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悪のもだえ (1964)
Character: N/A
Pinku directed by Kôji Wakamatsu.
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暴力娘 (1959)
Character: N/A
1959 Japanese film directed by Morihei Magatani for Shintoho.
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雌・メス・牝 (1964)
Character: N/A
Early Pink film directed by Kinya Ogawa.
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女犯の掟 (1963)
Character: Saburo
Marie Shinoda, a half-Japanese nude dancer, returned to her hometown with her mother's ashes, fulfilling her mother's wish. Her island home was a remote island far from the mainland, where order was maintained by its own set of rules. Marie's mother, the most beautiful woman on the island, had been banished after marrying a foreigner visiting, and marriage to an "outsider" was strictly forbidden.
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女体残虐図 (1967)
Character: Akagawa
Yōko is a young woman who is forced into prostitution by a yakuza gang. She repeatedly escapes from the gang, and is repeatedly captured, and repeatedly tortured at length.
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怪談残酷幽霊 (1964)
Character: N/A
Horror film directed by Satoru Kobayashi. Kin'ya Ogawa served as Kobayashi's assistant on this film.
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新日本珍道中(西日本の巻) (1958)
Character: N/A
Japanese comedy film released to commemorate the 10th anniversary of Shintoho's founding.
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まぼろし探偵 幽霊塔の大魔術団 (1960)
Character: Samsky
Third and last "Maboroshi tantei" film, based on the manga by Jiro Kuwata.
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続スーパー・ジャイアンツ 続鋼鉄の巨人 (1957)
Character: N/A
The 2nd Super Giant film.
Super Giant continues his battle against the foreign terrorists. In return, they frame him for murder. (Part 2 of 2)
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スーパー・ジャイアンツ 人工衛星と人類の破滅 (1957)
Character: N/A
The 5th Super Giant film. Super Giant pursues a Nazi-like army that operates on a huge satellite in space. The satellite is armed with weapons that could destroy whole cities on Earth from afar. (Part 1 of 2)
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スーパー・ジャイアンツ 宇宙艇と人工衛星の激突 (1958)
Character: N/A
The 6th Super Giant film. Although he was believed to be destroyed by the Nazi-like army, Super Giant breaks into the satellite, and a long, riotous battle ensues. (Part 2 of 2)
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海女の化物屋敷 (1959)
Character: N/A
The treasures of the Aoyamas were buried at the bottom of the sea when a large earthquake occurred years before. Yumi Aoyama is the only person who knows the location, but her family dies one after another through curious incidents, as if the family were under a curse. Yumi is surprised by the ghost of a dead sister who looks the same as the grim figure who jumped into the old well alter stabbing herself with a sword. Fearful that a similar fate awaits her, Yumi seeks the help of her friend Kyoko. Later the ghost appears before Kyoko and her fiancé, Detective Nonomiya. In a haunted cave, Kyoko and Yumi are in deadly peril from those who seek treasures of the Aoyamas.
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明治天皇と日露大戦争 (1957)
Character: N/A
Meiji Tenno portrays the buildup to the Russo-Japan War. In addition to showing the political events that led to war, it also shows the era from the story of a farm family in rural Japan that sends their son off to war. As such, it could be considered an anti-war movie, showing how, while war is devised by governments, the people do not really understand what war is, and its combatants often do not know what they are fighting for.
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骨ぬき (1967)
Character: N/A
Yuko has a rendezvous with her old boyfriend who has just returned to Tokyo. Blackmailers with evidence of this transgression force Yuko to work as a call girl to pay them. Yuko becomes the client of a foreigner who is in the employ of her husband, a prominent businessman.
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