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Taj Aur Talwar (1961)
Character: N/A
Taj Aur Talwar (1961) is a Pakistani Urdu-language costume drama released on May 26, 1961, directed by Riaz Ahmad Raju and produced by Films Hayyat. The film stars Rattan Kumar and featured the debut of actress Razia.
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Karigar (1958)
Character: Bansi
A wealthy man is thrilled about becoming a parent and is pleased when his wife gives birth to a son. However, the son’s identification gets misplaced.
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Naya Ghar (1953)
Character: N/A
Directed by D.D. Kashyap. With Shekhar, Geeta Bali, Begum Para, Leela Chitnis.
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Buzdil (1951)
Character: N/A
Two brothers fall in love with the same girl, but the girl loves younger brother creating an intriguing love triangle.
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Clerk (1960)
Character: N/A
An impressive social story about a poor Clerk and his hard life.. Film director Khalil Kaisar played the title role and famous film poet Khawaja Parvez was also seen in a comedy role.
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सौदागर (1951)
Character: N/A
A ruthless spice merchant in pursuit of ultimate wealth must choose between his fortune and the only woman who knows the true measure of his heart.
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Angarey (1954)
Character: N/A
A fiery, forbidden romance ignites a conflict between the daughter of a powerful clan leader and a man from a poor family, escalating into a bitter feud that brings her father's wrath and merciless torture upon her beloved.
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Nirmohi (1952)
Character: N/A
A 1952 Indian film starring Nutan and Sajjan, known for its emotional depth and inner conflict. The movie's music was composed by Madan Mohan, with lyrics by P.N. Rangeen and contributions from singers like Lata Mangeshkar and Lalit Mohan.
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معصوم (1957)
Character: N/A
Masoom (1957) is a Pakistani Urdu-language social film, directed by Sharif Nayyar and produced under the banner of Paramount Films. It is notable for featuring Rattan Kumar in the title child role.
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Bahut Din Hue (1954)
Character: Vijayakumar
Kidnapped by a villainous sorcerer, young mother Balanagamma (Pushpavalli) remains in captivity for more than 12 years, spurning her captor's sexual advances with claims of being in the midst of a long-term penance ritual. In her absence, her son has grown to adulthood -- and is determined to rescue his missing mother.
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प्यासी शाम (1969)
Character: N/A
Raja and Ashok are old friends, almost like brothers. One day Raja meets and falls helplessly in love with Madhu. A bit later, Madhu and Ashok meet by accident, and Ashok also falls in love with her. It gets further complicated by the fact that Ashok's father was in love with Madhu's mother and continues to carry a grudge against the family.
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दो बीघा ज़मीन (1953)
Character: Kanhaiya Maheto
After falling for a cunning landlord’s scheme, a farmer (Balraj Sahni) and his young son (Ratan Kumar) travel to Calcutta in search of work to save money and reclaim their ancestral land.
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बूट पॉलिश (1954)
Character: Bhola
Two orphans are forced by their abusive aunt to beg in the streets of Bombay. They take up shining shoes but are separated from each other.
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अफ़साना (1951)
Character: Young Ratan/ Chaman
Ratan and Chaman are twins brothers who love the same girl, Meera. During a fair, all three are separated. While Chaman and Meera are found, Ratan is untraceable. Years later, Chaman is no longer attracted to Meera, but in a dancing girl named Rasily, while Meera awaits word of her childhood sweetheart Ratan, who she feels is still alive. Then the unexpected happens, Chaman gets into a fight with another man, killing him, and is on the run from the police. Misunderstandings are clarified, and the law declares this to be an accidental death, and as a result Chaman returns. But this is not the same Chaman any more. For one thing, he has lost interest in Rasily, and is more interested in Meera - could it be that Ratan has returned in place of Chaman? If so, what has happened to Chaman?
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Baiju Bawra (1952)
Character: Young Baijnath
During the reign of Akbar the Great, a young singer sets out to avenge his father's death and challenges the killer to a musical duel.
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Banwra (1950)
Character: N/A
A story centers on themes of social status and romantic conflict, involving a sensitive or "mad" (the meaning of Banwra) character played by Raj Kapoor who must overcome societal hurdles to be with his beloved.
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जागृति (1955)
Character: Shakti Choudhary
Sent to a hostel as a punishment, a rebellious lad leads a revolt and creates havoc in the institution.
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