gain from acting is explored. The lives of three actresses are laid bare, and scenes from their lives are woven in and out of interviews with each of them. Each of them has experienced a traumatic event which contributes to their particular enjoyment of becoming someone else in dramatic roles.
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秋日和 (1960)
Character: Yukiko Sasaki
A woman and her daughter are each forced to contend with an increasing pressure to marry, particularly from three men who knew her late husband.
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マルサの女 (1987)
Character: Mitsuko Sugiura
Intrepid tax investigator Ryoko Itakura sets her sights on the mysterious and philandering Hideki Gondo, a suspected millionaire and proprietor of a thriving chain of seedy hourly hotels, who has for years succeeded at hiding the true extent of his assets from the Japanese authorities. Itakura and Gondo soon find themselves engaged in a complicated, satirical battle of wits.
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女囚と共に (1956)
Character: Kazuko Hirai, prisoner
The woman prison has a cast all with a story of their own and with no dull or routine day. There is an employee who is divorced after her husband had an affair. She loves the jailed criminals and almost sees them as family. One day at a workshop someone faints while working hard to make money because she has a poor boyfriend. Another inmate is knocked up Another is a mother and has her child with her.
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Nagareru (1956)
Character: Nanako
Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mother's trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.
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男ありて (1955)
Character: Michiko
Coach Shimamura of the hapless Sparrows baseball team is pleased to obtain a hot new pitcher named Onishi. But when Onishi begins a romantic relationship with the coach's daughter Michiko, Shimamura becomes angry with the young man, lashing out at him when he disobeys instructions during a game. In turn, Michiko becomes angry with her father, who becomes increasingly depressed. When a tragedy strikes the family, Coach Shimamura begins losing control of his life, just when his family and his team need him most.
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吾輩は猫である (1975)
Character: Hanako
Nakadai is an English teacher at a local school. He’s put-upon like the patron figure of dozens of films and televisions shows. Viewers who are especially fans of Nakadai will appreciate how the actor comically rants about here. His home life is almost disastrous, with a ditzy (but attractive) wife, three young children, a loud school nearby that’s controlled by a corrupt businessman he loathes, and frequent visits from layabout friends. And the grey-furred, green-eyed cat!
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激動の1750日 (1990)
Character: N/A
After the death of previous Boss, a gang war lasts for more than four years.
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制覇 (1982)
Character: Hiroko Tadokoro
When the patriarch of Japan's most powerful yakuza family is shot, his wife is left to pick up the pieces and carry on the legacy.
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おもちゃ (1999)
Character: Hanaman's owner
Set in the late 1950s, when geisha culture was threatened by moral crusades, it tells the story of Omocha (Miyamoto Maki), a young girl who sees the geisha life as a way to lift her poverty-stricken family from their hand-to-mouth existence. Through her eyes, we see the protocols and complex financial relationships which dictate the running of the geisha house. Fukasaku's film is a work of great delicacy with moments of hypnotic beauty, and his tender direction, often touched with a sense of wonder, fills the screen with lovingly constructed scenes. At its heart is the poignant situation of the women who must sacrifice their normal relationships to live an ambiguous life in which they are a key part of society while being kept, for the most part, on its periphery, like perpetual mistresses.
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柳生武芸帳 双龍秘剣 (1958)
Character: Rika
In the Tokugawa Era, the clan of Lord Yagyu has hidden away three scrolls containing clan secrets which, if revealed, would cause revolution and disaster for the clan. The information is divided among the three scrolls, all of which must be possessed for the secrets to be understood. When Princess Yuhime steals the scrolls, Tasaburo, a samurai with magical powers, and his brother Senshiro are sent to retrieve them. In Part II, the search for the scrolls continues.
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白蝋の死美人 (2004)
Character: Kazuko Izawa
The wife of a famous resident of Kamakura awakens to carnal passion . . . And when her blood cools down it's because she's been murdered!
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柳生武芸帳 (1957)
Character: Rika
In the Tokugawa Era, the clan of Lord Yagyu has hidden away three scrolls containing clan secrets which, if revealed, would cause revolution and disaster for the clan. The information is divided among the three scrolls, all of which must be possessed for the secrets to be understood. When Princess Yuhime steals the scrolls, Tasaburo, a samurai with magical powers, and his brother Senshiro are sent to retrieve them.
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序の舞 (1984)
Character: Sei Shimamura
This story is based on the novel "Jo no mai" by Tomiko Miyao which is based on the life of painter Shōen Uemura (1875–1949), the first woman to be awarded the Order of Culture. The title refers to the masterpiece bijinga ("picture of a beautiful woman") that Uemura painted at the age of 61. The main character, Tsuya Shimamura, is born in Kyoto as the second daughter of a tea trader who dies before her birth. Tsuya, who loves painting more than anything and is hopeless at housework, attends art school and at age 15 receives the name Shōsui (from the characters for "pine" and "green") from her teacher. The crown prince of England purchases one of her works, propelling her to fame overnight. The novel portrays the remainder of her stormy life, during which she is impregnated by her teacher and raises a fatherless child; through it all she devotes herself to her painting, undaunted.
