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春雷 (1939)
Character: N/A
Eiko is an innocent young lady born into a wealthy family with nothing to offer. She was good at singing, and lived her life playing around with her cronies, organizing music concerts and so on. However, things change when her father's business fails and she was suddenly thrown out into the world without any foundation. Eiko has no one to support her after she loses her social status, and her only tutor, Shinnosuke (Natsukawa Daijiro) was the only one who was sincere. Eiko is a stickler for using everything she can get her hands on, and she quickly moves into Shinnosuke's house.
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愛国の花 (1942)
Character: N/A
A nurse's tale of self-sacrifice during wartime. The title is borrowed from a patriotic song made popular by singer Hamako Watanabe during the Second Sino-Japanese War.
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愛よ人類と共にあれ 前篇 日本篇 (1931)
Character: Yu's Mother
The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.
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愛よ人類と共にあれ 後篇 米国篇 (1931)
Character: N/A
The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.
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母の戀文 (1935)
Character: N/A
Domestic comedy involving a strong wife and a "henpecked" husband taking place in a family-run judo school.
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都会の奔流 (1940)
Character: N/A
A young yakuza student is led back to the straight and narrow path by his uncle.
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花は偽らず (1941)
Character: N/A
Hana wa itsuwarazu (1941) is the second directorial work by Shochiku's Oba Hideo. Oba had previously worked as an assistant director to Shimizu Hiroshi and penned films for Shimazu Yasujiro. In this early effort, he is not stylistically very far from either, but then again all Shochiku directors resemble each other to a point. The film is an everyday romance for younger audiences, full of clean, ideal human beings.
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或る女 (1942)
Character: N/A
Pretty Oshige is deceived by her first love. After this, she lives a hard lifestyle, working at a number of jobs. Her only pleasure is her nephew, who eventually becomes a merchant marine. When Oshige meets her old love ten years later, she is able to forgive him and even thank him for the path her life has taken.
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暴風帯 (1932)
Character: Shoichiro's Mother
Japanese silent film from 1932.
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晴曇 (1933)
Character: Oyoshi
Japanese film from 1933, adapted from a story serialized in the entertainment magazine "Fuji."
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お小夜恋姿 (1934)
Character: N/A
The poor novelist Yamamoto is writing his novel, determined and with a headband around his head. With him, the novelist who is always in trouble paying his bills, is the girl Saya who becomes the model for his novel. Saya however is in love with a young driver. When he is forced to move into a spa town as the result of the jealousy of another man Saya is terribly sad. But with the help of Yamamoto the driver's rival can be revealed and Saya can finally be with her beloved.
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金環蝕 (1934)
Character: Kanda's grandmother
The story is centered around the devastating experiences of two villagers, Osaki Shuichi, and his cousin, Nishimiura Kinue, when they leave their hometown for the metropolis of Tokyo. They are in love with each other, but Kinue is expected to marry the lawyer Kanda Seiji. In consequence, Shukichi leaves for Tokyo, where he becomes tutor to the son of the rich Iwaki family. The heartbroken Kinue also makes her way to the capital, where she becomes a bar hostess.
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暖流 (1939)
Character: Takiko Shima
Adaptation of Kishida Kunio's novel. Set against the backdrop of a power struggle within a hospital, depicts the love lives of the director's daughter, the administrative director, a doctor, and a nurse.
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母と子 (1938)
Character: Mrs. Kudo
The movie follows a young woman (Kinuyo Tanaka), a daughter of a high-ranking businessman and his neglected mistress, as she struggles to ease her mother's loneliness, while also having an affair with her father's subordinate.
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若者よなぜ泣くか (1930)
Character: Lady
A modern girl suddenly intrudes into a widower's family home.
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婦系図 (1934)
Character: Kin Sakai
A melodrama by noted auteur and father of director Yoshitaro Nomura, Hotei Nomura. This is apparently the first adaptation of Izumi Kyoka's The Romance of Yushima.
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風の女王 (1938)
Character: N/A
A man and his girlfriend work for a cosmetics company, but would like to open their own store. The company is planning to send someone to Paris for special training and the man tries to get the general manager to send his girlfriend since this training would help them to start their own business. The general manager selects another woman and the trouble begins.
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青春譜 (1930)
Character: N/A
Shirō Kuroki, the adopted son of the Yamada family, shares a deep and mutual love with his foster sister, Kinuko Yamada. His commitment to political and social causes, however, provokes the anger of his foster father, who casts him out of the household. Forced into exile, Shirō faces hardship and struggle. The film was based on a serialized novel written by the poet Byakuren (real name Akiko Yanagiwara) and echoes the real-life scandal known as the Byakuren incident.
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天国に結ぶ恋 (1932)
Character: N/A
Based on the Sakatayama double suicide
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絹代の初恋 (1940)
Character: N/A
Kinuyo is a daughter of rice cracker shop in downtown. She fell in love with her sister's boyfriend. It is a story whose theme is warm human relationships in a town of customs and manners.
