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経験 (1970)
Character: N/A
Two boys and two girls become acquainted and fall in love.
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日本ダービー 勝負 (1970)
Character: N/A
A story about a man who stakes his life on horse racing.
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夜の歌謡シリーズ なみだ恋 (1973)
Character: N/A
Japanese “kayo” film based on the song by "Namida koi" by Aki Yashiro.
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女教師 (1978)
Character: N/A
A junior high school teacher is raped by several students inside the school.
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女帝 (1983)
Character: N/A
A struggling single mother catches the eye of a rising executive and gains power and wealth as his mistress. But beware, power is fleeting.
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網走番外地 荒野の対決 (1966)
Character: N/A
A number of recently released prisoners become involved in a racket with a rancher who is a rival to a neighboring landowner and wants to use the convicts to seize his ranch. The rancher does not know, however, that he had years before killed the parents of one of their number.
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姫四郎流れ旅 (1982)
Character: Hyōma Odagiri (as Hajime Iwatani)
After saving a woman, a gambler with a dark past and a ronin agree to help her father, a yakuza boss. However, their intersecting histories spark conflict.
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新網走番外地 嵐呼ぶ知床岬 (1971)
Character: N/A
Former inmate Katsuji gets involved in the horse gambling business while lending a helping hand to a ranch operator.
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新網走番外地 さいはての流れ者 (1969)
Character: N/A
Katsuji takes revenge on evil Tamaru who forcefully took control of the fishery business run by Katsuji’s friend.
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網走番外地 南国の対決 (1966)
Character: N/A
This is the sixth film in the "Abashiri Series," based on an original idea by Hajime Ito, and written and directed by Teruo Ishii of "Operation Big Bad" fame. The film was shot by Kiichi Inada, who also worked with Ito.
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コールガール (1982)
Character: N/A
A High Class Call Girl is revisited by her ex lover who she thought died 5 years prior.
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あゝ予科練 (1968)
Character: N/A
The film is dedicated to the souls of flight school graduates killed in World War II. Young boys dream about becoming pilots and apply to flight schools. However, the flight schools have extremely demanding, harsh training, and once they finally become pilots, they must become suicide bombers and give their lives for their homeland.
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不良番長 どぶ鼠作戦 (1969)
Character: N/A
Tokyo hoodlums travel to Osaka and enter into rivalry with the local gangsters.
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不良番長 一獲千金 (1970)
Character: N/A
The hoodlum group tries to help a little printing factory against gangsters.
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不良番長 暴走バギー団 (1970)
Character: N/A
Rivalry between a hoodlum group and a gangster organization.
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不良番長 (1968)
Character: N/A
The first in what would become Toei's most successful, longest-running bosozoku film series. It lasted from 1968 till 1972 through sixteen films.
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不良番長 送り狼 (1969)
Character: N/A
Rivalry between a hoodlum group and gangster organization.
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不良番長 王手飛車 (1970)
Character: N/A
This is the sixth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…
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不良番長 出たとこ勝負 (1970)
Character: N/A
The hoodlum group goes to a hot-spring resort town to earn money.
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Takeshi's Castle Vol. 1 (2009)
Character: N/A
Various attacking forces unique to Takeshi's Castle were organized, aiming for "Defeat! Takeshi's Castle" There were many battles. This set gathers the tightness of the battle, such as parent-child tournament, Danjin tournament, female college student tournament, brave fighter tournament, etc. Also included is a collection of contests in Takeshi's Castle, as well as episodes of Takeshi & Takeshi Corps struggling to recapture the castle that was stolen by Captain Tani.
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残侠あばれ肌 (1967)
Character: Seijurô
It has been 5 years since Eijiro Kikukawa of the Asakusa Kaminarimon family killed the head of the Suzaki family. Finally he gets out of prison and comes to the city of Odahama, where he had a mistress, Okei, whom he could not forget. He accidentally helped a man named Hanji from the Kurokane family and was received by the family as a guest. And soon Eijiro is involved in a showdown between the yakuza families.
