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¡Delirio! (1944)
Character: N/A
In order to verify if her husband is cheating on her, a woman fakes her death and returns home pretending to be her twin sister.
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Rapsodia gaucha (1932)
Character: N/A
Attempt to be the first Argentine feature film with sound recorded on tape - until then the Vitaphone system was used - but the experiment did not work and the dialogues were not understood. For this reason, it was never released.
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Último refugio (1941)
Character: Ana María
Albareda does not doubt to betray her lover running away after denouncing him.
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Deshojando margaritas (1946)
Character: Leticia
Workaholic kindustrial tycoon is kidnapped and learns the value of a more leisurely lifestyle.
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Internado (1935)
Character: N/A
A student leaves medicine to pursue singing and his girlfriend falls in love with his brother.
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El caballo del pueblo (1935)
Character: Esther Peña
Unscrupulous businessman is plotting a hostile takeover, looking for ways to fix a horse-race, and scheming to force a failed businessman to marry his daughter to him to avoid financial ruin.
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Venido a menos (1984)
Character: Mimí Vermet
To continue pretending to be a position they no longer have, a run-down upper-class family moves into the home of a wealthy aunt.
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Noche de bodas (1942)
Character: N/A
For reasons that will be revealed in the end, a woman mysteriously returns to her parents' home on her wedding night.
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Mi novia es un fantasma (1944)
Character: Cameo
A humble maid is confused with a millionaire from a misunderstanding in the hotel that works and a journalist falls madly in love with her.
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Me gusta esa chica (1973)
Character: Margarita de Galíndez
The son of a renowned surgeon wants to be a singer and falls in love with a bohemian young woman.
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Locos de verano (1942)
Character: Elena Gómez
The vicissitudes of the members of a Buenos Aires family facing their economic bankruptcy and the attitude of each one of them in the emergency.
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Bárbara (1980)
Character: La Dama
Barbara is an Italian actress, superstar, who comes to Argentina to star in her own musical. She meets a photographer named Mauro and falls in love with him; but Mauro keeps a secret that she will soon discover.
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Las locas del conventillo (1966)
Character: Tía Soledad
The neighborhood of La Boca, in Buenos Aires, is divided in two sectors: one is where decent people live under the tutelage of Magdalena, in the other, Manuel,ir responsible of a nightclub. Among decent people live Manolo, the milkman, awaiting the arrival of a Spanish woman to marry her. At the same time, the villain of Manuel also hopes for a Spanish nightclub. Women Arrivals weapon confusion.
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Eva Perón (1996)
Character: Marguarita Achaval Junco
Drama based on the life of Eva Peron, an obscure actress, who rose to become wife of Argentine strong-man President Juan Peron and one of the most powerful figures in Argentina until her death in 1952 at age 33.
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El festín de Satanás (1958)
Character: Segmento "La traición"
With his own money, Pappier produced this ambitious adaptation of Manuel Gálvez's "Miércoles Santo", whose release was delayed for three years due to political reasons. When it finally came out, it bombed, but its formal originality was mentioned even in unfavorable reviews. Later, it became a cursed film, impossible to see due to lack of prints. To date, it remains lost in great part.
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El forastero (1937)
Character: Alicia Rosales
A peasant must emigrate to Buenos Aires after having lost his property due to neglecting his work.
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El mundo contra mí (1996)
Character: N/A
An overweight teenager tells a video camera that she will commit suicide in three days unless something emotional happens to her first.
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Fuera de la ley (1937)
Character: Emilia
A delinquent, the son of a police commissioner, leaves prison to seduce someone who should be like a sister to him: a girl raised and loved by his parents. To force her to give in to his obsession, he kidnaps her little daughter.
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Una luz en la ventana (1942)
Character: Angélica
A woman and her two companions get lost in a storm and end up in a creepy house where a mad doctor is conducting experiments in the basement.
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Los muchachos de antes no usaban gomina (1937)
Character: Camila Peña
A Young man from a wealthy family hide them his attraction for tango culture of arrabal. In a milonga he fell in love with Mirella and he have a knife fight with all others guapos that want her, he won. Time pass and Mirella became a mistress but this situation is unstable because of the society prejudices.
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La sonrisa de mamá (1972)
Character: N/A
Angelica Zamora is a famous actress and singer, ignored by her three children Julio, Clotilde and Felipe. After learning of a serious illness that leaves her little time to live, her children and their friends intend to make her spend her best moments without being aware of the disease she suffers. Julio will even propose to someone to please his mother.
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Cuatro corazones (1939)
Character: Malena
The perverse owner of a cabaret gets redemption by sacrificing himself for the happiness of others.
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Noches de Buenos Aires (1935)
Character: Celia Rivera
Various love and crime stories take place in the context of a theater, between tango singers, musicians and dancers.
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Tres anclados en París (1938)
Character: Ángela Torres
Three Argentines who live in Paris and dream of returning to Buenos Aires but lack resources for the passage, find their opportunity when a landowner, a business man and his daughter arrive in Paris. In a game of rigged poker the three anchors obtain the money for the passages from the newcomers; it happens however that the employer has made an embezzlement and will go to jail if he does not return the money. The character represented by Parravicini, who is the true father of his adopted daughter, gives him the money won to solve his problem and the three remain in Paris to see them in an end with the best poetry of Romero crossing a bridge under the mist , silent, once again anchored but with the happy sadness of recovered self-esteem.
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Cinco gallinas y el cielo (1957)
Character: N/A
Five random people accidentally get dosed with an experimental psych-drug that suppresses fear and risk-avoidance.
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Navidad de los pobres (1947)
Character: N/A
A woman finds herself in trouble from a single mother whose father has stolen her child and decides to protect her.
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