|
మనసే మందిరం (1966)
Character: Kaasulu
Manase Mandiram (English: The Heart is a Temple) is a 1966 Telugu language romantic drama film, produced by Yarra Appa Rao on Sri Krishna Sai Films banner and directed by C. V. Sridhar. Starring Akkineni Nageswara Rao, Savitri in the lead roles and music composed by M. S. Viswanathan. The film was a remake of Tamil film Nenjil Or Aalayam (1962), Sridhar remade the film in Hindi as Dil Ek Mandir (1963). It was also remade in Malayalam as Hridayam Oru Kshethram (1976), and in Kannada as Kumkuma Rakshe (1977).
|
|
|
Rishyasringar (1964)
Character: Shanta
Rishyasringa, a gifted boy, is blessed to cause prosperity wherever he goes. However, his protective father Vibhandaka keeps him hidden so he isn't corrupted by the outside world. When the kingdom of Anga is cursed to fall prey to drought and famine, their king Romapada hatches a plan to bring Rishyasringa to their land
|
|
|
|
|
Kalasi Unte Kaladu Sukham (1961)
Character: Janaki
Pattabhi Ramayya, who does not have any children, dotes on his younger brother and his two sons. However, trouble starts in their happy joint family with the entry of Rangoon Raja, a relative of Pattbhi Ramayya's wife.
|
|
|
|
Thirumbi Paar (1953)
Character: N/A
Thirumbi Paar, directed by T. R. Sundaram, was an interesting film in which Sivaji Ganesan played a role with negative shades. The character dabbles in avenues such as journalism and politics. T. P. Muthulakshmi plays the dumb wife of an elderly husband (K. A. Thangavelu) who goes to work early. Sivaji Ganesan, a seducer, who sneaks into the dumb woman’s house, alters the clock to send the husband away well before the usual time. This sequence was mercilessly scissored by the censors and what was left lost its touch of satire and innuendo!
|
|
|
Illarikam (1959)
Character: N/A
Venu, a poor man, falls in love and marries Radha, a zamindar's daughter. When Venu moves into the zamindar's house,there are multiple problems Venu has to battle.
|
|
|
కుల గోత్రాలు (1962)
Character: Leela
Ravi, a young man, falls in love with Saroja against his father's wishes, leading to his estrangement from the family.
|
|
|
Aastiparulu (1966)
Character: Varam
Zamindar Janardhan Rao, a paterfamilias, holds high esteem in society. One of his sons, Bachi, is a vagabond and malicious, his misdeeds increasing day by day. After Janardhan Rao cuts his allowance, Bachi tries to make a theft, and his father collapses with a heart attack after obstructs his way. Before dying, he reveals the existance of a hidden treasure of their family hierarchy.
|
|
|
|
వసంత సేన (1967)
Character: Madanika
Vasanthasena is a dancer in a king's palace. When Shakara troubles her, she escapes and meets Charudatta. But Shakara has no plans to leave them alone.
|
|
|
|
కొండవీటి సింహం (1981)
Character: N/A
A policeman attempts to discipline his rebellious son, but his efforts go in vain as his son starts resenting him.
|
|
|
|
|
జగదేక వీరుని కథ (1961)
Character: Ekaasa
When asked by the king what his ambition is, prince Pratap says he wants to marry four celestial maidens. The angered king exiles him and Pratap sets off on a quest to find the maidens.
|
|
|
Ramudu Bheemudu (1964)
Character: Kamala
Ramudu and Bheemudu are look-alikes who are both fed up of their respective lives. They incidentally end up taking each other's place in their homes, which leads to hilarious consequences.
|
|
|
ఆరాధన (1962)
Character: Lakshmi
Dr. Murali Krishna loves Anuradha, but he loses his scholarship after a misunderstanding with her. Krishna becomes engaged to Lakshmi before going to London. An uninterested Lakshmi asks Anuradha to write letters to Krishna on her behalf, intensifying Anuradha's feelings. Then Krishna has an accident and everything changes.
|
|
|
భలే రాముడు (1956)
Character: Taara
Ramu changes his identity to help Roopa as she gets disabled because of him.
