|
Barcos de papel (1963)
Character: N/A
Eager to have a crystal ball, a child works to buy it but is accused of a robbery he did not commit.
|
|
|
|
|
Mirame la palomita (1985)
Character: Federico Lupa
Cayetano (Jorge Porcel), a mediocre talent agent, traveling to Mar del Plata with his wife, Carola (Susana Traverso), to fix the contract Jose (Mario Sapag), representing an unknown wannabe comic number in different places. On the road they see a sign advertising that announces the latest film from actor famous erotic films, Federico Lupa (Alberto Olmedo). The praise of it cause a bitter argument between the two. Once in the city and with the excuse of having a lot of work, meets Cayetano José and together they go to the casino and how much fun with beautiful young woman crosses their path. The accident causes the car to Carola descomponérsele amid torrential rain, it Federico Lupa precisely who stop to help and take her home ...
|
|
|
Hay que romper la rutina (1974)
Character: N/A
Friends Alberto and Jorge, who work together and live in the same building, are married to two sisters (Ethel and Gogó). Noticing that their sex life becomes boring, they cheat on them with co-workers. This is discovered and they are fired. Then, they get employed in a beauty institute, where they have many women at their disposal. Their wives learn of this mischief, and go to look for them at the institute, generating hilarious situations.
|
|
|
Atracción peculiar (1988)
Character: Alberto / Amatisto 'Chicha'
A television director decides to make a show about the invasion of transvestites in Mar del Plata. He commissions one of his editors, Jorge Trolombati, who must infiltrate and impersonate one.
|
|
|
Amante para dos (1981)
Character: Alberto
Mauricio and Alberto are friends and work in an insurance company. Apparently they have very dissimilar personalities, since Alberto is a hummingbird who lives courting as many women as he can and Mauricio is serious and lover of his wife. In reality, Mauricio maintains a hidden relationship with a vedette named Monica, who constantly puts him in trouble when he asks him to separate from his wife and go live with her. Alberto, aware of this, proposes to Mauricio that he pass his lover to him, and Monica becomes his stable lover. Mauricio and Alberto's women become suspicious and everything gets complicated, and they come to the conclusion that keeping Monica is very dangerous for both of them.
|
|
|
Los extraterrestres (1983)
Character: Alberto
Alberto and Jorge are two friends who work as waiters and during a trip they meet an alien with extraordinary powers. It is sought by a Russian organization, and friends must hide it from it.
|
|
|
Las turistas quieren guerra (1977)
Character: N/A
Alberto and Jorge are employees of a refrigerator, who one day see a bus where several beautiful tourists flirt with the guide who drives them and think that being guides will give them many love affairs. They manage to meet with the owner of the tourism company and his partner (Frías Garmet and Gamarro Salas, respectively), who hire them immediately, promising them a quick promotion in the company. In reality, Frías Garmet and Gamarro Salas are planning a scam of great magnitude, and they need two unwary to indisting them.
|
|
|
El hombre del año (1970)
Character: Eugenio Carcafat
The life of a man who discovers two hearts changes abruptly when a group of criminals tries to seize one of them to transplant it to a Mafia Boss who has heart problems.
|
|
|
Alberto Olmedo: 20 años sin el Negro (2008)
Character: Material de archivo
The artist who made a whole country laugh. A journey by his professional and personal life, a trajectory that is confused with the history of the television and the cinema in Argentina.
|
|
|
Olmedo: El rey de la risa (2019)
Character: N/A
Aspects of the life of Alberto Olmedo, from his childhood in Rosario, his beginnings as an acrobat and comedian in that city and the continuation of his professional career in Buenos Aires.
|
|
|
Dos quijotes sobre ruedas (1966)
Character: N/A
The adventures of two truckers (one Argentine and the other Mexican) carrying different people and a suspicious trunk
|
|
|
Los fierecillos se divierten (1983)
Character: Alberto Beringola
Two friends, both dating the daughters of the owners of a local club, meet two women who catch their eye and, as fate would have it, turn out to be friends of their girlfriends. To make matters worse, an election is about to be held at the club, further complicating matters with their future in-laws.
|
|
|
El gordo de América (1976)
Character: Cameo
To celebrate his promotion, a manager (Javier Portales) decides to summon his brother from the field, but as he did not stop making disasters he sends him back. His brother (Jorge Porcel) is not convinced and dazzled by an advertisement decides to set up an investigation office.
|
|
|
|
|
Maridos en vacaciones (1975)
Character: Alberto Carranza
Friends Alberto and Jorge, who work together in an insurance company and live in the same building, are married to two sisters (Elsa and Alicia). When they go on vacation to Mar del Plata, Alberto and Jorge decide to enjoy their "single life". In addition to this, they have to fulfill a duty entrusted by their boss: to find the revue theater entrepreneur Félix Sagastume, to sign an insurance contract. It is in a canteen where they go to look for him, and there they meet two aspiring vedettes (Zuzú and Bibí), who confuse them with important businessmen and see in them a possibility of achieving fame.