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炎と女 (1967)
Character: Tatsuko Ibuki
Shingo and Ritsuko have a baby: Takashi. They happen to be a happy couple, but soon Ritsuko wants to know who is the true father of Takashi, born by artificial insemination.
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真赤な恋の物語 (1963)
Character: N/A
Assistant Police Inspector Saburo Tatsuno, a former jazz pianist, is assigned to uncover a narcotics ring. But he falls victim to the seductive wiles of Maki, the beautiful night club singer and one of the leaders of the ring. One by one, Maki's discarded lovers vanish and Tatsuno faces a similar fate. Tatsuno confesses to his identity under torture and this leads to the murder of his undercover colleague. He realizes that his career is ruined and this, plus Maki's charm, induces him to join the smugglers. Before submitting his resignation, however, he leads the police on a wild-goose chase while a big narcotics transaction is taking place in another part of town, and this puts him among the leaders of the underworld. When Maki turns her attention to a youthful singer, Tatsuno realizes that he has gambled his whole life and lost. So he stabs the tantalizing beauty, and is in turn shot down in a gangland revenge killing.
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日本の仁義 (1977)
Character: N/A
When a mob boss retires under political pressure, his successor and yakuza family are tested to their limits as new alliances and enemies are formed.
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金田一耕助の冒険 (1979)
Character: Kyoko Yasugi
Obayashi's take on the famous Kosuke Kindaichi series, made popular partly thanks to the numerous movie-adaptions by Kon Ichikawa, the most known being The Inugami Family. Kosuke Kindaichi is the most famous detective in Japan. Kindaichi gets a new case to figure out who has beheaded a valuable statue and made off with its head.
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続宮本武蔵 一乗寺の決闘 (1955)
Character: Akemi
After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers. While Otsu waits, Akemi also seeks him, expressing her desires directly. Meanwhile, Takezo is observed by Sasaki Kojiro, a brilliant young fighter, confident he can dethrone Takezo. After leaving Kyoto in triumph, Takezo declares his love for Otsu, but in a way that dishonors her and shames him. Once again, he leaves alone.
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香華 (1964)
Character: Tomoko
After her mother runs away from home, Tomoko is raised to be a geisha. One day Tomoko meets her mother in a red-light district in Tokyo and her life deeply gets in trouble.
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顔 (1957)
Character: Akiko Mizuhara
A notorious abortion doctor fell down from a night train and he was dead. A man who knows the truth of this accident starts to chase a up-and-coming model.
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森繁よ何処へ行く (1956)
Character: Michiyo
A man who seemed to have found happiness with a wife and child loses his wife and his daughter gets married... A man's life, full of joy and sorrow, is vividly depicted to the tune of "Moonlit Desert" in this humanistic drama full of pathos, starring Hisaya Morishige.
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凍河 (1976)
Character: N/A
A young doctor starts working at a mental hospital in the Yokohama region and falls in love with one of the patients there.
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人間の証明 (1977)
Character: Kyoko Yasugi
When an American is murdered in a Japanese inn, Tokyo police detective Munesue follows the trail of the killer to New York. There he is joined by a New York City detective named Shuftan and together they sort out the crime.
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女のみづうみ (1966)
Character: Miyako Mizuki
A married woman lets her lover take naked pictures of her. The photos end up in possession of a man who starts blackmailing the couple.
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猟銃 (1961)
Character: Midori Misugi
Story of a woman, Saiko, who divorces her doctor husband when she is given a baby by a stranger who claims it is the husband's child. Saiko embarks on an affair with her cousin's husband, but a crisis threatens when she discovers that her ex-husband is about to remarry.
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黒帯三国志 (1956)
Character: Kikuko Kamo
Masahiko Koseki, a judo master, gets in several fights as a result of protecting a young woman. Despite his success, Koseki is expelled from his judo school because of his propensity for street fighting. He goes to work for a gangster named Joji, but when he realizes that Joji is mixed up in the slave trade, Koseki helps the police in their attempts to foil Joji.
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宮本武蔵 (1954)
Character: Akemi
Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.
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浮雲 (1955)
Character: Sei Mukai
A married Japanese forester during WWII is sent to Indochina to manage forests. He meets a young Japanese typist and promises to leave his wife. He doesn't and after the war, she turns up and the affair resumes.
