|
La vendedora de Harrod's (1921)
Character: N/A
Carmen is an employee at the posh Harrod's store in Buenos Aires. She meets Juan Manuel, a young man from a wealthy family. An impossible relationship will arise between the two of them against their different social classes.
|
|
|
Marido de ocasión (1952)
Character: N/A
When a woman decides to divorce her husband suspiciously changes his attitude from one day to the next.
|
|
|
La procesión (1960)
Character: N/A
The pilgrimage to the Basilica of Our Lady of Luján causes the meeting of people of different classes.
|
|
|
La loba (1924)
Character: N/A
A woman whose life is shattered by the death of her son.
|
|
|
El baldío (1952)
Character: N/A
A couple of European refugees meet with their son in Peronist Argentina.
|
|
|
Yo soy el criminal (1954)
Character: Dueña de pensión
A man believed guilty of several homicides becomes a criminal upon his release from the asylum.
|
|
|
Villa Discordia (1938)
Character: N/A
An interfamily romance in a small town where two families are rivals with each other.
|
|
|
|
Internado (1935)
Character: N/A
A student leaves medicine to pursue singing and his girlfriend falls in love with his brother.
|
|
|
|
|
Esta es mi vida (1952)
Character: N/A
In view of his mother's death, a dancer quits the show he was presenting and loses everything gambling.
|
|
|
Una viuda casi alegre (1950)
Character: Madre de Pedro
A young widow goes to a marriage agency where she is introduced to three hired suitors who end up falling in love with her.
|
|
|
La doctora quiere tangos (1949)
Character: Miembro La Buena Cuna
Luisa Soler, a young and wealthy lawyer, travels to the province of Buenos Aires with her aunt Totona and there she meets a humble composer of tangos, Martín Salazar. The meeting between them creates confusion for his girlfriend and, after several moments of tension and strong arguments, Martin asks Luisa to clarify the situation with her fiancée. But when the lawyer decides to do something, it changes for both of them. Both realize that they love each other and that, beyond the different lives they lead, they will fight to be together.
|
|
|
Luces de candilejas (1958)
Character: Tía Laura
Three supposed brothers ( a bolero singer, a tango singer and a mabo singer) are called for a musical magazine.
|
|
|
Dos quijotes sobre ruedas (1966)
Character: N/A
The adventures of two truckers (one Argentine and the other Mexican) carrying different people and a suspicious trunk
|
|
|
Un ángel sin pudor (1953)
Character: Empleada doméstica
An angel who comes down to earth in the form of a woman lives a love story.
|
|
|
|
|
|
|
Detrás de un largo muro (1958)
Character: Doña Angélica
A young girl from a small town migrates to the capital of Buenos Aires, only to find a home in the slum area of the city.
|
|
|
¿Por qué mintió la cigüeña? (1949)
Character: N/A
To avoid the abandonment of her husband, a woman rents three children with the intention of making him believe that he is the father. Sudden maternity will bring complications in triplicate.
|
|
|
Las aguas bajan turbias (1952)
Character: Doña Flora
The Peralta brothers work in the countryside the Alto Paraná. There they will meet subhuman working conditions. Finally, the workers rise and harshly punish their exploiters.
|
|
|
|
|
|
|
Más allá del olvido (1956)
Character: Housekeeper Sabina
After a period of sorrow, Fernando de Arellano, a rich businessman who has recently lost his young wife Blanca from a serious ilness, meets Mónica, who looks identical to her.
|
|
|
Derecho viejo (1951)
Character: N/A
Tango musician moves to France to put an unhappy love affair behind him. Inspired by the life of tango composer Eduardo Arolas.
|
|
|
El último perro (1956)
Character: Doña Fe
During the second half of the 19th century, a young survivor is saved in the Argentine pampas by a man she ends up marrying.
|
|
|
Con el diablo en el cuerpo (1947)
Character: N/A
Young newlywed girl about to embark on her honeymoon persuades older family friend to assist her in an extensive search for her missing husband. A road-trip full of comical misadventures ensues.
|
|
|
Mujeres en sombra (1951)
Character: N/A
A bigame woman, a complicated maid with shady facts, and a rip-off against a wealthy man attempted by an alleged son.
|
|
|
Nacha Regules (1950)
Character: N/A
Set during the centenary celebrations, it narrates the frustrated loves between a man from high society and a woman with a hectic romantic life.
|
|
|
El barro humano (1955)
Character: Lucía Montaña
A marital conflict reaches the courts and becomes public comment.
|
|
|
Armiño negro (1953)
Character: N/A
A woman with a doubtful past tries to hide it from her teenage son and attempts to change, but she cannot.
|
|
|
Filomena Marturano (1950)
Character: Rosalía
Filomena, a former prostitute in her 40s, tricks a wealthy shopkeeper to marry her and support her three children.
|
|
|
La pasión desnuda (1953)
Character: N/A
A woman who works doing chores in the convent where her paralyzed daughter, that believes that is dead, and falls in love of a doctor.
|
|
|
La trampa (1949)
Character: Sra. Salcedo
A lonely woman marries a man without getting to know him.
|
|
|
La bestia debe morir (1952)
Character: Moor Cabin Woman
A crime writer searching for the truth about a personal tragedy becomes involved in a murder investigation.
|
|
|
|
|
Fin de mes (1953)
Character: N/A
The crushing conformity of a penniless bank teller takes an unexpected turn when he deviates from his honest routine.
|
|
|
Este cura (1968)
Character: Doña Luisa
A village priest protects a young mother rejected by the people and the mayor.
|
|
|
El andador (1967)
Character: N/A
A late pregnancy disrupts the routine of a mature marriage.
|
|