|
|
|
Las mujeres son cosa de guapos (1981)
Character: Rufino Tereso
In 1930s Argentina, dim-witted Rufino and Jacinto are hired as tough guys ("guapos") by political boss Malatesta to intimidate his opponents, rig elections, etc. However, the two men change allegiances when they meet the lovely Mercedes and La Mendocina, victims of Malatesta and his gang.
|
|
|
Escándalo en la familia (1967)
Character: Don Lázaro
A veteran popular singer comes to town with her daughter in order to achieve success in television. She introduces her daughter to a contest winning one of the top prizes. At the same time, a veteran politician is campaigning to scale the governor's office.
|
|
|
Los fierecillos indomables (1982)
Character: Alberto Videla
The authorities at an adult education center (called CACHADA) are about to receive an inspection that worries them. On the same plane as the inspector is a student with a similar last name, whom they mistake for the inspector. Meanwhile, the students are rehearsing musical numbers at night, having promised to perform at a club. This is discovered by the teachers and the inspector, who decide to punish their students. Furthermore, the school's benefactor, Amalita Fortaviene (a parody of the millionaire philanthropist Amalia Lacroze de Fortabat), arrives, bringing with her the Loma Blanca soccer team (a parody of Club Loma Negra, represented by their River Plate jerseys) to compete against CACHADA (who wear Boca Juniors jerseys). Winning this match is crucial for resolving all the entanglements presented in the film.
|
|
|
|
|
Los reyes del sablazo (1984)
Character: N/A
Luisa discovers in the briefcase of Alberto, her husband, a fiery love letter, in which he is portrayed as an impetuous lover.
|
|
|
|
|
Un terceto peculiar (1982)
Character: Él mismo (cameo)
A director of XXX films entrusts his assistant with the rental of a house for the filming with an international star. This, confused with the arrival of the star, preys the house to a friend to impress the groom
|
|
|
Los caballeros de la cama redonda (1973)
Character: Alberto
Alberto, Jorge, Ricardo and Tristan are employees of a shoe store, all are married and share the friendship also between their wives. The 4 friends, faithful to the rogue style of Buenos Aires, go out of their way to have love affairs with the beautiful customers of the shoe store, and for that purpose one day they decide to rent, secretly, an apartment to use as a "bulín". The problems begin from then on, as everyone wants to be the first to release it and then, successively, take turns for their adventures. As is to be expected, it does not take long for the first entanglements to appear, while their wives seem to begin to suspect the adventures of these four typical Buenos Aires chantas.
|
|
|
Expertos en pinchazos (1979)
Character: Alberto
Alberto and Jorge are employees of a pharmacy. One day, by mistake, they give a client a bottle of poison in exchange for a medication that she had to start ingesting 48 hours later. Realizing this, they decide to go out and look for her with the only data they have: her first name, her striking clothing, and that she was driving an imported motorcycle. So they launch into a crazy race against time touring the fashionable places of the Buenos Aires night, helped by a woman who claims to know the mysterious girl on the motorcycle.
|
|
|
Hotel alojamiento (1966)
Character: N/A
Different stories that take place in a hotel for a temporary shelter for couples.
|
|
|
Los doctores las prefieren desnudas (1973)
Character: Alberto
Alberto, an employee of a car dealership, is commissioned by his boss to deliver a car that has been sold to a customer. Being a luxury car, he has no better idea than to invent an excuse to the new owner of the vehicle, delay delivery for the next day and use it to go out to have fun at night with his faithful friend Jorge. They both go to a revue theatre and, while witnessing the performance, the first vedette (Corina) faints. Then Alberto and Jorge pose as doctors, in order to meet Corina. As is to be expected, both decide to continue the deception with the passing of the days, causing the confusion to become bigger and bigger and harder to keep secret.
|
|
|
Mi novia el… (1975)
Character: Laucha - Alberto
Laucha, a normal middle-aged guy who lives with his elderly mother and works in a factory, attends a show by the transvestite artist Dominique, for whom he develops an unexpected fixation.
|
|
|
Basta de mujeres (1977)
Character: Alberto
Alberto, who has been married to Laura for twenty years, meets Monica in his office, a serious and formal employee with whom he strikes up a friendship.
|
|
|
|
|
Flor de piolas (1969)
Character: N/A
A gang of blackmailers travels from town to town choosing their victims.
|
|
|
Sálvese quien pueda (1984)
Character: Alberto
The story of a bandoneon-loving musician who works as a detective in a hotel and the story of a chemist in love with a widowed woman.
|
|
|
Rambito y Rambón, primera misión (1986)
Character: Dragoneante Alberto Colifo
Following the events (and disasters) at the end of their previous adventure, Alberto and Jorge are severely reprimanded. However, just when the recruits' fate seemed destined for the brig, a direct call from the Lieutenant General saves them from punishment... though to do so, they must prove themselves in a new training environment for their first special mission.
|
|
|
Custodio de señoras (1979)
Character: Cameo
Jorge is a photographer for a newspaper, from which he is fired. He then begins to work in a detective agency, where he is assigned the mission of protecting Monica, a beautiful woman threatened with death by an ex-boyfriend.
