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銀河 (1931)
Character: N/A
Michiko gets pregnant after a rape. She marries a boring business partner of her father to avoid the shame. Later she meets the rapist again who is now a union leader in opposition of her husband.
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感激時代 (1928)
Character: N/A
A young man torn between love and friendship.
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宝の山 (1929)
Character: Tanjiro
A young man falls for one of the geisha working in the house where he lives. However, the romance doesn't find favour with his father or current girlfriend. Considered to be a lost film.
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蟻の街のマリア (1958)
Character: N/A
Alongside Tokyo's Sumida River is a ragpickers' settlement known as Ant Village. One night, a young Catholic girl, Satoko Kitahara, who has been baptized under the name of Maria, comes to offer her services. However, Ant Village is not just an ordinary vagrants' community but a fine autonomous organization, and as the municipal authorities have long been demanding that the people of Ant Village leave the site, Satoko is utilized to publicize the Village and win public sympathy. While being utilized in this manner, Satoko is nevertheless glad to be able to help the people of Ant Village, especially the children, and when the summer vacation comes she decides to take the children on an excursion to Hakone. To raise funds for this purpose she becomes a rag-picker herself.
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峠の彼方 (1924)
Character: N/A
Debut film by Hiroshi Shimizu.
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肉体の暴風 (1931)
Character: N/A
The love of an older sister who worked as a geisha but decided to open a bar under the auspices of a millionaire
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母の戀文 (1935)
Character: N/A
Domestic comedy involving a strong wife and a "henpecked" husband taking place in a family-run judo school.
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その手にのるな (1958)
Character: N/A
A woman in a bar was killed at a new construction site in an apartment building, and a handbag containing the value of five million yen was taken away. Detective Kuribayashi, who was involved in the investigation, turned his eyes to Kishida Ryohei, a cabaret musician who lives in a nearby apartment. He had a criminal record for stabbing his wife, who had betrayed him, and a match he worked for had fallen at the scene of the murder. However, Kishida, who appeared at the police station, stubbornly denied the crime, and he returned to his apartment without physical evidence.However, the residents of the apartment who learned of this had been cold-blooded and rumored to be a murderer. Kishida has a secret crush on the stripper Tachibana Yumi, who lives in the apartment directly opposite.However, Yumi has a lover of a plumber named Maki Shinji.
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涙の花道 (1956)
Character: 中村吉蔵
Nakamura Yukinojō, Edo's most popular actor, discovered that his parent's enemy, Ohara Genba, had changed his name to Isshiki Kurōnosuke and become a hatamoto, a direct retainer of the shogun. Yukinojō's younger brother, Shingorō, traveling to Edo from their hometown, helped the town boy Kiyohē and his daughter Michi from troublemakers led by Kumosuke. This act led to a reunion with Yukinojō through the assistance of their associate, Daisaburō.
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母を讃へる歌 (1939)
Character: N/A
A widow works as an insurance seller to raise her three children
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朧夜の女 (1936)
Character: A student
Otoku asks her brother Bunkichi to speak with her son Seiichi, a young man for whom sacrificed everything but who now seems to be headed for a wastrel life. Bunkichi admonishes the boy to study harder, but it seems his uncle's advice may already be too late.
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家族会議 (1936)
Character: Clerk A
A melodrama about a businessman's relations with the three women in his life.
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浅草の灯 (1937)
Character: Perfumer
Pre-war Asakusa was a riotous district of cabarets, dance-halls and brothels - a striking backdrop for Shimazu's story of innocence and experience. Pretty, young Reiko is the new dancer in an infamous theatre troupe, and her fellow performers try to protect her virtue in a land of vice. Meanwhile, an ageing actor wants to be a hero off stage as well as on, and the troupe matriarch Marie has to keep them all together.
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お小夜恋姿 (1934)
Character: Sumida
The poor novelist Yamamoto is writing his novel, determined and with a headband around his head. With him, the novelist who is always in trouble paying his bills, is the girl Saya who becomes the model for his novel. Saya however is in love with a young driver. When he is forced to move into a spa town as the result of the jealousy of another man Saya is terribly sad. But with the help of Yamamoto the driver's rival can be revealed and Saya can finally be with her beloved.