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男性ＮＯ.１ (1955)
Character: Michiko
Gangsters Ken and Maki are rivals in the ticket-scalping game. They make an uneasy truce, but Ken wrecks the truce by agreeing to fix a boxing match in which Maki has an interest in one of the fighters. After a terrible brawl, the two gangsters discover that they have both been played for suckers by their bosses. They join forces to turn the tables on the bosses.
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水で書かれた物語 (1965)
Character: Shizuka Matsutani
Struggling with his true emotions, dreams, memories of the past and the reality Shizuo is about to marry, but is torn between his wife-to-be and the love to his mother.
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囚人船 (1956)
Character: Miki
A film by Hiroshi Inagaki.
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煉獄エロイカ (1970)
Character: Nanako Shoda
Rikiya Shoda is an engineer working for the Atomic Agency in Japan. One day, his wife Nanako returns home with a lost teenager called Ayu. A man, pretending to be the father, comes to get her back; Ayu keeps telling him that Rikiya and Nanako are her parents. Through this disruption, Rikiya suddenly starts remembering his youth as a revolutionary.
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さらば夏の光 (1968)
Character: Naoko Toba
A spontaneous romance blooms between Kawamura, a professor touring Europe, and Naoko, a married woman living in Paris, scarred by the Nagasaki atomic bombings. The two protagonists travel around Europe trying to find themselves.
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タンポポ (1985)
Character: Spaghetti Teacher
In this humorous paean to the joys of food, a pair of truck drivers happen onto a decrepit roadside shop selling ramen noodles. The widowed owner, Tampopo, begs them to help her turn her establishment into a paragon of the "art of noodle-soup making". Interspersed are satirical vignettes about the importance of food to different aspects of human life.
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エリ・エリ・レマ・サバクタニ (2005)
Character: Navi
A.D. 2015: A virus has been spreading in many cities worldwide. It is a suicidal disease and the virus is infected by pictures. People, once infected, come down with the disease, which leads to death. They have no way of fighting against this infection filled with fear and despair. The media calls the disease the "Lemming Syndrome".
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不信のとき (1968)
Character: N/A
"The Time of Reckoning" transforms a screwball-comedy plot into a sober study of a successful businessman with serious relationship problems involving three women: his wife of ten years who announces she is pregnant by another man; a mistress who wants to have a baby with him; and an ex-lover who claims he fathered her son.
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赤穂城断絶 (1978)
Character: Riku Ohishi
This is the story of "The Forty-Seven Ronin." Based on historical events in 1701-2, the movie tells the tale of the Asano clan's downfall and the revenge of its former samurai on the perpetrator of the catastrophe. Lord Asano was goaded, or tricked, into drawing his sword inside the Shogun's palace -- a crime which carried the death penalty. The newly installed Shogun was furious at Asano and ordered all his clan's assets seized, meaning some 20,000 samurai and commoners were unemployed and landless at a stroke. Forty-seven of these ronin (masterless samurai) banded together to take attempt revenge on Lord Kira, who had goaded Asano into drawing his sword.
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情炎 (1967)
Character: Oriko
As a young woman, Oriko condemned her widowed mother for openly pursuing relationships with younger men. After her mother passes away, she finds herself in an unhappy, loveless marriage and begins to understand her mother’s actions.
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秋刀魚の味 (1962)
Character: Akiko
Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.
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橋 (1959)
Character: N/A
A 1959 Yoshiaki Bansho adaptation of an Osaragi Jiro story.
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結婚期 (1954)
Character: N/A
Urban love comedy in which Koji Tsuruta, who works for the Tokyo Metropolitan Government's Parks and Greenery Department, plays love shepherd to a number of women, including his true love, Inako Arima.
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歌え若人達 (1963)
Character: Mariko Okada
A story about four best friends and their lives inside and outside college. Then suddenly one of them receives a surprising offer to be a movie star.
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秋津温泉 (1962)
Character: Shinko
Yoshida’s first big-budget production and colour film is a haunting tale of unrequited love and postwar disillusion. The story of the fatal attraction between a spineless intellectual and a strong woman is conventional, but its enactment is radically new.
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樹氷のよろめき (1968)
Character: Yuriko Anzai
In an isolated mountain resort, a woman gets involved in a love triangle between herself, her volatile lover and her ex-boyfriend, for whom she had platonic feelings.
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宮本武蔵完結編 決闘巌流島 (1956)
Character: Akemi
A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.
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今年の恋 (1962)
Character: N/A
Hikaru and Ichiro are close friends in high school. Hikaru's elder brother Tadashi fell in love with Ichiro's elder sister, Mikako at first sight. Although she gave the cold shoulder to Tadashi, she gradually became fond of Tadashi.
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エロス＋虐殺 (1969)
Character: Noe Ito / Mako Ito
Two interwoven stories. The first is a biography of anarchist Sakae Osugi which follows his relationship with three women in the 1920s. The second centers on two 1960s students researching Osugi's theories.
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