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Der Sprung ins Glück (1928)
Character: Totte
Totte works in Paris when she meets the wealthy Renato. Renato's father wants him to marry so to fool him he proposes to Totte.
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Addio giovinezza! (1927)
Character: N/A
The movie is about a student in Turin during the 1920s (moved up from the earlier versions) and his love for a a seamstress. The student, Mario, is played by Walter Slezak; the girl Dorina by Carmen Boni. The femme fatale Elena (Elena Sangro) threatens the relationship. When school days end, seen here as a kind of transitory idyll, it is "farewell to youth" as the title states, and a melancholy goodbye to youthful romances as well to allow new lives to take form.
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Miss Dorothy (1920)
Character: Alma
Miss Dorothy is a strange type of tutor, whom the old Duchess Sangro chose to educate Mara, her distant relative, a very rich orphan, with a capricious and rebellious character.
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Die Gefangene von Shanghai (1927)
Character: N/A
Maria Sinclair, the wife of the British consul, is about to visit her husband when she is arrested by the Chinese. General Hai Lung, who is in charge, offers to give her husband his life if she would promise to stay with him instead.
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La grazia (1929)
Character: Simona
Based on a short story written by Novel Prize for Literature in 1894, Grazia Deladda, “La Grazia” is a classic Italian-drama that follows the story of the a man (Giorgio Bianchi) who fell in love with beautiful shepherdess (Carmen Boni). Separated by fate, the man had an accident on his way back to his wife. For years, absence of her husband has made the woman suffer. She takes care of her child while waiting for her husband’s return.
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Katharina Knie (1929)
Character: Katharina Knie
"Katharina Knie" is a 1929 German silent drama film directed by Karl Grune and starring Eugen Klöpfer, Carmen Boni and Adele Sandrock. It is based on the 1928 play of the same title by Carl Zuckmayer.
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Gehetzte Frauen (1927)
Character: Algelica
The aging singer Clarina receives a new engagement from a cabaret called the Maison Mouche and must evade the advances of several overbearing men.
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Ne sois pas jalouse (1933)
Character: N/A
An idle and very jealous woman sets a trap for her husband by luring him to an appointment to which she goes herself. But the faithful husband sends one of his friends there. He falls in love with the young woman.
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Quartier latin (1929)
Character: Louisette Mercier
A wealthy man pretends to be a starving artist to gain the affections of a young painter.
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Paris Cinéma (1929)
Character: Self
The first behind-the-scenes documentary in the film industry, from the making of a camera (Debrie) to studio shooting and directing, including animation techniques. Pierre Chenal meets André Rigal who executes, in his workshop, a series of freehand drawings. These sketches are then ground in a coffee grinder, from which a cartoon on film emerges. In Champigny, Alain Saint-Ogan and his host are working on Zig et Puce and developing Alfred the penguin's first steps. In Fontenay-sous-Bois, Ladislas Starewitch presents his future stars. Pierre Chenal described his film as follows: “I had designed to shoot a documentary in which I would show how a film is made in order, at the same time, to learn it myself. "
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D'homme à hommes (1948)
Character: Countess Tamberlani
The story of the Swiss soldier, Henri Dunant, who was responsible for the founding of the Red Cross, and who was offered the first Nobel Peace Prize.
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Le Comte de Monte Cristo (2ème époque) Le Châtiment (1943)
Character: 'La Colombine'
Having found the fabulous treasure of which Abbé Faria had spoken to him, Dantès has only one idea left: revenge. He will succeed patiently, but will not however have the heart to break the poor Mercedes. Then he will leave for the East, accompanied by a lovely Levantine, Haydé, who served him to accomplish his revenge.
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La Femme en homme (1932)
Character: Claude
Told that he is to take charge of his grandson, a misogynistic old nobleman is taken aback when he discovers that "he" is actually a "she." At first rejecting the girl, the old coot finally comes to love and accept her.
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