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El estudiante de Salamanca (1975)
Character: N/A
In the shadowed streets of Salamanca, the infamous libertine Don Félix de Montemar pursues pleasure without remorse, leaving behind betrayal, despair, and death. When the ghostly figure of the woman he ruined appears before him, he follows her through the night in a feverish procession that leads beyond the boundaries of life itself. In this dark romantic vision inspired by José de Espronceda’s poem, seduction, guilt, and supernatural fate converge in a haunting journey toward the ultimate reckoning.
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Tres huchas para Oriente (1954)
Character: Cobrador con bigote
Pedro Manolo and Juan, three naughty and full of enthusiasm children go out with their piggy banks collecting money for missions. Near the end of the day, a car ran over one of them and is driven to a nearby hospital. The head of school, not knowing which of the children was injured calls the parents of the three to attend the health center. In parallel, we know the story of the three families. In the upper-class family, the father will leave his mother for another woman, in the middle class one, one sister invites her boyfriend to lunch and family revolutionizes and, finally, in that of lower class, the boy's father is about to be complicit in a crime
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Lola la Piconera (1952)
Character: Venegas
Cadiz, during the War of Independence. The Lola singer in love with a French military entrusted an important message ...
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Pequeñeces (1950)
Character: Lector
Madrid in the 1870s. Amidst political intrigues against King Amadeo de Saboya, wealthy and strong-willed countess Curra de Albornoz makes her own way in spite of her son and husband, considering her indiscretions as merely trifles ("pequeñeces") until tragedy strikes her. Period drama with a luxurious production design.
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Suspenso en comunismo (1956)
Character: Prefecto francés
The story of two students in a school of terrorism installed in the south of France and considered a "sanctuary" and not by the Virgin of Lourdes, sent to Spain to fulfill a dark mission that failed dismally when mistaken for a priest with his link.
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El duende de Jerez (1954)
Character: Don Enrique
During the popular Harvest Festival, arrives in the city of Jerez a young teacher from England to investigate the benefits of wine for humans. In turn, the painting "Drunks" by Velázquez, escaping a character, with the task of Bacchus to defend and spread the excellence of the wines.
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Buenas noticias (1954)
Character: N/A
Beliche, a naive postman, suffers from depression because he has almost no letters to deliver. The neighbors to whom Beliche takes their correspondence decide then to launch a plan to receive many more.
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El sueño de Andalucía (1951)
Character: Luciano
Juanillo is in love with Dolores, the daughter of the owner of an inn. He likes to sing, she likes dancing. After the village festivals, where Juanillo has acted as a bullfighter and Dolores has performed, he has been hired as bullfighter for a tour in America. They exchange vows, but their letters will be intercepted.
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El diablo toca la flauta (1954)
Character: Europeo
When the pieces of a singular figure are unearthed and then joined together, a devil of the lowest category breaks into a small Mediterranean village. From that moment on, the demon will enter the life of a painter named Bernardino, in the affairs of a "modern" marriage, in the existence of a frightened gardener and, finally, in the day-to-day life of the Great Momo.
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El marqués de Salamanca (1948)
Character: Rivero
José de Salamanca was arguably one of the most influential figures of the Spanish 1800s. This films tells his story.
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Siempre vuelven de madrugada (1949)
Character: Manolo
A good-for-nothing young man and his friend are involved in a woman's death. To escape Police and wanting a change he goes to the small country village he used to visit with his family. Yet his past will find him there.
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Para siempre amor mío (1955)
Character: N/A
A man, annoyed by his wife's interference in the family business, travels to Spain, where he becomes involved with another woman.
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Alba de América (1951)
Character: Pregonero
Kingdom of Castile, the late fifteenth century. The film chronicles the events that Cristóbal Colón lived (Antonio Vilar) from their stay in the Convent of La Rabida, his meeting with the Catholic Monarchs and, above all, the great odyssey that led to cross the Atlantic and reach the shores of America (1492), thus beginning a new era in the history of mankind.
