|
|
|
La cigarra (1948)
Character: N/A
Soledad, known as "La Cigarra", agrees to sing in Buenos Aires to have the opportunity to meet her liar boyfriend, whom she tries to forget in Rio.
|
|
|
Inspiración (1946)
Character: N/A
Film about the biography of the musician Franz Schubert.
|
|
|
Amor libre (1969)
Character: N/A
A beautiful young girl tired of waiting for his boyfriend to propose to her, will generate a series of amorous misunderstandings.
|
|
|
|
|
|
|
La fuerza ciega (1950)
Character: N/A
A shipyard owner rapes the daughter of a blind worker, unaware that she is his own son's girlfriend.
|
|
|
Cuando canta el corazón (1941)
Character: Emma
A boy's family wants him to marry a girl of the same position even though he is in love with another girl.
|
|
|
Ritmo, Sal y Pimienta (1951)
Character: N/A
A young woman wants to dedicate herself to Spanish music and her father opposes it, but she continues with her project.
|
|
|
|
|
Adiós Pampa Mía (1946)
Character: Inés
A humble theatrical prompter becomes a star of the song recreating with his voice and image the traditional iconography of the roads traveled in his longed-for land.
|
|
|
A La Habana me voy (1950)
Character: Laurita
Backstage musical: showbiz couple fusses and breaks up, then resolve their problems just before the end.
|
|
|
Pampa bárbara (1945)
Character: Dominga
In a fort in the middle of the Pampa, their commander Hilario Castro decides to bring women from Buenos Aires, for deserting soldiers.
|
|
|
Riachuelo (1934)
Character: N/A
A thief ends up in the Riachuelo zone and after a revealing event, he stops stealing and starts working.
|
|
|
Bajo la Santa Federación (1935)
Character: N/A
A love triangle in the Buenos Aires of the time of Rosas between a young federal woman, a mazorquero and a unitary conspirator.
|
|
|
Mi noche triste (1952)
Character: N/A
The plot reflects the figure of Pascual Contursi, tango poet. In love with a singer, he leaves his wife and son to go with her. Some time later, the singer leaves him and he composes the tango that gives the film its title.
|
|
|
|
|
Hogar, dulce hogar (1941)
Character: Señorita Gurruchaga
A capricious lady resigns herself to work as the host of a female radio program where she sings jingles and gives advice on cooking and gardening, putting aside her love of police novels, but she will find herself involved in a murder.
|
|
|
Suegra último modelo (1953)
Character: Isabel Cienfuegos
A woman tries to annul her daughter's marriage by making her boyfriend believe that he is the real father of her daughter.
|
|