|
|
|
Manohara (1954)
Character: Princess
Manohara produced by M. Somasundaram. The Sivaji Ganesan-L. V. Prasad production was distinct, becoming a cult classic. Karunanidhi virtually rewrote Mudaliar’s play, introducing interesting changes like the climactic sequence for which he drew inspiration from “Samson and Delilah”, especially the part where the blind Samson pushes the pillars down. Mu. Karunanidhi’s writing was superb with a contemporary touch. His dialogue had punch, satire, wit and humour. Sivaji Ganesan was excellent in his dialogue delivery and P. Kannamba who played the queen mother was equally brilliant. Her line, ‘Poruthathu podhum, pongi ezhu, maganey’, became quite famous.
|
|
|
|
రహస్యం (1967)
Character: Sarvani Devi
When an egoistic ascetic, Rakthabhisha, performs a penance to get salvation, Goddess Lalitha appears before him and sets a tough condition for him to fulfil.
|
|
|
అప్పు చేసి పప్పు కూడు (1959)
Character: Usha
Ramadasu, a perpetual debtor, wants his son Raghu to marry Manjari in order to acquire Mukunda Rao's assets. But Raghu is already married to Leela and Manjari loves Raja, Leela's brother. Raja and his friend Bhaja Govindam hatch a plan to teach everyone a lesson.
|
|
|
|
కొంటెమొగుడు పెంకిపెళ్ళాం (1980)
Character: N/A
After leading a miserable life with his wife, a man decides to run away from his home. However, things take a turn when his son's wife attempts to resolve the issues between the couple.
|
|
|
Pelli Kanuka (1960)
Character: Kantam
Bhaskar (Akkineni Nageswara Rao) and Vasanti (B. Saroja Devi) are college mates who clash when she complains to the college principal about a love letter he sent her. Later on realizing her mistake, Vasanti apologizes to him and the two fall in love. Vasanti's elder sister, Geeta (Krishna Kumari), supports the family by stitching clothes.Bhaskar rents the room upstairs in their house. He falls ill and in nursing him, Geeta falls in love with him. She confides her love to Vasanti, who decides to sacrifice her love for her the sake of her sister and convinces Bhaskar to marry Geeta. Bhaskar initially neglects Geeta. On finding out, Vasanti writes to him that their sacrifice, made for Geeta's happiness, would mean nothing unless he is a good husband to Geeta. Bhaskar relents and Geeta and he have a son. Vasanti joins them and Geeta suspects that there is something on between Bhaskar and Vasanti and makes Vasanti leave the house.
|
|
|
ఆప్త మిత్రులు (1963)
Character: Kanakam
Prakash works for his childhood friend Shekhar, a rich businessman. Shekhar's mother develops a prejudice against Prakash and turns her son against him, leading to a series of unfortunate events.
|
|
|
నవరాత్రి (1966)
Character: N/A
Radha's father brings a marriage proposal for her, which she refuses and runs away from home. Later, she comes across nine people, each representing a specific human behaviour.
|
|
|
కార్తవరాయని కథ (1958)
Character: N/A
Karthavarayuni Katha (transl. Story of Karthavaraya) is a 1958 Indian Telugu-language Hindu mythological film, produced and directed by T. R. Ramanna under the R. R. Pictures banner. It stars N. T. Rama Rao and Savitri, with music composed by G. Ramanadhan and Ashwathama. The film was simultaneously made as the Tamil movie Kathavarayan (1958) by the same banner and director.
|
|
|
పాతాళ భైరవి (1951)
Character: Pathala Bhairavi
Thota Ramudu faces opposition when he falls in love with a princess. He then seeks the help of a sorcerer, who secretly plans to sacrifice Thota Ramudu to Goddess Pathala Bhairavi.
|
|
|
భామ విజయం (1967)
Character: Sarasa
Jayachandra, a prince, falls in love with Sundari, a tribal girl and they end up getting married. However, they are separated by Vahini, a heavenly dancer, who is attracted to the prince.
|
|
