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La muerte de Sebastián Arache y su pobre entierro (1974)
Character: Ana Tamayo
A legend of curses and death in an austere and dry desert where rain will not fall. The story focuses on the experiences and misery of an indigenous man who meets his death in the middle of the film. The dead time and the morosity of the story operate as the stylistic foundation of this indispensable national film that was shot in Patquía, La Rioja.
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Kindergarten (1989)
Character: Grandmother
Graciela and Arturo operate a kindergarten in their mansion. Graciela is particularly keen on one boy, Luciano, on whom she makes sexual advances.
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Turbión (1938)
Character: Ana María
Two gangs of drug traffickers try to control the monopoly of drugs in the city, while the police commissioner tries to kill them with the help of a snitch, "the puppet".
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El Fausto criollo (1979)
Character: N/A
An old gaucho tells his young friend about a time in the big city when he went to the Opera, and narrates to him the whole plot of Gounod's Faust. His young friend reimagines the story he's hearing, with himself in the central role.
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Poncho blanco (1936)
Character: N/A
A teacher who has secluded herself in a small town is harassed by a commissioner.
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Así es el tango (1937)
Character: Malva
Two unfaithful husbands have to win their wives back while they take their revenge on them by going out with other people.
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El bote, el río y la gente (1960)
Character: N/A
An old boat is a silent witness of how the lives of the characters on board are fleetingly intertwined on a predetermined day.
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Pampa bárbara (1945)
Character: Camila Montes
In a fort in the middle of the Pampa, their commander Hilario Castro decides to bring women from Buenos Aires, for deserting soldiers.
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Petróleo (1940)
Character: N/A
A man who has invested a lot of money in the extraction of petroleum in Comodoro Rivadavia is betrayed by his foreman.
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La isla (1979)
Character: N/A
A young man enters an institute for the mentally ill and falls in love with a patient from whom he will distance himself after her rehabilitation.
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El cañonero de Giles (1937)
Character: Anita
A town football player becomes a figure for his strange gift of gaining strength by listening to the barking of a dog.
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Los Tres Berretines (1933)
Character: Susana
The members of a Buenos Aires family have three hobbies — "berretines" in Buenos Aires slang — that keep them apart of their duties. Because of that, the family business is going down, and the only one who is concerned is the father, who hopes for his fourth son, an architect, to save the situation.
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En la ardiente oscuridad (1959)
Character: Esposa de Don Pablo, el director
In an institution for the blind, a man rails against his misfortune, his energy and thinking distorted by a need to fight his blindness. Unhappy and unable to come to grips with his condition, he stirs a sympathetic chord in another blind inmate. She in turn, slowly enters into a relationship with him that starts to transform the ways he perceives himself and his blindness.
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Una mujer... (1975)
Character: N/A
After seven years in jail, a woman is released and has to re-enter society.
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Mandinga en la sierra (1939)
Character: N/A
A village healer accuses a plastic surgeon who comes to the mountains to rest of being diabolical.
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