すべては夜から生まれる (2003)
Character: 優子
A drama depicting the whereabouts of two pairs of lovers who meet at a cafe at night and intersect. Yamagata, an unsuccessful actor, lies to Yuko, who lives with him, that he is filming, and kills time at a cafe late at night. One night, he meets painter Uehara and his lover, Aya, and leaves the city to escape the boredom of everyday life. However, the two do not have enough passion to call it an escape, and after spending the night at the hotel, they return to their respective partners. However, Yamagata is stabbed by Uehara, who is furious. Yuko and Aya head to the hospital with Mushi no Soku Yamagata in the car. Eventually, Yamagata dies, and the two leave him behind. And at that moment, Yamagata came back to life...
カナリア (2005)
Character: Michiko Iwase
Two children, each abandoned by their families, come together in the wake of the Sarin gas attack in Tokyo. Based on the true events of the deadly gas attacks perpetrated by members of the Aum Shinrikyo cult on the Tokyo subway system.
ファンシイダンス (1989)
Character: Shosui
Yohei, a punk rocker, becomes a Buddhist monk in order to inherit a mountain temple. Though initially rebelling against the tough monastic discipline, he learns to adjust. Then his girlfriend shows up, enticing him to return to his rock 'n' roll roots.
徒花 –ADABANA– (2024)
Character: N/A
In a not so distant future where lifespan extension has become a priority following the spread of a mysterious virus, a privileged man looks back upon his life as he is facing a dilemma: should he live if it means taking someone else's life?
白痴 (1999)
Character: Sayo
In a future where World War II never ended, Japan is decimated by nightly bombings. The only building left standing is known as the Media Station, a broadcasting center responsible for all of Japan's entertainment.
NUMANITE (1995)
Character: Narrator
Second part of the Elements series with the motif of "water". A beautiful swamp image is displayed at the beginning. An allegorical story of sisters and lovers living at the bottom of the water is developed in an experimental narrative that does not depend on dialogue. Aesthetic images and music highlight the dazzling atmosphere.
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