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忠臣蔵 (1932)
Character: Genzaemon Tonomura
This 1932 adaptation is the earliest sound version of the ever-popular and much-filmed Chushingura story of the loyal 47 retainers who avenged their feudal lord after he was obliged to commit hara-kiri due to the machinations of a villainous courtier. As the first sound version of the classic narrative, the film was something of an event, and employed a stellar cast, who give a roster of memorable performances. Director Teinosuke Kinugasa was primarily a specialist in jidai-geki (period films), such as the internationally celebrated Gate of Hell (Jigokumon, 1953), and although he is now most famous as the maker of the avant-garde silent films A Page of Madness (Kurutta ichipeji, 1926) and Crossroads (Jujiro, 1928), Chushingura is in fact more typical of his output than those experimental works. The film ranked third in that year’s Kinema Junpo critics’ poll, and Joseph Anderson and Donald Richie noted that 'not only the sound but the quick cutting was admired by many critics.
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愛撫 (1933)
Character: Konishi
Heinosuke Gosho evokes in this film the family conflicts engendered by the eternal problem of a father who projects his professional desires on the life of his son. The sister Machiko is the essential link that will allow everyone to apologize to each other and achieve reconciliation.
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私の兄さん (1934)
Character: Senko
Jyuta, an honest owner of a taxi company, has a younger half-brother who is involved in the yakuza world and doesn’t get along well with his mother. Jyuta tries to correct him…
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嬉しい頃 (1933)
Character: N/A
A young couple is harrased by an uncle.
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女醫絹代先生 (1937)
Character: Patient A
Kinuyo is a daughter of doctor of Chinese medicine, and Yasuo is a son of surgeon. Their families always fight like cat and dog. This relationship is ancestral. Although Kinuyo and Yasuo love each other, they have different thoughts toward treatments.
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燃ゆる限り (1955)
Character: N/A
The Nakata family, father, mother, son Hideo, and daughters Taeko and Akiko live in the poorer section of modern Tokyo. Their troubles start when the father leaves with another woman, returns after he is rejected, and leaves again with the family's money.
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母待草 (1951)
Character: N/A
Asako works in a hostel for troubled young women. When a beautiful young girl is brought in one day after committing theft, Asako finds out from the older widow she works with that the new girl is undoubtedly her half-sister. When the younger sister suddenly flees on account of a misunderstanding, Asako makes up her mind to find the mother who deserted them both.
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窓から飛び出せ (1950)
Character: Evangelist for 'Oterashi'
The movie "Jump Out of the Window" is a heartwarming work that depicts the interaction between two families. Shusuke Tokuyama (Den Obinata) runs an agricultural and livestock industry, and has his father Ritaro (Hiroshi Shiomi), younger brother Yuji (Keiju Kobayashi), wife Fujiko (Kiko Todoroki), and four children (three of whom are Obinata's sons). They lived in a large family of 8 people, including 2 children and 2 daughters. The Fujieda family next door is Chieko (Ayako Okamura), whose husband, a captain, died in a shipwreck at sea, her daughter Mariko (Kyoko Kagawa), and her son Michio (Oohinata's son), who has a leg disability and is undergoing rehabilitation. ) We were a family of three. Through the interaction between the Tokuyama family and the Fujieda family, the importance of family and the kindness of people are reflected on the screen.
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蝕める春 (1932)
Character: N/A
Directed by Mikio Naruse. It is presumed to be lost.
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青空 に なく (1932)
Character: N/A
Directed by Mikio Naruse. It is presumed to be lost.
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花嫁の寝言 (1933)
Character: Komura
This pair of gentle yet witty and inventive comedies from the director of The Neighbour's Wife and Mine typify both the formal experimentation of early Japanese sound cinema and the social milieux that Shochiku tended to depict. 'Virtually plotless, and feeling more like comic sketches than fully developed stories,' writes Arthur Nolletti, Jr, 'these light comedies, or farces, take a wholly trivial matter (often a socially embarrassing situation) and use it as a springboard for a succession of gags.' Much of the films' distinction comes from the wit of Gosho's direction, the imaginative use of the new sound technology and the charm of the acting, particularly of the heroines (Kinuyo Tanaka in Bride; Hiroko Kawasaki in Groom). Yet in both films, Gosho finds room for some shrewd observation of character and environment, subtly exploring the values and assumptions of the suburban petit bourgeoisie.