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非行少女ヨーコ (1966)
Character: Jiro
Easily bored, but still innocent and naive countryside girl (Mako Midori) discovers partying in Tokyo is a ton of fun. Yakuza-to-be (Ichiro Araki) is an acquaintance who tries to rape her, and the typically bland but very-good-here (Hayato Tani) the first boyfriend. Director Yasuo Furuhata (his first picture) lets his camera roll in trendy clubs amongst partying youngsters in a way that could've been out of 60s England or a Nikkatsu film.
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光戦隊マスクマンTHE MOVIE (1987)
Character: Commander Sanjuurou Sugata
Takeru fights to rescue a mermaid living in an underground pool being used by Igam to cause massive earthquakes to the surface.
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北海の暴れ竜 (1966)
Character: N/A
The son of a prominent member of a fishing community returns home after a stint with the yakuza to find his father has died under orders of a local gang leader. He sets out to avenge his father, keeping his plans secret from his mother who is cold to him since his perceived abandonment of the family. This wonderful, if little-seen, Fukasaku gem deals with family, community and what it means to do right by both.
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不良番長 猪の鹿お蝶 (1969)
Character: N/A
Kosaka Hiroshi is a small time swindler and the boss of a motorcycle gang in Shinjuku. Living only to make money, he never made the big time until he gets involved with a Yakuza's daughter. But when he gets involved in a scheme to blackmail a Yakuza gang and a land developer, he realizes he's gone way over his head…
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結婚案内ミステリー (1985)
Character: N/A
A 19-year-old girl Hiroko Terasawa working in a matching agency promises her client Masakazu Sekine that she'll pose as his fiancée for a remarkable cash reward. Hiroko moves to Sekine's mansion and prepares to attend the family's meeting. However, this only turns out to be a prelude of a bloody fight over the family's legacy.
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ずべ公番長 夢は夜ひらく (1970)
Character: N/A
Rika is released from girls detention school and then winds up at a lounge bar where she finds her other classmates working. This lounge bar is run by Junko Miyazono.
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決着 (1967)
Character: N/A
Film concerning warring yakuza families.
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続決着 (1968)
Character: N/A
Continuation of the film Once and For All about two yakuza brothers Joji and Goro.
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聖獣学園 (1974)
Character: Kenta Aoki
18 years after the mysterious death of her mother, Maya takes religious vows to find out what terrible things happened to her mother inside the Sacred Heart Convent. As soon as the door closes to the nunnery, the nuns start torturing her. She also has to deal with a lecherous archbishops and a lesbian mother superior.
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ずべ公番長 はまぐれ数え唄 (1971)
Character: N/A
The local yakuza gangs dominating the port of Yokohama do not take well the invasion of their territory by a daring biker gang, led by a girl in black leather outfit and cowboy hat - reminiscent of the earlier war victors. Old and new grudges lead the two girl gangs to clash in several fights. However, when one of the leaders dies, the girls end up by uniting against the male gangsters that had been using them as puppets - and it all ends in a great finale mixed battle by the seashore.
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姫四郎流れ旅 (1982)
Character: N/A
Himeshiro is a wandering yakuza, his father was the best doctor in the eight provinces of the Kanto region, and Himeshiro took over the knowledge of medicine from his father. If he encounters a sick person on the way, he uses his right hand, wrapped in a rosary, to give medical attention, while if he sees a bad person, he draws his sword with his left hand and uses it to punish the evildoers. So he travels on the verge of life and death along the Nakasendo highway...
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黒い太陽 (1964)
Character: N/A
Akira, a young, jazz-obsessed drifter, returns to his squat, a ruined church, and finds Gill, a wounded African-American GI, on the run after the death of a white GI. Despite terrible misunderstandings and culture clash, Akira agrees to help Gill escape towards the sea, dodging military police along the way.
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月曜日のユカ (1964)
Character: N/A
Yuka is a “good-time girl” from Yokohama who is persuaded by her papa to sleep with a foreign business executive so that he can close an important deal. Nakahira presents a shrewdly observed portrait of a modern, sexually assertive woman—an unsettling character for a changing but still patriarchal society.
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