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अर्धांगिनी (1959)
Character: Dancer / Singer
At the very moment of her birth, ill-fated Chhaya's mother passes away, her dad loses his job, and their house burns down. She is shunned since then by children her age as well as their parents. Her dad brings her up with a lot of love, and even arranges her marriage with a young man, whose mother, uncle and nephew approve of Chhaya. But when the uncle finds out about Chhaya's past, they reject her. This news kills her dad, and Chhaya re-locates to live with her friend, Leela Lal, who lives a middle-class lifestyle with her husband, Murari, and her mother-in-law, who is very superstitious and never lets Leela out of her sight. Murari and Leela introduce her to Prakash, an airline pilot, and both eventually fall in love with each other. When Prakash takes her with him to meet his mom, Chhaya finds out that she is the same woman who rejected her and abruptly leaves without meeting anyone.
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Ek-Hi-Rasta (1956)
Character: N/A
Amar and Malti live an idyllic, loving life with their son Raja. However, Amar makes enemies in his job and is killed, forcing Malti to remarry.
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Do Phool (1958)
Character: N/A
The orphaned Poornima is consigned to the care of her grandfather by her uncaring aunt. Grandfather lives in isolation up a mountain with only goats and the boy goatherd, Jaggu, for company. Poornima enjoys an idyllic life until her aunt returns. Auntie has found a buyer for her niece. She is to become the companion of the wheelchair bound, Rupa. Forced to leave her mountain retreat, Poornima becomes firm friends with Rupa despite the presence of the scowling nanny. She receives a good education too. Even so, Poornima pines for the mountains. Jaggu pines for Poornima and, when on the doctor's advice, Poornima is returned to the hills, it's Rupa's turn to pine for her. Brought up the mountain for a visit, Rupa enjoys the health-giving properties of fresh air and goats' milk. When her wheelchair is tossed over a cliff by Jaggu (who resents the presence of the interloper)a miracle occurs. The story is adapted from the children's classic "Heidi".
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कटी पतंग (1971)
Character: Poonam
A runaway bride promises her dying widowed friend that she will assume her identity and look after her infant child.
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मुसाफिर (1957)
Character: Munni
The story is about a house consisting of three families who live in it. It is three stories linked by the house.
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Bidesiya (1963)
Character: N/A
Bidesiya is a Bhojpuri film based on the play of same name written by Bhikhari Thakur.
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Man-Mauji (1962)
Character: Laxmi
Raja's frequent brush with crime forces his sister Rani to disown him, and she decides to work in Dr. Mohan's house. However, Dr. Mohan finds out the truth about Rani and her brother.
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Kangan (1959)
Character: secretary
While helping her friend evade a blackmailer, a woman fears she might have committed manslaughter.
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राजा साब (1969)
Character: Hameshbahar
Orphan Rajoo has always dreamed of becoming a wealthy prince -- but when he finally gets a chance to live out this dream, he must make a difficult choice between love and the realization of his long-held fantasy. As an adult, he works for a grateful prince who offers Rajoo the chance to impersonate him; in order to pull off the deception, however, Rajoo must insult the princess, whom he has fallen in love with.
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Phir Kab Milogi (1974)
Character: Amba
Sapna, the daughter of a wealthy businessman likes Rajesh, a simple man. Her father wants her to marry Randhir, a notorious womanizer and drunkard. Will Sapna ever accept Randhir?
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Dil Apna Aur Preet Parai (1960)
Character: Munni
A rich girl marries a doctor. Differences crop up between the two and starts to snowball wherein she returns to her father's house. Months later she returns only to find he is in love with a nurse.
