|
La vida sin brillos (2018)
Character: Self
Ten actresses, all of them eighties' icons, are summoned to star in a theater play in Buenos Aires. This documentary goes behind the scenes and portrays their lives today. Thirty years after their glory days, what is it that drives them to make their comeback?
|
|
|
|
|
|
|
|
|
El picnic de los Campanelli (1972)
Character: Gracielita
The vicissitudes of the members of the Campanelli family while they have a picnic in the Delta del Tigre, with assailants included.
|
|
|
La guerra de los sostenes (1976)
Character: Laura
This is a comedy full of tangles, with the picaresque occurrences of Tristan, and the involvement of frontline actors.
|
|
|
|
|
El jockey (2024)
Character: Mujer Mística
Remo's self-destructive behavior overshadows his talent. Abril, an upcoming jockey, is pregnant with Remo's baby and has to decide between the child or continuing to race. They both race for Sirena, a businessman who saved Remo's life in the past but now is determined to find him, dead or alive.
|
|
|
La sonrisa de mamá (1972)
Character: N/A
Angelica Zamora is a famous actress and singer, ignored by her three children Julio, Clotilde and Felipe. After learning of a serious illness that leaves her little time to live, her children and their friends intend to make her spend her best moments without being aware of the disease she suffers. Julio will even propose to someone to please his mother.
|
|
|
Clínica con música (1974)
Character: N/A
Dr. Bevilaqua takes over the direction of a clinic where only sex problems are treated and the clients are very special people. With fun therapy, there will be different characters who want to receive treatment.
|
|
|
Encuentros muy cercanos con señoras de cualquier tipo (1978)
Character: N/A
Alberto and Jorge are two comedians, who before the possibility of making money with a business agent, agree to play the role of executives of a fictitious company, in order to appear prosperity before possible foreign buyers of players. As the business agent instructs them to present themselves as married, Alberto and Jorge propose two co-workers to represent the indicated role.
|
|
|
Don Carmelo il Capo (1976)
Character: Lulú
When they are killed by the leaders of the two gangs fighting for control of the underground game, the conductor who is the heir of one of them turns his musicians into gangsters.
|
|
|
El deseo de vivir (1973)
Character: N/A
Medina is the prototype Rolo Playboy: millionaire playboy and sophisticated. However, sometimes is lonely at the top. But everything changes when he suffers a series of accidents and always be the same girl to save. The downside is that the lady in question is married, and her husband is a doctor who will devise a strange revenge against the young astray. Along the way, Rolo will discover the meaning of life and love.
|
|
|
Las procesadas (1975)
Character: Morandi's Mistress
Terrifying story, based on a fact occurred in Buenos Aires, early 1967, and reported in "La Nación" and all the other newspapers, after the death of a woman interned at the Instituto de Detención para Mujeres (Detention Centre for Women). Doctor Vallejos, the magistrate in charge of the inquest, gets enmeshed in personal intrigue, organized corruption, lust and vice in which apparently all the penitentiary personnel and an organized gang of dangerous inmates are involved, operating withing the prison itself.
|
|
