Robert Breer

Personal Info

Known For

Directing

Known Credits

0.089

Gender

Male

Birthday

30-Sep-1926

Age

(99 years old)

Place of Birth

Detroit, Michigan, USA

Also Known As
  • Robert Carlton Breer

Robert Breer

Biography

Born in 1926 in Detroit, Robert Breer has spent fifty years building up a totally atypical body of work which plays with different genres and abolishes the notions of space and time. Starting off as a painter, he then deconstructed his neoplastic works and ended up with kinetic objects. He dealt next with the thresholds of awareness and perception, both as a sculptor and a film-maker. His films are composed of a jumble images that pass at great speed, while his Floats move almost imperceptibly, in accordance with an unpredictable logic. Robert Breer developed his light yet rigorous style while associating with the New York underground in the Pop years. Continuing his subtle exploration movement, he still today causes the space of reality-irrevocably unstable-to waver.


Credits

Colliding Colliding (1989) Character: Himself
Shot in 1974, Colliding was made as a portrait of sculptor/animator Robert Breer.
Solstice and Solyanka Solstice and Solyanka (1975) Character: N/A
Super 8 film. Observations of the Institute on Film, Video & Photography, Amherst, MA, summer 1975. Among the cast of characters, in order of appearance, are Robert Breer, John Terry, Steve Ascher, Richard Leacock, Jon Rubin, Frank Daniel, Ed Emshwiller, Ann McIntosh, Terry Lockhart, Standish Lawder, Jerome Liebling.
Free Radicals: A History of Experimental Film Free Radicals: A History of Experimental Film (2011) Character: Himself
Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community.
Robert Breer At Home Robert Breer At Home (1992) Character: N/A
Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty (2000) Character: Self
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Birth of a Nation Birth of a Nation (1997) Character: Self
Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.
He Stands in a Desert Counting the Seconds of His Life He Stands in a Desert Counting the Seconds of His Life (1986) Character: Self (archive footage)
A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.



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