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Samjhauta (1973)
Character: Champa
Anil Dhawan plays Gopal who has been gifted with a wonderful voice and sings in the village drama company. With the encouragement of his sister he shifts to Mumbai where he is helped by Shiva played by Shatrughan Sinha who is car polisher, Pradeep Kumar who is a Shenai player and Shanno played by Yogita Bali, who are very poor. The story revolves on how struggles mark the life of Anil Dhawan who loses his eyesight and Shatrughan Sinha who is jailed trying to earn extra money to help his friend. Ultimately Gopal is helped by a crook who tries to exploit his talent and humiliate his poor friends. Will Gopal be able to prove his mettle in such alien circumstances and people know what is the worth of true friendship?
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बहु बेगम (1967)
Character: Suraiya (as Naaz)
On the day of her marriage, the bride goes missing. She ends up in a brothel, compelling her wealthy husband to pretend that all is well to keep the family's honor intact.
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श्रीमान श्रीमती (1982)
Character: N/A
A rich and wealthy couple, Shankarlal and Parvati are appalled at the problems of the world, especially in households, so they decide to try and make things right.
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Dost (1974)
Character: Kalyani Sharma
Maanav is an orphan who was brought up by a Catholic Priest. After completing his M.A. he returns home and finds out that his mentor is dead. He re-locates to Bombay and a man named Gopichand Sharma attempts to steal his luggage. The men become friends - Gopichand eventually changes his lifestyle, decides to be honest. Maanav gets him a job with Hercules Milk Foods. Maanav meets with and falls in love with the daughter of the owner of Hercules Milk Foods, much to the chagrin of her Dad. Then one day Maanav disappears from Gopichand and Kaajal's lives. He re-locates to Simla and it is here that he learns that things have spiraled out of control.
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Raja Rani (1973)
Character: Usha - Shamlal's Wife
As a young boy Raja turns to a life of crime after the death of his mother. Years later Raja, now a hardened thief, uses a marriage as an escape ploy but shortly after he is caught.
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Bhola Bhala (1978)
Character: Sarla
When the honest, unsuccessful Insurance Agent is transferred to Madhya Pradesh a lot of events are set in motiion.
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Lajwanti (1958)
Character: Renu (as Baby Naaz)
Having been unjustly accused of having an affair, a dutiful and loving wife is thrown out of the house by her husband and forced to abandon her baby. When mother and child are eventually reunited, the mother faces an uphill struggle to regain the love of her daughter.
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Yahudi (1958)
Character: N/A
In ancient Rome, a mourning Jewish man raises the kidnapped daughter of Roman royalty as his own - and she grows up without learning her true identity. Years later, she falls in love with a Roman prince.
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दुश्मन (1972)
Character: Kamla G. Din
Surjit Singh is forced to take care of Ram Din's family after he accidentally kills him while driving under the influence of alcohol. However, he is treated with hostility by Ram Din's family members.
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Chakkar Pe Chakkar (1977)
Character: Mrs. Babu
A Bollywood actor goes on the run after being suspected of killing a movie producer.
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बूट पॉलिश (1954)
Character: Belu
Two orphans are forced by their abusive aunt to beg in the streets of Bombay. They take up shining shoes but are separated from each other.
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Karm (1977)
Character: Kammo
Retired Judge Shyamlal Kumar lives in a palatial home with his wife and only son, Arvind, who is now studying law and is on his way to become a lawyer, and after that a judge just like his dad. Arvind meets with beautiful Asha Shastri, both fall in love and would like to get married. Asha introduces Arvind to her astrologer dad, Chintamani, who instantly approves of Arvind; while both Shyamlal and his wife give their blessings and approval to Asha. But when Chintamani, whose predictions always prove to be accurate, sees a dark future for the young couple, withdraws his blessings and asks them not to marry each other. Spooked by this, Shyamlal and his wife also ask Arvind to marry someone else. But both Arvind and Asha believe that nothing bad will befall them, and they start living together without getting married. This raises ire in their conservative community and both are blacklisted.
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कागज़ के फूल (1959)
Character: Pramila Sinha
The film tells, in flashback, the story of Suresh Sinha, a famous film director and his relationship with an aspiring actress.