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花婿の寝言 (1935)
Character: Bridegroom's friend
This pair of gentle yet witty and inventive comedies from the director of The Neighbour's Wife and Mine typify both the formal experimentation of early Japanese sound cinema and the social milieux that Shochiku tended to depict. 'Virtually plotless, and feeling more like comic sketches than fully developed stories,' writes Arthur Nolletti, Jr, 'these light comedies, or farces, take a wholly trivial matter (often a socially embarrassing situation) and use it as a springboard for a succession of gags.' Much of the films' distinction comes from the wit of Gosho's direction, the imaginative use of the new sound technology and the charm of the acting, particularly of the heroines (Kinuyo Tanaka in Bride; Hiroko Kawasaki in Groom). Yet in both films, Gosho finds room for some shrewd observation of character and environment, subtly exploring the values and assumptions of the suburban petit bourgeoisie.
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螢の光 (1938)
Character: N/A
Approaching their graduation ceremony, Saegusa, Sanae, and their classmates go on an overnight trip to Hakone with their teacher Ms. Kawahara, who will soon leave school. They thank her doing so and go on their respective paths, ending soon their student life.
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太陽とバラ (1956)
Character: Neighbour on the right, Mister
Ignoring the protests of his working-class mother, a young man becomes wrapped up in the world of delinquents and yakuza.
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進軍 (1930)
Character: N/A
A farmer’s boy, obsessed with his balsa-and-paper flying models and with dreams of real aircraft, develops a friendship with the daughter of the local squire, who introduces the lad to her pilot brother and his flying officer friends; through hard work, and despite the handicap of a lowly class status, he eventually succeeds in qualifying as a pilot and joining the air force.
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男性対女性 (1936)
Character: N/A
A musical film made for the inauguration of Shochiku's Ofuna Studio, with an all-star cast of the era.
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マダムと女房 (1931)
Character: N/A
A playwright moves to a rural neighborhood to avoid the distractions of the city, but he discovers there are plenty of ways to get sidetracked in his new home, too.
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大学よいとこ (1936)
Character: Nishida
In a Tokyo boarding house a group of students and recent graduates struggle to complete their studies and find jobs. Considered a lost film.
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彼岸花 (1958)
Character: Schoolmate
Wataru Hirayama's outwardly liberal views on marriage are severely tested when his daughter declares that she is in love with a musician and is adamant to live life her own way, instead of agreeing to an arranged marriage. Outwitted by his female relatives, Hirayama stubbornly refuses to admit defeat.
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張込み (1958)
Character: Laundry owner
Two detectives begin a stakeout based on the slim chance of catching a murderer whom they suspect will try to reunite with an old flame.
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君の名は (1953)
Character: N/A
Machiko Ujiie and Haruki Atomiya first meet and fall in love on Ginza’s Sukiyabashi Bridge during the Great Tokyo Air Raid in March 1945. Machiko and Haruki pledge to meet again at the bridge in six months but part without asking each other’s names.
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素晴らしき日曜日 (1947)
Character: Overweight apartment receptionist
Yuzo and his fiancée Masako spend their Sunday afternoon together, trying to have a good time on just thirty-five yen. They manage to have many small adventures, especially because Masako's optimism and belief in dreams is able to lift Yuzo from his realistic despair.
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名もなく貧しく美しく (1961)
Character: N/A
The story is of two people. One is deaf, the other deaf and mute. They marry after meeting at a school reunion, and the film follows their trials and tribulations ... and joys.
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伊豆の踊子 (1954)
Character: N/A
A dancer girl in a touring company met a high school boy in a port town. The story is about their first love that is very touching and sorrowful. An adaptation of the Kawabata Yasunari short story.
