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The Diamond Jubilee Concert 2012 (2012)
Character: Self - Performer (Madness)
In the presence of HM the Queen and the royal family, an array of stars from the last sixty years of rock, pop and classical music perform on a spectacular stage built around the Queen Victoria Memorial, right in front of Buckingham Palace. Hit songs and show-stopping performances are promised, with hosts including Rob Brydon, Miranda Hart, Lenny Henry and Lee Mack. Proceedings conclude with HM the Queen lighting the National Beacon.
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Madness the Pilot (1984)
Character: Chris
The ska band is elected as the new British government and they move the cabinet to Camden.
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Days Like These (1986)
Character: Self
Documentary containing interviews and concert footage of the various musicians and bands within the Red Wedge organization on a tour within the UK.
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Madness : Prince du ska, Roi de la Pop (2025)
Character: N/A
From the back rooms of Camden's pubs to the roof of Buckingham Palace at Queen Elizabeth’s Jubilee: the London band Madness enriched British pop music history with their cheeky style and spectacular performances. In this documentary, we look back on their illustrious career with interviews with band members, friends, and music industry figures. Featuring brand new recorded interviews with Suggs and Bedders from ‘Madness’. Alongside interviews with Lynval Golding, Rhoda Dakar, Clive Langer and many more.
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Take It or Leave It (1981)
Character: Chris
Take It or Leave It is an autobiographical account of the cult '80s British pop group Madness, with members of the group playing themselves, charting their rise from humble beginnings as pub band The Invaders to chart success and their first overseas tour. The film follows the ups and downs of individual members of the group, and features all of their early hits including The Prince, One Step Beyond, Baggy Trousers, and Night Boat to Cairo.
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Madness: The Liberty of Norton Folgate (2009)
Character: Chrissy Boy
'Madness' are about to release a new album after 10 years, which consists of an interrelated, song cycle about London called 'The Liberty of Norton Folgate'. Although the songs are on one level about different areas of London, they focus musically on the waves of immigration to the city - Irish, Jewish, Caribbean, Asian etc and the musical legacy they have contributed to the city. The concert is at the Hackney Empire, a show with powerful connections to the grand Music Hall traditions of the place, situating Madness where they belong, clearly within a uniquely English Popular Musical Culture with its roots in the Victorian period. Weaving through the concert, Suggs and Carl, take us back in time to the London of Karl Marx and Jack the Ripper. Humorously introducing the subject of each song, they take us on a tour through the psycho geography of the Old East End, Spitalfields, Smithfield, Wapping, Bethnal Green, ending down on the beaches of the Thames beyond Tower Bridge Finally.
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