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Aap Beati (1976)
Character: Sheela Jumani
The Kapoor family consists of Kishorilal, his wife Lajjo, son, Prakash, and daughter, Geeta. Kishorilal and Geeta toil hard to ensure that Prakash gets a good education so that he can study in America, return home, and repay the loans that the family has taken. Prakash does get to complete his studies, he also travels to America, upgrades, and returns home to be employed as Kishorilal's boss. Then Prakash gets married to Reena, who comes from a wealthy family, and moves in with them. Geeta confides in Reena that she has met a young man by the name of Ranjit, both are in love and want to get married. The entire family is overjoyed, but their joys are short-lived when Ranjit's dad, Mayadas, asks him to get married to the daughter of a wealthy man, when he refuses, he is asked to leave.
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फरिश्ता या कातिल (1977)
Character: N/A
A convicted murderer saves the lives of the passengers who meet with a train accident in a desert and protects them from a gang of criminals.
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रूठा ना करो (1970)
Character: Naina
Neeta loves Sudhir, but Naina tries to convince her that Sudhir's love is a scam to get her money.
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Sachaa Jhutha (1970)
Character: Belu
A penniless musician is unwittingly forced to trade places with a look-alike diamond merchant/thief causing a comedy of errors by everyone involved.
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Shama Parwana (1954)
Character: Rehana
Gul Mirza is a poet who sings ghazals at Shahenshah Arkat-Ul-Daula's palace and wins the heart of his daughter, Sahebzadi Aalam. They agree to marry once he finishes his service in the royal army. But when his widowed mother is murdered one night, Gul Mirza speaks out against Arkat and gets labeled a rebel, perhaps never able to meet Aalam again. Inspired by a famous legend from the Mughal era.
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Preetam (1971)
Character: Gauri
Raised by his aunt and his uncle, an orphan becomes a man who cares for others.
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Main Tulsi Tere Aangan Ki (1978)
Character: N/A
Thakur Rajnath Singh Chouhan opens a can of worms when he announces that he is going to marry a prostitute by the name of Tulsi. His mother will not even consider Tulsi as a daughter-in-law, and would prefer that he marry Sanjukta. Tulsi convinces him that he should marry the woman of his mother's choice, which he eventually does. Thereafter Tulsi gives birth to a baby boy, Ajay, and passes away. Sanjukta raises Ajay as her own child, even after the passing away of Rajnath, and even after giving birth to Pratap. Ajay is given the entire responsibility of the estate, while Pratap squanders money on courtesans and alcohol. Sanjukta trusts Ajay, until one day when a villager complains to her that Ajay has got his daughter, Geeta, pregnant; additionally she also finds out that Ajay has been misappropriating money, and also owes money to a prostitute named Leelabai, the very woman who sold Tulsi to Rajnath.
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जुआरी (1968)
Character: Princess Sabita
Rakesh is an unemployed youngster who turns to a master gambler for existence. But even after getting rich he values morals than money. But slowly he feels that he is being used by a rich woman. Rakesh is now forced to question whether he chose the right way to get rich.
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Char Dervesh (1964)
Character: Princess Hamida
Khamer Bhakt is a handsome young man, who lives with only motive in mind - trouble. And he does negatively effect lives of his two brothers, Karim and Rahim, as well as others in the community. One day he ventures into the private chambers of the Shehzadi Nargis Banu, and incurs the wrath of the palace king and his guards. and fulfill her every wish, or else he will be cursed for life. The palace and it's people are overjoyed to see Hamida back, and arrangements are made for Nargis to get married to Khamer. Khamer now realizes that if he marries Nargis, he will be cursed; and if he marries Hamida, then he will break his vow to Nargis, and so the ultimate choice is on Khamer, as he has to decide what is best for him.
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Kundan (1955)
Character: N/A
Classic Bollywood film about a young man whose poverty leads him to commit crimes which, in turn, lead him to harsher and harsher punishments.
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