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Agustina de Aragón (1950)
Character: Mariscal Lacoste
1808. During the Spanish Independence war the city of Zaragoza is besieged by French troops. Spanish forces under General Palafox are scarce. Brave Agustina doesn't hesitate to lead the battle and even fire a cannon to stop the invaders when others run away. Based on historical facts.
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Amaya (1952)
Character: N/A
The Gothic prince Ranimiro and his daughter Amaya have been taken prisoner by the Basques. He will be tried by the Council of Elders, while the Basque leader Íñigo, who arrested him, falls in love with his daughter Amaya, unaware that she is the current owner of the golden bracelet that symbolizes Basque tradition and that, according to legend, the man who marries her will be proclaimed king of Vasconia.
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El negro que tenía el alma blanca (1951)
Character: Productor teatral
Peter Ward is a black singer who arrives to Madrid in 1907. He falls in love with Emma, and he offers her to be her dancer. She is restrained by her racial prejudices which will lead to an inevitable separation between them.
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Cabaret (1953)
Character: Pedro
A news story in the newspapers announces the investigation by the police of a major scam. Precisely, following the steps of the author of that crime, we will know the cabaret where the whole action of this drama will take place. A place where the paths of a multitude of characters cross and where it is possible to find men and women of great humanity.
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Cómicos (1954)
Character: Doctor
Ana Ruiz, a young actress who works in a traveling theater company, plays only minor roles, but she hopes to succeed and prefers the success to the love of Michael. When the company decides to release "Heaven is not far," Ana hopes to be the young protagonist, however, the paper turns to fall on the veteran Carmen. The businessman Charles Marquez offers Ana to be the star in the new play if she becomes his lover
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Balarrasa (1951)
Character: Capellán
Javier Mendoza a Catholic missionary established in Alaska, recalls, when about to die, the years of his youth and his relationship with his family and friends.
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El capitán Veneno (1950)
Character: José Zorrilla
In Madrid, under Queen Isabel II reign, rebellions are frequent events. During one of them Captain Jorge de Córdoba, nicknamed Veneno (poison) for his quarrelsome disposition, bad temper and outright misogyny, is hurt and taken to a house where two women, a widow and her daughter, are to take care of him.
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La Leona de Castilla (1951)
Character: N/A
Crown of Castile, 1520. The Comuneros rise up against Charles I, king of Castile and Aragon and emperor of the Hispanic Monarchy. While Juan de Padilla, leader of the uprising, and his captains, Juan Bravo and Francisco Maldonado, fight against the imperial armies, his wife, María de Pacheco, rules the city of Toledo, capital of the rebels.
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El piyayo (1956)
Character: Amigo de Don Juan Manuel
The Piyayo offers a calm and friendly reflection on the Providence by the streets of Malaga. He is a gypsy lover of tradition, rich in grace and with a spirit that exudes honesty. He lives offering company to all who listen to him through the city. And so the character touches for the quality and nobility of his feeling, while his conversations, in every corner of Malaga, remember everyone to have faith in Divine Providence, showing a practical lesson on the subject.
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La justicia del Coyote (1956)
Character: Colonel Clarke
California, 1840s. Wealthy landowner César de Echagüe, secretly acting as El Coyote, the legendary masked hero, continues his fight against the injustices and abuses suffered by the Hispanic population at the hands of the US Army.
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La hermana alegría (1955)
Character: Amigo de Fernando
Soledad enters a women reformatory led by modest nuns who look constantly for the welfare of their girls. These include the Sister Consolación, a humorous and cheerful nun who uses a little disconcerting methods to teach but very useful for the girls, to try to forget their past and prepare for a better future. Soledad takes confidence quickly and said she hopes a son of Fernando, a womanizing Andalusian young gentleman very attractive, which coincidentally, the Sister knows.
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