Geraldo Sarno

Personal Info

Known For

Directing

Known Credits

0.4763

Gender

Male

Birthday

06-Mar-1938

Age

(88 years old)

Place of Birth

Poções, Bahia, Brazil

Also Known As
  • NO INFO PROVIDED

Geraldo Sarno

Biography

Geraldo Sarno (6 March 1938 – 22 February 2022) was a Brazilian documentarist, screenwriter and film director. Born in Poções, after studying law at the Universidad del Salvador Sarno moved to São Paulo where he became an assistant of Thomaz Farkas. He made his directorial debut in 1965 with the Farkas-produced Viramundo, about the internal migration in north-east Brazil, which was one of the major themes in his documentary career. Among Sarno's best known works was the critically acclaimed film Colonel Delmiro Gouveia (1978), a mix between documentary and fiction which has been described as "the last really significant title of the Cinema Novo movement". In 2008, he won the award for best direction at the Brasília Film Festival for the film Tudo Isto Me Parece Um Sonho, while in 2010 his film O Último Romance de Balzac was awarded the Special Jury Award at the Gramado Film Festival.


Credits

Depois do Transe Depois do Transe (2006) Character: Self
The documentary "Depois do Transe" covers the entire process of creating the masterpiece "Entranced Earth", which was released and awarded at the Cannes Film Festival in 1967. "Entranced Earth" charmed the world and won great admirers such as filmmaker Martin Scorsese and the writer Marguerite Duras, who at the time considered a "fabulous filmic opera."
Milagrez Milagrez (2008) Character: Self
Documentary on "Antonio das Mortes", Glauber Rocha's 1969 film.
Dois Sertões Dois Sertões (2023) Character: Self
The work and life of the important Brazilian filmmaker Geraldo Sarno are intimately revealed during the filming of the series "Sertão de Dentro" and the feature film "Sertânia".
Cinema Novo Cinema Novo (2016) Character: Self - Filmmaker (archive footage)
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.



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