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El curandero (1955)
Character: N/A
A doctor arrives in a small, provincial town, and must pass himself off as a healer to gain the trust of its inhabitants.
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Buenos Aires, verano 1912 (1966)
Character: N/A
The son of a politician who tries to follow the same path as his father, gives up when he discovers his fraudulent dealings.
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Barcos de papel (1963)
Character: N/A
Eager to have a crystal ball, a child works to buy it but is accused of a robbery he did not commit.
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Evangelina (1959)
Character: N/A
A rich and orphaned heiress tries to establish a school in the Southern Lakes, but her uncle sets many traps for her.
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Tiernas ilusiones (1961)
Character: N/A
The stories of a boy who works as an elevator operator and the daughter of an alcoholic.
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El televisor (1962)
Character: N/A
With the expansion of television in Argentina people changed their customs and schedules. This is the story of a family father who refuses to change his own, but who suffers after having acquired a television set.
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Intermezzo criminal (1953)
Character: Borracho
A man is found dead in a music hall during one of the numbers, so the performance is suspended and the police begin to investigate.
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Bárbara atómica (1952)
Character: N/A
A wayward female singer and a vet hate each other but end up falling in love.
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La fin del mundo (1963)
Character: Saulo
A con man who lives with his three aunts in a mansion takes refuge in a slum when he is wanted by the police.
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La frontera olvidada (1969)
Character: N/A
A young officer recently arrived from Buenos Aires takes charge of a military base on the edge of the desert.
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El novicio rebelde (1968)
Character: Pedro Gregorio
A seminarian hesitates between serving God in Africa or opting for worldly life.
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Álamos talados (1960)
Character: N/A
Alberto, a young adolescent from Buenos Aires, is going to spend his vacations at his grandmother's farm in San Rafel, Mendoza. Idyllic site witnessed the awakening of the protagonist's sexuality and the economic ruin of the family. Between adolescence and maturity, seeking love and the path of his vocation, in ruthless struggle with himself he will learn in the hardest way the meaning of life and responsibility.
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La pandilla inolvidable (1972)
Character: N/A
The son of a businessman neglected by his father and orphaned by a mother, goes to a group of friends. A typical gang of humble neighborhood boys, led by Chirola. The history of this gang is ruled by two magical characters, El Hada de la Esperanza represented by Liliana Rodríguez Morlino and El Pombero, a typical Formosan character-legend, played by Jaime Cohen. Through these boys the life of the social classes of the time is reflected, the innocence of the boys apart from those values and what children are capable of when they decide to transform things. During the story, the typical life of the province in which it was filmed, Formosa, and the daily life of the neighborhoods of the capital city that used to be a commercial port with Paraguay are highlighted.
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El demonio en la sangre (1964)
Character: N/A
Three episodes about the influence of Satan: a black boxer commits killings under the influence of his manager.A pair of lovers is haunted by the memory of a murdered wife.A wedding in the mountains is disrupted when the bride sees an apparation of the Devil who shares his expertise in astrology and the female heart.
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¡Al diablo con este cura! (1967)
Character: Monseñor Ramón Maciel
Quirky but lovable priest is transferred to a new parish, and discovers that his flock all need stern talkings-to.
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Historia del 900 (1949)
Character: N/A
In the Buenos Aires of 1900, a man seeks to avenge the death of his brother, killed at the exit of a fight.
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La familia Falcón (1963)
Character: N/A
Based on the popular TV program, the film follows a middle-class family with their problems and joys.
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Buenas noches, Buenos Aires (1964)
Character: Don Ubaldo
Various musical episodes make up this film-magazine in which Del Carril tried to merge his two great passions: cinema and tango.
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Alto Paraná (1958)
Character: Don Frutos Gómez
A commissioner from Corrientes solves cases according to his own system. Based on the novel "Los casos de don Frutos Gómez", by Velmiro Ayala Gauna.
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Dock Sud (1953)
Character: N/A
A trolley falls from a bridge to the Riachuelo, killing almost all its passengers. The families of the victims receive compensation, they improve their lifestyles and look down on the worker who didn't take the trolley that mortal day.
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La Mary (1974)
Character: Don Evaristo
A sexually-repressed girl of the Buenos Aires slums slowly goes mad after marrying.
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Música, alegría y amor (1956)
Character: Francisco "Pancho"
A young bohemian who dreams of succeeding as a painter will eventually succeed as a singer.
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Esto es alegría (1967)
Character: El Comodoro Valdez
Three stories where optimism triumphs: a television director finds a new mother for his children, an old couple of artists deal with a sentimental crisis and an illustrator whose father is an alcoholic fights to educate his brother.
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Bicho raro (1965)
Character: N/A
The brother-in-law of a provincial teacher tries to take away the land on which he had built a school.
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Sangre y acero (1956)
Character: Don Moscato
In a train repair shop, a passion involves a woman and, years later, her daughter.
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Ritmo nuevo, vieja ola (1965)
Character: Ramón Carlales
Movie divided in three episodes: a family mother becomes a successful singer; an Argentinian reporter follows a Spanish cupletista from the beginning of the XX century; the reunion of three old actors and their lies about their success.
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Un mundo de amor (1975)
Character: Don Jacinto
A little girl's paternal grandparents want to take her away from her maternal grandfather, a kind puppeteer she adores.
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El negoción (1959)
Character: Bonifacio
In a town that relies heavily on horses, two men try to get rich by patenting and selling bags that hold the animals' body waste.
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Section des disparus (1956)
Character: L'inspecteur Uribe
The love affair of an ex-convict with a showgirl, unleashes the jealousy of his older, wealthy and unbalanced wife. A murder plot, staged phoney suicide and other twists and turns follow.
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Barrio gris (1954)
Character: Baldomero Luna
The film refers to the "gray neighborhoods", called in Argentina "villas miseria", in which the less qualified workers or those who have recently arrived from the rural areas live in the industrial cordons.
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Los evadidos (1964)
Character: Don Jesús
Inmates in a prison plan a massive break. When they put their plan into action, however, they find that they may have underestimated the guards and prison officials, and the situation quickly turns into a bloody gun battle. This action feature from director Enrique Carreras was the official entry for Argentina at the 1964 Berlin Film Festival.
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Fin de mes (1953)
Character: N/A
The crushing conformity of a penniless bank teller takes an unexpected turn when he deviates from his honest routine.
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Dar la cara (1962)
Character: Don Humberto
Three boys from very different backgrounds who have just finished their military service must face the complex social reality of Argentina.
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Crecer de golpe (1977)
Character: N/A
It tells the complex relationship of Milo, a teenager, and his old protector. Adaptation of "Around the cage", work of the writer Haroldo Conti, disappeared in 1976 by Argentine dictatorship.
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