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Tres angelitos negros (1960)
Character: Doctor
Three Black Angels (Spanish: Tres angelitos negros) is a 1960 Mexican comedy film directed by Fernando Cortés and starring Miguel Aceves Mejía, Yolanda Varela and Pedro Vargas.
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La bienamada (1951)
Character: N/A
Civic-minded elementary-school teacher marries and sets up home with wife and her little brother. The-e-n...
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Misericordia (1953)
Character: Don Carlos Moreno Trujillo
Faded rich family has a housekeeper who struggles to keep them fed and comfortable after their fortune disappears; she also sacrifices herself on behalf of sick and disabled friends.
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Dos tontos y un loco (1961)
Character: Guitarrón I
Crown-prince of a primitive country goes to Mexico for college. Wacky hijinks ensue.
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Arsenio Lupin (1947)
Character: Napoleon Manicornio, aka Francisco, the servant
Arsenio Lupin is an audacious Parisian thief who mocks the police, especially Inspector Ganimard, but turns over most of his ill-gotten gains to charity. One night, he attends a party disguised as a newspaper writer who also mocks Ganimard; the next morning, the host's wife and a male guest are found murdered, and Ganimard arrives to solve the crime. A Mexican version of the Arsene Lupin character, with Sherlock Holmes tossed in as a cameo at the end.
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Los amores de una viuda (1949)
Character: Ayudante espiritista (uncredited)
A widow remarries... and then her missing-presumed-dead first husband reappears.
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Plazos traicioneros (1958)
Character: N/A
A down in his luck film director falls in love with an attractive waitress and decides to launch her as a big singing star. Once the goal is reached, the girl runs away and becomes involved with a gangster who leads her into prostitution.
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Nocturno de amor (1948)
Character: N/A
Luis Aguilar is a talented piano student who struggles to make ends meet. At the conservatory he meets the beautiful, rich, and also talented piano student Marta Reyes and romance ensues. One day, a full scholarship to study piano abroad is announced and both Luis and Marta fill out the necessary paperwork--but only one place is available. Luis is torn apart by his love for both the piano and Marta.
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Los dineros del diablo (1953)
Character: El papi
Los dineros del diablo (The Devil's Money) is a Mexican drama film directed by Alejandro Galindo. It was released in 1953 and starring Amalia Aguilar and Roberto Cañedo.
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Misterios de la magia negra (1958)
Character: Director funeraria
Six hundred year old witch butts heads with a scholar over the possession of a rare ancient grimoire and then discovers that his daughter's fiance is the reincarnation of her first boyfriend.
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Con el Dedo en el Gatillo (1958)
Character: Licenciado Lara
The Private detective Raúl Marín with the help of his grandmother and the police commander Aragón try to find out the murder of several homicides in three episodes: El Anónimo, El Ídolo and El Hipnotizador.
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Una aventura en la noche (1948)
Character: Malachias el mayordomo
After a party, two friends pick up two beautiful girls with whom they spend a wonderful night. The next day, the two friends return to look for them and a neighbor surprises them when she tells them that the girls died some time before. Intrigued by the events of the previous night, one of them decides to investigate the mystery of the two dead girls.
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Hipócrita..! (1949)
Character: Don Simón
A disfigured woman is helped by a talented composer to recover her face with plastic surgery. Then he discovers that she's a beautiful woman and a talented singer.
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El fantasma de la opereta (1960)
Character: Jeremias (uncredited)
Aldo and his girlfriend Lucy reopen an abandoned opera house, but find out that the place is inhabited by a group of Phantoms wearing the Claude Rains 1943 Phantom of the Opera costume.
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Pegando con tubo (1961)
Character: Doctor
Developmentally-challenged guy and is caretaker get drafted into he police force and take part in the manhunt for a bank robber.