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楢山節考 (1958)
Character: One of the villagers who teaches Narayama's manners (uncredited)
In Kabuki style, the film tells the story of a remote mountain village where the scarcity of food leads to a voluntary but socially-enforced policy in which relatives carry 70-year-old family members up Narayama mountain to die. Granny Orin is approaching 70, content to embrace her fate. Her widowed son Tatsuhei cannot bear losing his mother, even as she arranges his marriage to a widow his age. Her grandson Kesa, who's girlfriend is pregnant, is selfishly happy to see Orin die. Around them, a family of thieves are dealt with severely, and an old man, past 70, whose son has cast him out, scrounges for food. Will Orin's loving and accepting spirit teach and ennoble her family?
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婚約三羽烏 (1937)
Character: An examinee
Three men vying for the same job end up chasing the same girl in this comedy-drama from noted Japanese director Yasujiro Shimazu.
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あなた買います (1956)
Character: N/A
A talent scout moves sharply, dead-set on signing a promising athlete to the baseball team the Toyko Flowers.
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白い炎 (1958)
Character: N/A
A masterpiece depicting the true feelings, grief and joy of a woman. An adaptation of the novel of the same name by Yasushi Inoue.
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白日夢 (1964)
Character: Old patient
While under sedation in a dentist's office, a young art student has sex fantasies about naked women, vampires and a beautiful patient he saw in the office.
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笛吹川 (1960)
Character: N/A
In a time of continuous civil wars ravaging the fields of feudal Japan, the eldest son of a very poor peasant family, living alongside the bridge over the Fuefuki river, decides to serve a warlord to escape his miserable condition, being soon followed by his younger brothers. Although not all the men of the family take this tragic path of death, women of the family will be doomed to endure the pain of loss during the next five generations.
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二十四の瞳 (1954)
Character: Matsue no Chichi
From 1928 to 1946, the lives of 12 young people and their school teacher in a poor Japanese village are profoundly affected by historical events and personal circumstances.
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悲歌 (1951)
Character: N/A
Wataru Naohiko who has the prosecutor general as his father became a young composer and its symphony "saint" invoked the world echoed. But his disciple Uchiyama and his best friend prosecutor Daisuke Toki accused his music as a sesame of pause-only technique, not a truly heart-hungry art.
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春琴抄 お琴と佐助 (1935)
Character: N/A
A period piece about the love of a wealthy blind woman, a teacher of koto and shamisen, and her devoted manservant. Based on a novella by Tanizaki Junichiro.
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恋の花咲く 伊豆の踊子 (1933)
Character: Eikichi, brother of Kaoru
"The Dancing Girl of Izu" tells of the story between a young male student who is touring the Izu Peninsula and a family of traveling dancers he meets there, including their youngest girl. The student finds the naïve girl attractive even though he eventually has to part with the family after spending memorable time together.
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Kimi to wakarete (1933)
Character: Guest
An aging geisha, whose angry teenage son is ashamed of her profession, works alongside a young geisha, resentful of her family for forcing her into a life of ignominy.
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兄とその妹 (1939)
Character: Eiji Sawada
A man who works late hours at a deadening job lives together with his wife and his younger sister. The younger sister's a modern girl who's starting to receive romantic attention from one of her co-workers.
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人生のお荷物 (1935)
Character: Shunkichi Kuriyama
A middle-aged father has just married off his third daughter, but still has his nine year old son to raise whom he resents as he was unwanted.
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日本の悲劇 (1953)
Character: N/A
At the close of the war in Japan, a widowed mother makes every possible sacrifice to bring up her ungrateful son and daughter who are unimpressed with their poor standard of living at home. They gradually reject her in search of the material comforts that working as a maid cannot provide. The mother's despair becomes interminable.
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愛より愛へ (1938)
Character: N/A
Shigeo is an aspiring writer living with his girl friend Minako and hoping for success and a better tomorrow every day. Both live on what Minako earns from working in a café. Shigeo is not happy with the situation and neither is his family who do not approve of Minako. Especially his uncle tries to convince him to leave Minako, even using his influence behind the scenes. Things start to change when Shigeo's sister pays the young couple a visit, being the first member of Shigeo's family to actually get to know Minako in person.
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