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Guacho (1954)
Character: N/A
A handsome newcomer in a village marries a local girl. A year or so later an abandoned baby is left on the couple's doorstep, a baby the man had with another woman. They decide to raise the kid along with the one they had together.
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Caballito criollo (1953)
Character: N/A
A young horse breeder will show his grandfather how they can adapt to the times and prove his theory.
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Gente conmigo (1967)
Character: Paisana
An Italian woman arrives in Buenos Aires and suffers all kinds of social and personal misadventures.
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La cosecha (1967)
Character: N/A
A farmer wants to register his harvest in the town's records and is imprisoned in a legal regime that encourages various excesses.
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Evasión (1947)
Character: Julia
A fugitive and two married couples get trapped in a mine.
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La Tierra del Fuego se apaga (1955)
Character: N/A
In the faraway lands of the south of the Patagonia, in a town made up of wrongdoers and thieves, a mysterious and solitary man takes a prostitute to live with him at his ranch. However, her past follows her, and he is forced to face it head on.
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Pampa bárbara (1945)
Character: La Todilla
In a fort in the middle of the Pampa, their commander Hilario Castro decides to bring women from Buenos Aires to prevent deserting soldiers.
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El festín de Satanás (1958)
Character: N/A
With his own money, Pappier produced this ambitious adaptation of Manuel Gálvez's "Miércoles Santo", whose release was delayed for three years due to political reasons. When it finally came out, it bombed, but its formal originality was mentioned even in unfavorable reviews. Later, it became a cursed film, impossible to see due to lack of prints. To date, it remains lost in great part.
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La muerte camina en la lluvia (1948)
Character: Valeria Duval
A murderer terrorizes the city of Buenos Aires by attacking on the streets on rainy days and always leaving a card with the name "S. López". A local boarding house full of eccentrics appears to house a possible suspect.
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Dock Sud (1953)
Character: N/A
A trolley falls from a bridge to the Riachuelo, killing almost all its passengers. The families of the victims receive compensation, they improve their lifestyles and look down on the worker who didn't take the trolley that mortal day.
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La parda Flora (1952)
Character: N/A
Early twentieth century in Greater Buenos Aires, where the passion of a woman of dubious past for the son of a rich man who has influence in the police develops.
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Abuso de confianza (1950)
Character: N/A
A homeless young woman breaks into a married couple's house claiming to be the man's daughter, but she regrets the deception.
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La venenosa (1958)
Character: N/A
A snake charmer's assistant (who later becomes a trapeze artist) brings bad luck in the circus to those who fall in love with her. Her decision to become a trapeze artist comes after the accident that the main character has during a presentation.
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La simuladora (1955)
Character: N/A
To avoid imprisonment, a woman pretends to be crazy after killing the man who blackmailed her sister.
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Las aventuras de Jack (1949)
Character: Tía Archambaul
In the 19th century, the son of a frivolous countess faces the rigors of a tragic life.
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Suburbio (1951)
Character: N/A
Two sisters struggle to get out of a Buenos Aires suburb, where debts with a loan shark have kept them apart. But soon the inhabitants of the neighborhood forget their differences before the appearance of an epidemic.
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Edad difícil (1956)
Character: Vieja de las siete polleras
The love between two teenagers awakens.
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