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螢の光 (1938)
Character: N/A
Approaching their graduation ceremony, Saegusa, Sanae, and their classmates go on an overnight trip to Hakone with their teacher Ms. Kawahara, who will soon leave school. They thank her doing so and go on their respective paths, ending soon their student life.
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愛染かつら (1938)
Character: N/A
A young doctor, Kozo Tsumura, falls for young nurse Katsue Takaishi. But she's got a secret: she's a widow with a son. Kozo and Katsue decide to run away to Kyoto, but her child suddenly became sick and she just missed the train and Kozo. She makes it to Kyoto finally, but is unable to meet him. Plus she isn't accepted into Kyoto society. She goes back to her hometown and tries to forget him. She quits the hospital to concentrate on her singing. She makes her professional debut with the hit "Aizen Katsura". Kozo is in the audience.
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お加代の覚悟 (1939)
Character: Omine, Shunsaku's mother
A young student of traditional dance falls in love with a handsome young man who visits the dance school in order to take photographs.
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生さぬ仲 (1932)
Character: Kishiyo, Atsumi's mother
An actress returns to Tokyo after a successful stint in Hollywood to reclaim—with the help of her gangster brother—the daughter she abandoned years before.
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隣の八重ちゃん (1934)
Character: Matsuko
Keitaro is a law student and Yaeko is a high school girl. They are neighbors, and their friendship is starting to develop into something more romantic. Then, Yaeko's sister Kyouko has a breakup with her husband and returns home. Kyouko is clearly interested in Keitaro and Yae becomes anxious.
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青春の夢いまいづこ (1932)
Character: Baroness Yamamura
When a young man inherits his father's lucrative business, he cheats the system to set up three of his college friends with jobs.
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南の風 (1942)
Character: N/A
Amusing masterpiece from director Yoshimura Kazusabu divided in two parts taken from the newspaper serial novel of Shishiko Shishi. Like in "Warm Current", Shin Saburi, Mieko Takamine and Mitsuko Mito are appearing, but this is a fresh comedy very unusual for wartime.
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生きてゐる孫六 (1943)
Character: N/A
A wealthy family will not allow the military to grow crops on their fields due to their superstitious beliefs about their son's illness.
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婚約三羽烏 (1937)
Character: Sonshichi's wife
Three men vying for the same job end up chasing the same girl in this comedy-drama from noted Japanese director Yasujiro Shimazu.
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戸田家の兄妹 (1941)
Character: Mrs. Toda
After the death of her husband, an elderly woman and her youngest, unmarried daughter are forced to sell their house to cover his debts and decide to move in with one of the former's children, each of whom is scarcely happy to accommodate.
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淑女と髭 (1931)
Character: N/A
Graduate Okajima finds his old-fashioned beard makes life difficult in a comedy exploring the tension between tradition and modernity.
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続 南の風 (1942)
Character: N/A
In this comic sequel to Yoshimura Kozaburo's original, Minami no Kaze, ex-baron (Saburi Shin) is in Singapore where he meets an old friend who proposes a scam to make some quick cash. It involved inventing the story that Saigo Takamori didn't actually die in the Satsuma Rebellion but escaped to Southeast Asia to start a new religion and in the process fathered a son who is now the founder. But when they bring the supposed heir and his aide to Japan, chaos ensues...
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限りなき舗道 (1934)
Character: mother
Mikio Naruse’s final silent film is a gloriously rich portrait of a waitress, Sugiko, whose life, despite a host of male admirers and even some intrigued movie talent scouts, ends up taking a suffocatingly domestic turn after a wealthy businessman accidentally hits her with his car.
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春琴抄 お琴と佐助 (1935)
Character: Shige
A period piece about the love of a wealthy blind woman, a teacher of koto and shamisen, and her devoted manservant. Based on a novella by Tanizaki Junichiro.
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愛より愛へ (1938)
Character: Shigeo's mother
Shigeo is an aspiring writer living with his girl friend Minako and hoping for success and a better tomorrow every day. Both live on what Minako earns from working in a café. Shigeo is not happy with the situation and neither is his family who do not approve of Minako. Especially his uncle tries to convince him to leave Minako, even using his influence behind the scenes. Things start to change when Shigeo's sister pays the young couple a visit, being the first member of Shigeo's family to actually get to know Minako in person.
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三十三間堂・通し矢物語 (1945)
Character: Hoshino's mother
Young, timid bowmaster Kazuma seeks to beat the archery record set by Hoshino Kanzaemon, a mysterious figure who, it is rumoured, drove the previous champion—Kazuma’s father—to suicide. Possessed of much raw talent, Kazuma is very much a coward, holing up in an inn and generally avoiding confrontation. Despite his best attempts to remain clandestine, the locals know of Kazuma’s purpose and an attempt is made on his life. He's saved by Karatsu Kanbei, a samurai who offers to help Kazuma hone his archery skills, though it becomes clear that this apparently selfless stranger has potentially shady ulterior motives.
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