|
|
|
Departamento compartido (1980)
Character: Alberto Romero
A recently separated man decides to go to his best friend's apartment, where their different personalities cause crazy events, hilarious situations and, in addition, he meets a beautiful woman with whom he falls in love.
|
|
|
La herencia (1964)
Character: Empleado local de sepelios
A woman and her husband are faced with a dilemma when her aunt dies. In order to collect her inheritance, she must produce a daughter. The problem is that the woman's husband seems to be sterile. After they try every method to conceive, they resort to help from an outside source.
|
|
|
Ritmo nuevo, vieja ola (1965)
Character: Secretario de compañía
Movie divided in three episodes: a family mother becomes a successful singer; an Argentinian reporter follows a Spanish cupletista from the beginning of the XX century; the reunion of three old actors and their lies about their success.
|
|
|
Mi Mujer no es mi señora (1978)
Character: Juan Carlos Rivera
Juan Carlos, a businessman, falls in love with a woman much younger than him, and ends up marrying her. Juan Carlos' mother-in-law, following an incident with him, tells him a fabricated story: that the father of her daughter is a stranger, with whom she had sex in the car of a train. Coincidentally, this situation had happened to Juan Carlos many years ago, and now, with the doubts that his wife is his daughter, he does not even want to approach her on his wedding night.
|
|
|
El rey de los exhortos (1979)
Character: Alberto Benavides
A widowed lawyer meets a beautiful woman who is going through her divorce and helps her get custody of her children.
|
|
|
A los cirujanos se les va la mano (1980)
Character: Alberto
Two orderlies pretend to be surgeons to impress two young doctors and conquer, through several scenarios. Finally, they are discovered when they had to operate on a mafia boss to remove a bullet.
|
|
|
|
|
El gordo catástrofe (1977)
Character: Cameo
Catrasca (Jorge Porcel) is a man who works in a restaurant and in his spare time helps in a children's home. His problem is that he carries a family tradition that makes him cause catastrophes in his path, one of which takes his boss (Adolfo García Grau) to the hospital.
Upon leaving the hospital, Catrasca is run over by Graciela (Graciela Alfano), the daughter of Professor Galíndez (Osvaldo Terranova). This is how he meets this professor, who has a formula that says he will be the salvation of humanity, so he is the object of persecutions by villains such as Dr. Linda Winters (Moria Casán).
|
|
|
Encuentros muy cercanos con señoras de cualquier tipo (1978)
Character: Alberto
Alberto and Jorge are two comedians, who before the possibility of making money with a business agent, agree to play the role of executives of a fictitious company, in order to appear prosperity before possible foreign buyers of players. As the business agent instructs them to present themselves as married, Alberto and Jorge propose two co-workers to represent the indicated role.
|
|
|
Te rompo el rating (1981)
Character: Entrevistado (Cameo)
A television network infiltrates an inept employee (Porcel) in the competition and he begins to ruin all the programs but, instead of subtracting audience, he only managed to improve it.
|
|
|
Los hombres sólo piensan en eso (1976)
Character: Alberto
Alberto and Jorge are two typical "chantas", who are dedicated to deceiving people along with another friend, nicknamed "Palomita". One day "Palomita" is awarded a prize consisting of dollars and two tickets to Caracas, but it turns out that this decomposes and dies. His last wish communicated to his friends Alberto and Jorge is that they take care of his sister. Upon meeting her, she turns out to be a very beautiful girl, with whom they both get involved. Then together with her they get into trouble with a group of criminals and must leave the country, taking a flight to Caracas, where they arrive posing as an Argentine vedette and her two representatives.
|
|
|
El Manosanta está Cargado (1987)
Character: El Manosanta
A common man that is tired of being treated as stupid, and starts treating other people the same way, acting as a Brazilian "Manosanta" (folk healer that cures people illnesses).
|
|
|
|
|
|
|
Los colimbas al ataque (1987)
Character: Soldado Alberto Colifo
Alberto and Jorge are fulfilling their obligations as conscripted soldiers who have violated the law of mandatory military service. They have committed so many blunders that everyone from the corporal to the lieutenant colonel in charge of services is confessing to the chaplain, telling him that because of this pair of useless men, the entire company has been punished. The higher-ups order the commanding officer to assemble the men he deems capable of withstanding the high risks of a second mission to be carried out deep in the jungle. The commanding officer doesn't hesitate for a moment to include Jorge and Alberto in this high-risk group, without realizing that they themselves are the real risk. The final film in the conscript saga.
|
|
|
Así no hay cama que aguante (1980)
Character: Cameo
Horacio and Claudio are two friends who plan to spend a fun weekend with two young ladies. Settling into the home of Aunt Lucrezia, a millionaire who is traveling through Europe, a lender shows up and ruins his plans.
|
|
|
Los colimbas se divierten (1986)
Character: Alberto Colifo
Two violators of the military service law are incorporated as soldiers recently arrived from Europe and proposed to integrate a group that will operate in a jungle region, for which they have to prepare for difficult survival missions.
|
|
|
El andador (1967)
Character: N/A
A late pregnancy disrupts the routine of a mature marriage.
|
|
