Bruce Baillie

Personal Info

Known For

Directing

Known Credits

0.6823

Gender

Male

Birthday

24-Sep-1931

Age

(95 years old)

Place of Birth

Aberdeen, South Dakota, USA

Also Known As
  • Брюс Бейлли

Bruce Baillie

Biography

Bruce Baillie (September 24, 1931 - April 10, 2020) was an American cinematic artist and founding member of Canyon Cinema in San Francisco. In 1961, Baillie, along with friend and fellow cinematic artist Chick Strand, among others, founded San Francisco Cinematheque.


Credits

I Wish I Knew I Wish I Knew (1989) Character: N/A
With Lorie, Wind and BB.
Please Leave a Message: Anthology Film Archives Voicemails Through the Ages Please Leave a Message: Anthology Film Archives Voicemails Through the Ages (2022) Character: N/A
This very special film features a carefully curated selection of some of the priceless messages that have graced Anthology’s voicemail system over the years. From the historically important to the utterly (and sublimely) absurd, they feature a cast of characters ranging from legendary avant-garde filmmakers, scholars, and other cultural figures to civilians whose legend has (until now) been confined to the offices of Anthology, thanks precisely to their witty, eloquent, eccentric – or in some cases unforgettably psychotic – voicemails. We’ve toyed with the idea of sharing these messages in some form for years, and the “Imageless Films” series provides a perfect pretext.
This Kind of Thing - He and Us (Bruce Baillie) This Kind of Thing - He and Us (Bruce Baillie) (2000) Character: N/A
Filmed portrait of Bruce Baillie, a mythical figure from the northern Californian experimental film scene. Produced without a script or shooting schedule, the film lies somewhere between a home movie and documentary. It integrates chance and discontinuity, repeats the same sequences in loops, alternates between color and black and white, and is interspersed with frames that are empty, blurry, or reversed. The soundtrack consists of an improvised monologue by Bruce Baillie which unfolds without interruption, following his discontinuous flow of thought.
For Bruce For Bruce (1969) Character: N/A
Impressions during a visit to Bruce Baillie’s farm in Fort Bragg.
Media Chats #1 Media Chats #1 (2000) Character: Self
Video recording made by Bruce Baillie to accompany public presentations and classroom screenings of his work.
The Gymnasts The Gymnasts (1961) Character: N/A
An early work by Bruce Baillie, originally a Canyon Cinemanews.
Dr. Bish Remedies Dr. Bish Remedies (2013) Character: N/A
From Ross Lipman's "personal ethnographies" series, an informal visit with legendary filmmaker Bruce Baillie at his home on Camano Island in Washington State.
Spring (The Laundry Lesson) Spring (The Laundry Lesson) (2016) Character: Himself
(The Laundry Lesson) For Jefferson Sunflower
Notes on the Buffalo Conference: “Autobiography in American Independent Cinema” Notes on the Buffalo Conference: “Autobiography in American Independent Cinema” (1973) Character: N/A
During the 1970s I shot, helped to make, or commissioned about ten document films, mainly about film-makers. This film is one of them. It was made with Dan Ochiva, who acted as cameraman on about half of the footage. I shot the rest, and then edited the film. It is a record of a conference held at the State University of New York at Buffalo on March 22-25, 1973. Among the participants filmed were Gerald O'Grady (who organized the conference), Will Hindle, Stan Brakhage, Jonas Mekas, Robert Creeley, Bruce Baillie, Scott Bartlett, Hollis Frampton, Ken Jacobs, Ed Pincus, Stan Vanderbeek, Ed Emshwiller, Sally Dixon, James Cox. This footage will eventually become part of my film PEOPLE, PLACES, THE 1970S. –R. H.
Bruce Baillie Study Reel Bruce Baillie Study Reel (2002) Character: Self
Finnish filmmaker Sami van Ingen, a great-grandson of Robert Flaherty, made an expedition to the residence of Bruce Baillie not long after the turn of the century and documented the results of his visit. Study Reel is, as Baillie described it in a letter to the Brazilian magazine Tropico, "filled with commentary on various of the films along with the one-hour video of myself and family".
Birth of a Nation Birth of a Nation (1997) Character: Self
Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.



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