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Crimen a las tres (1935)
Character: N/A
A famous singer in love with a woman takes the blame for a crime to save her. Luis Saslavsky's first film, considered lost.
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Frente a la vida (1939)
Character: N/A
A man leaves his girlfriend, but she still sacrifices her happiness to procure his.
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Los chantas (1975)
Character: Man on Bus
Several losers living together in a Buenos Aires boarding house try to make a living while dreaming of a big life-changing score.
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Nace un amor (1938)
Character: N/A
Some professional actors are unemployed due to the opinion of a theater critic, then they decide to take revenge and disguise themselves as poor tenants from a neighborhood who are hired by the same critic to perform his work.
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Mi fortuna por un nieto (1940)
Character: Serafín
A wealthy woman pressures her son-in-law to give her a grandson until her daughter finally gets pregnant.
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Mary tuvo la culpa (1950)
Character: N/A
A woman separates from her husband when she hears him name a certain Mary in his dreams.
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Seguro de castidad (1974)
Character: N/A
A man who wanted to set an example to society promises a million dollars to his future daughter if she remains a virgin until she is 28 years old, but a boy is born and the challenge falls on him.
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La chacota (1963)
Character: N/A
A female singer looks to replace his partner. She finds one who ends up triumphing on television.
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Su última pelea (1949)
Character: N/A
Tuberculosis and a passional crime prevent the final triumph to a boy from the slums who has opened his way in boxing.
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La chismosa (1938)
Character: N/A
In a ranch, a midwife attends to the birth of a girl resulting from an illegitimate relationship whom she will try to keep.
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Los Tres Mosqueteros (1946)
Character: Planchet
An attempt to bring the famous novel by Dumas to the cinema, where the promenades of Montevideo such as Parque Rivera and the Castillo del Parque Rodó are transformed into French settings.
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Carmiña: Su historia de amor (1975)
Character: Padre de Elvira
Set in the 1930s, the eldest son of a wealthy family falls in love with a young woman who emigrated from Spain and works at home as a maid.
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Cándida, la mujer del año (1943)
Character: Ramón
After being decorated for a meritorious act, Cándida finds herself involved in the activities of some scammers who try to use her fame.
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El gordo de América (1976)
Character: N/A
To celebrate his promotion, a manager (Javier Portales) decides to summon his brother from the field, but as he did not stop making disasters he sends him back. His brother (Jorge Porcel) is not convinced and dazzled by an advertisement decides to set up an investigation office.
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Catita es una dama (1956)
Character: Pancho
Catita patterns are separated and, momentarily, decide to leave the house in charge of it, dismissing the rest of the household staff. Furthermore, Catita accidentally causes a fire, leaving many people homeless and living temporarily offered together in the mansion, she pretended to be the owner to the outsiders.
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La fuga (1937)
Character: Sr. Pallejac
Daniel, a smuggler is chased by a policeman. In his escape are helped by the messages that his lover transmits to him in code by means of the tangos that sings in a radio program. To hide himself, he pretends to be a teacher in a small town in Entre Ríos, and by the time he discovers it, the police have already faced a new life.
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Porteña de corazón (1948)
Character: N/A
Young doctor falls in love with a nurse, but his parents insist he marry someone from his own economic class.
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El festín de Satanás (1958)
Character: Segmento "El egoismo"
With his own money, Pappier produced this ambitious adaptation of Manuel Gálvez's "Miércoles Santo", whose release was delayed for three years due to political reasons. When it finally came out, it bombed, but its formal originality was mentioned even in unfavorable reviews. Later, it became a cursed film, impossible to see due to lack of prints. To date, it remains lost in great part.
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En mi casa mando yo (1968)
Character: Carmelo Marini
Tormented by the messy and frivolous life of his family, a father is forced to move away from home.
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Hotel alojamiento (1966)
Character: N/A
Different stories that take place in a hotel for a temporary shelter for couples.
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Palermo (1937)
Character: N/A
A criminal tries to scam a horse racing fan using a seductive woman.
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Placeres conyugales (1964)
Character: Antón
A matrimony from the beginning of the XX century searches for marital pleasures after ten years of marriage.
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7 uomini e un cervello (1968)
Character: N/A
A renowned author, college professor and criminologist is given a year off in order to write his latest book. His arrival in Buenos Aires gives him the opportunity to work on his true project, planning and pulling off the perfect crime.
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Los celos de Cándida (1940)
Character: N/A
Cándida and Jesús decide to purchase a Bed and Breakfast in Buenos Aires. But in the hostel already lived an Italian opera singer that provokes the jealousy of Cándida.
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Un mundo de amor (1975)
Character: N/A
A little girl's paternal grandparents want to take her away from her maternal grandfather, a kind puppeteer she adores.
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Hermanos (1939)
Character: N/A
Four brothers set their differences apart when they need to help another brother.
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Don Carmelo il Capo (1976)
Character: N/A
When they are killed by the leaders of the two gangs fighting for control of the underground game, the conductor who is the heir of one of them turns his musicians into gangsters.
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Cándida (1939)
Character: Jesús
Cándida Villar is a clumsy Galician maid who speaks improperly, get a lot of troubles in all the conversations with her bosses, simple and straightforward who from night to morning becomes the most lucky woman of the word because she mets a hilarious gallery of character in an art gallery.
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