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El analfabeto (1961)
Character: Juez (uncredited)
Inocencio Prieto y Calvo receives a letter telling him he is the heir to his uncle's fortune of two million pesos. Not being able to read he has no idea of who sent the letter or its content. So he goes to the drugstore because the pharmacist can read the letter to him. But while waiting to be helped he sees that a young girl can read. He figures he has to be able to discover the letter's content by himself and decides he will save the letter and go to school, and wait to read the letter on his own.
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¡¡¡Mátenme porque me muero!!! (1951)
Character: (uncredited)
Tin Tan just won the lottery and wants to donate it to an orphanage. Sataela and Riverita want to keep the money for themselves. In an attenpt to do so, they convince him of having a terminal disease and suggest that committing suicide is his best option.
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Super Colt 38 (1969)
Character: N/A
Billy Hayes, the marshal, discovers that the bandit whom he has been pursuing so long, and who has for months been torching his county, is none other than an old friend from childhood. Upon being confronted with the truth, the friend draws his gun, and Billy is forced to kill him in justifiable defense. Overwhelmed by guilt, he renounces his office and swears to never use arms again. He rides off toward the town where he and his old friend grew up together. Upon arriving there, he soon becomes involved in a dangerous situation, where Billy must decide whether he will fulfill his promise to keep away from arms, or intervene to save the honor of a woman and the life of an innocent man.
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Enchanted Island (1958)
Character: Medicine Man
Two 19th-century sailors jump ship only to discover their tropical paradise is a cannibal stronghold.
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Don Quijote de Orson Welles (1992)
Character: Don Quijote
A posthumous 1992 reconstruction of Orson Welles’s long-unfinished Don Quixote project, edited by Jesús Franco from footage shot between 1957 and 1972, following Don Quixote and Sancho Panza as they wander modern Spain in pursuit of chivalric ideals. (Note: This version represents a later editorial assembly, not a film completed by Welles.)
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La faraona (1956)
Character: Don Isaac
Pastora Heredia is a beautiful gypsy with great character who always tries to help the needy. One day she gots the notice of the death of his grandfather, a millionaire who lived in Mexico and that since his father was angry, she knew nothing of him. However, as Pastora was his only granddaughter and sole heir of all his property, it does not hesitate to cross the pond to claim his inheritance. But once there is that Don Guillermo, grandfather, not dead.
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El Mártir del Calvario (1952)
Character: Anás el Viejo
The life of Jesus from the beginning of his ministry, his miracles, the Sermon on the Mount and his death on the cross.
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The Last of the Fast Guns (1958)
Character: Pablo
A rich, dying Easterner hires gunfighter Brad Ellison to find his brother and heir in Mexico. En route, it becomes clear to Ellison that his is a dying profession. At a remote rancho, Ellison enlists ranch foreman Miles Lang to help him search the hills where the missing man is rumored to have lived. They find nothing ...except that someone wants to kill them; and Ellison becomes wrapped in a maze of double crosses.
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La rebelión de los colgados (1954)
Character: Director funerario
A peasant who works in a mahogany camp in the Mexican jungles with his family is disgusted with the miserable living conditions imposed upon himself and his co-workers, the peasant finally spearheads a revolt against the sadistic bosses.
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Calabacitas Tiernas (¡Ay qué bonitas piernas!) (1949)
Character: El muerto
A man hired to impersonate a bankrupt business mogul who is currently on the run from creditors sets out organize a musical starring beauties from Brazil, Mexico, and Spain in this Spanish-language comedy starring popular funnyman Tin Tan. Now, as the hapless imposter attempts to finance a musical without any money, he also discovers just how difficult it can be to juggle three beautiful starlets who all have eyes for their presumably wealthy producer.
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La cabeza de Pancho Villa (1957)
Character: N/A
Rival factions struggle over a box that was entrusted by Pancho Villa to several members of his higher command. Second of three films in series "El jinete sin cabeza."
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Major Dundee (1965)
Character: Old Apache
During the last winter of the Civil War, cavalry officer Amos Dundee leads a contentious troop of Army regulars, Confederate prisoners and scouts on an expedition into Mexico to destroy a band of Apaches who have been raiding U.S. bases in Texas.
