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Legge di sangue (1948)
Character: Rosa
"Law of Blood" - Rosa has been engaged for years with Antonio. But Antonio is in the military service and Rosa is seduced by Alberto. Returning to the village, Antonio learns what happened during his absence.
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Ridi pagliaccio (1941)
Character: N/A
When she is in jail to defend her colleague, the secretary Anna Alessandri finds out that her man got engaged to another woman.
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Sieben Jahre Glück (1942)
Character: Melitta
After all the mess, Kersten takes his loyal servant back in. Paul's first job is to deposit a large sum of money. But instead of taking the money to the bank straight away, Paul goes fishing with Gertie's father. When the two of them finally go to deposit the money, they are caught up in a robbery and promptly arrested as bank robbers.
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Gatta ci cova (1937)
Character: Vanna (as Elli Pardo)
Italian film from 1937 directed by Gennaro Righelli.
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Mia moglie si diverte (1938)
Character: Yvonne
When a young woman becomes aware of her husband's wandering attentions, she plots his retribution.
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Carmen (1944)
Character: Pamela
Carmen is a French-Italian musical drama film directed by Christian-Jaque and starring Viviane Romance, Jean Marais, and Lucien Coëdel. It is a version of the famous opera. It was filmed in two versions, French and Italian, with the same screen cast but some different crew, and with Italian voices dubbed in on the Italian version, which have been munged together at IMDb. A third version, with English dubbed under the direction of British actor Noel Howlett, was made subsequently using one of the two (French or Italian) originals for the visual source.
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The Howl (1948)
Character: Silvia
Every night a howl is heard outside the insane asylum run by Professor Oder, terrifying his younger wife Silvia. Neglected by her husband she begins to fall for Adamo, a musician who is resting at the clinic to recover his health. When a patient is strangled her husband puts the blame of Adamo who he claims is a homicidal maniac. However, it turns out the professor is really insane and the night screams are his own cries of torment.
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La Luciana (1954)
Character: Yvonne
A tale of the complicated Neapolitan lives and loves of Maria and Alberto; her smuggling father Don Gennaro and some espionage.
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I fratelli Karamazoff (1947)
Character: Gruscenka
When a tragedy strikes father Fyodor Karamazov, the wretched relation with his three sons reveals itself surrounded by intrigue, envy and deceit.
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Il Grido (1957)
Character: Donna Matilda (uncredited)
A sugar-refinery worker flees his Northern Italy town after a woman refuses his marriage proposal.
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Mi permette babbo! (1956)
Character: il contralto Fasòli
While Rodolfo tries to become a lyric singer, his lifestyle deeply annoys his father-in-law.
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Il re si diverte (1941)
Character: The Gypsy Girl
Based on a Victor Hugo play, and scored with music from the later opera by Giuseppe Verdi, the film tells about a hunchbacked clown whose beautiful daughter falls in love with the lecherous king.
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Il ponte dei sospiri (1940)
Character: N/A
Rolando, the chief of the Venetian fleet, is condemned after a highly unfair judicial process and locked up in prison. After succeeding to escape he will demonstrate his innocence to the Doge's daughter he is in love with.
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La porta del cielo (1945)
Character: The provocative lady
Episodic film with flashbacks about the lives of some sick and infirm people travelling on the same train, making a pilgrimage to the shine of Our Lady of Loreto.
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L'ultimo amante (1955)
Character: Clelia, la padrona della pensione
Maria, a prostitute, meets Cesare in a police station, a drunkard reporter. Cesare falls in love with her and wants to save her from her bleak life but the girl refuses any help.
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L'amante di Paride (1954)
Character: Giunone (segment: The Face That Launched a Thousand Ships)
At a wedding party involving three beautiful women, a young man should choose the most charming. But a professor intervenes to prevent the verdict, remembering the troubles caused by Paris in a similar situation.
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Il mondo dei miracoli (1959)
Character: Magda Damiani
An actor fails to find success in the film world but falls in love with a theatre manager's daughter.
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L'arte di arrangiarsi (1954)
Character: Emma
In this comedy Alberto Sordi plays Rosario Scimoni, known as Sasà, an opportunistic and unscrupulous guy, nephew of the mayor of Catania, and he's always ready to take sides with anyone who can help him. He switches from socialism to fascism; he changes his political faith the same way he changes women. He even tries to found his own party.
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Desiderio (1946)
Character: Paola Previtali
Paola, a Milan call girl, returns home to her village in the Abruzzi mountains in an attempt to go straight. Rejected by her father, blackmailed by a former lover, and lusted after by her brother-in-law, she turns to her beloved sister for support. Denied succor, like so many of Rossellini’s isolated figures, Paola awaits the arrival of her fiancé, who has offered her a new start, but instead decides that life is untenable.
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È più facile che un cammello... (1950)
Character: Lidia Guidi, l'amante di Carlo Bacchi
After dying in a car accident, wealthy shoe industrialist Carlo Bacchi finds himself in the afterlife, where he is condemned to hell for having committed evil while alive. Defending himself against the accusation in an impassioned plea, however, he succeeds in obtaining to return to earth for a few hours to make reparation for the evil he committed and, above all, for the bad deed that caused Amedeo Santini's suicide attempt. The affair will lead him to make a risky but happy choice.
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Totò terzo uomo (1951)
Character: Teresa, la moglie di Paolo
In a small village two twin brothers are of opposite characters. One is mayor of the town, gruff and precise. The other is totally different from his brother and loves the good life and beautiful women.
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Beatrice Cenci (1941)
Character: Angela
Italian historical drama portraying the story of the sixteenth century Italian noblewoman Beatrice Cenci.
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Madri pericolose (1960)
Character: vedova Rossini
A great Party is given by the rich family of Improta. Every kind of intrigue gets around this party. The purpose of every plan is to find a husband or a wife with a quality: wealth.
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L'allegro fantasma (1941)
Character: Erika
The noble Pantaleo Di Santa Paola has just died, and the preamble to his will is a confession in which he claims that in his youth he had a relationship with a circus rider that produced twin sons.
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