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Viva Maria! (1965)
Character: Father Superior
1907 Central America: Maria II is the daughter of an Irish terrorist. After her father's death, she meets Maria I, a performer, and decides to stay with the circus, and on her debut as a singer, unintentionally invents the striptease and makes the circus famous. Their inadvertent encounter with a socialist revolutionary lands them leading a revolution against the dictator, the capitalists, and the Church.
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El Supersabio (1948)
Character: Profesor Peralta (uncredited)
Cantinflas is the apprentice of a renowned scientist, Prof. Arquimides Monteagudo (Carlos Martinez Baena). But Cantinflas has the soul of a poet rather than a serious researcher, and he wants to find the formula that achieves the immortality of the roses. Nevertheless, after the death of Prof. Monteagudo, Cantinflas will be chased by a ferocious corporative group, who wants to steal the secret formula of a cheaper fuel named "carburex", because they think that our friend is the only person who knows the composition
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Entrega Inmediata (1963)
Character: Odilon Campos Santos
Immediate delivery recounts the misadventures of Feliciano Callosum (Cantinflas), a postman who is recruited by the secret counterintelligence service (called XU-777 secret agency), and must uncover an international conspiracy.
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Abismos de pasión (1954)
Character: José
In 19th-century Mexico, young orphan Alejandro is adopted by the wealthy, landowning Earnshaw family and moves into their estate, Wuthering Heights. Soon, the new resident falls for his compassionate foster sister, Catalina. The two share a remarkable bond that seems unbreakable until Catalina, feeling the pressure of social convention, suppresses her feelings and marries Eduardo, a man of means who befits her stature. Alejandro vows to win her back.
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Rosenda (1948)
Character: Padre Rubio
A ruffian sends his assistant to force a peasant girl to marry him, but while he is bringing her to him, he falls in love with her.
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Simón del desierto (1965)
Character: The Devil as an Old Witch
Simon, a deeply religious man living in the 4th century, wants to be nearer to God so he climbs a column. The Devil wants him come down to Earth and is trying to seduce him.
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La Bataille de San Sebastian (1967)
Character: Bishop
Leon Alastray is an outlaw who has been given sanctuary by Father John, whom he then escorts to the village of San Sebastian. The village is deserted, with its cowardly residents hiding in the hills from Indians, who regularly attack the village and steal all their supplies. When Father John is murdered, the villagers mistakenly think the outlaw is the priest. Alastray at first tells them he is not a priest, but they don't believe it, and an apparent miracle seems to prove they are correct. Eventually, he assists them in regaining their confidence and defending themselves.
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Subida al cielo (1952)
Character: Miguel Suárez (uncredited)
Newlywed Oliverio receives disturbing news that his mother is on her deathbed. He travels to a remote part of Mexico to fetch a lawyer who can sort out her will. Leaving his wife behind, he embarks on a bus ride that’s interrupted by an increasingly absurd series of episodes, including an impromptu birthday celebration; a one-legged man writhing in the mud; come-ons from an insatiable small-town belle, Raquel; and Oliverio’s frequent, Freudian nightmares.
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Víctimas del pecado (1951)
Character: Don Gonzalo
A nightclub performer decides to raise the baby boy she found abandoned in a trash can, putting her job and social life in jeopardy.
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Salón México (1949)
Character: Complice de Paco (uncredited)
Mercedes works as a cabaret performer to pay for her sister's studies. Problems begin when Mercedes and Paco, her exploiter, win a dance contest, but he refuses to share the prize with her.
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Me traes de un ala (1953)
Character: (uncredited)
To conquer the beautiful vedette Rosita, journalist Tin Tan is subject to her whims. Fired along with his friend Narciso from the newspaper they worked, Tin Tan trying to sell a movie plot. A woman looking to buy it and Tin Tan will visit her in a gloomy mansion where a mess is unleashed.
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