Fernando Birri

Personal Info

Known For

Directing

Known Credits

0.5746

Gender

Male

Birthday

13-Mar-1925

Age

(101 years old)

Place of Birth

Santa Fe, Argentina

Also Known As
  • NO INFO PROVIDED

Fernando Birri

Biography

Fernando Birri was an Argentinian filmmaker, poet, painter, teacher and film school founder, and has been a key figure in Latin American cinema.


Credits

Ho ritrovato mio figlio Ho ritrovato mio figlio (1954) Character: N/A
A young boy, about to take his first communion, must wrestle with his familial loyalty and his conscience when there is a fire at their local cinema where his brother works and it is clear that he is involved in the theft of the projector. Determined to right the wrong done by his sibling, he attempts to make amends.
La rosa de los vientos La rosa de los vientos (1983) Character: Mateo
Exiled Chilean director Patricio Guzmán filmed in Cuba and in Venezuela to create this controversial statement on the creation and survival of Latin American culture from the late-15th century to the present. For some viewers, the film will be superficially symbolic and rhetorical, for others, it will be a strong and personal vision of several centuries of history.
Sierra Maestra Sierra Maestra (1969) Character: Manolo il Guerrigliero
An Italian journalist is arrested in Venezuela by the military, accused of being a revolutionary. The journalist, interviewed by the press, says he has no connection with the guerrilla organizations and is thrown into jail and subjected to psychological and physical violence.
Vlado: Trinta Anos Depois Vlado: Trinta Anos Depois (2005) Character: N/A
The documentary tells the story of journalist Vladimir Herzog, nicknamed Vlado, who has been tortured and murdered during the repression years of Brazilian military dictatorship.
Ata tu arado a una estrella Ata tu arado a una estrella (2017) Character: N/A
In 1997 the Argentine filmmaker Fernando Birri returned to his home country to film a documentary on the 30th anniversary of the death of Che Guevara and the relevance of utopias at that time. Carmen Guarini decided to record those moments. A rough edit of this film was hidden away on a fragile VHS tape for twenty years. Today, these images come to life and shed some light on the life of this Latin American poet and master filmmaker, who, at the age of 92, still refused to give up on his own utopias.
Fernando Birri, el utópico andante Fernando Birri, el utópico andante (2012) Character: himself
Documentary film about Argentinian filmmaker Fernando Birri. An interview: a journey through documentary filmmaking, his childhood, the dawning of New Latin American cinema...
Soriano Soriano (1999) Character: N/A
Testimonies about the life and work of writer and journalist Osvaldo Soriano.
Un tal Ragone: deconstruyendo a Pa Un tal Ragone: deconstruyendo a Pa (2002) Character: N/A
This documentary deconstructs the life of my father, Carlos Ragone, based on his work as a photographer and photojournalist: father and daughter, photographs and audiovisuals, memory and imagination intertwine.
Jorge Giannoni: NN, ese soy yo Jorge Giannoni: NN, ese soy yo (2000) Character: N/A
Jorge Giannoni isn't a hero; he's a witness to the darkest part of the history of independent cinema in our country, and of an entire generation; a story that saw him present alongside Raymundo Gleyzer and Glauber Rocha in the turbulent Brazil of the 1960s, during the French May as a producer for RAI, in his work as a face-hunter for Fellini, and in film production from Cuba, making documentaries critical of the Trial; a history riddled with encounters, disagreements, exiles, frustrations, burned negatives, and a few triumphs.
Claves para el Nuevo Cine Latinoamericano, 2: Volveramos más jóvenes Claves para el Nuevo Cine Latinoamericano, 2: Volveramos más jóvenes (1984) Character: himself
Documentary in four parts on Latin American cinema. Second episode, evoking the border between fiction and documentary. With his film Tire dié (1960), the Argentinian Fernando Birri proposed this manifesto: to create a realistic and critical national cinema, closer to society without falling into populism.
Un señor muy viejo con unas alas enormes Un señor muy viejo con unas alas enormes (1988) Character: A very old man with enormous wings
An elderly man with wings is blown off course during a tropical storm in this symbolic fantasy. The Old Man lands near a Caribbean island where a poor family gives him shelter in a chicken coop. Father Gonzaga is the skeptical priest who rushes to damn the creature. Soon the Old Man is the subject of curiosity seekers as Elisinda and Pelayo start charging admission. A traveling carnival of human oddities camps near the Old Man as people flock to see the show. The Old Man is reduced to being an unwanted pet, and after six years, he mends his wings and flies away. Nudity, simulated sex with a spider woman, and the ugliness of human exploitation definitely put this fantasy in a category not for children.
Historias Breves II: Trece Segundos Historias Breves II: Trece Segundos (1996) Character: Cliente bar
What goes through someone's mind 13 seconds before they die? A town lost in the year 40. Different characters in their common actions. Two men lying in the street, one dead, the other playing dead. Between reality and the delusions of his mind we travel through his last thirteen seconds of life.
Gli sbandati Gli sbandati (1955) Character: Scattered Soldiers' Lieutenant
A group of rich young intellectuals hiding from the war in rural Italy play at being partisans when some disbanded soldiers and some refugees ask them for shelter in their villa. The young and aristocratic Andrea strikes up a friendship with a peasant girl, Lucia. Then the Germans suddenly appear, looking for the real partisans, and the time comes for serious decisions.
BirriLata, una vuelta en tren BirriLata, una vuelta en tren (2015) Character: N/A
Few people in Argentine and Latin American cinema have been as close as Fernando Birri to stand as a patriarch, pioneer, and spokesman for a committed cinema that tears itself apart in its solidarity with its own surroundings. This ode to the tireless Birri presents him to us in full: teaching, establishing standards, and creating with the tools of his time, turning culture into a form of political affirmation as he grows more and more vital and rooted.
Antoine Bonfanti, traces sonores d'une écoute engagée Antoine Bonfanti, traces sonores d'une écoute engagée (2002) Character: Self (archival footage)
A documentary on the professional and personal affordances of the influential sound engineer Antoine Bonfanti.
Attila Attila (1954) Character: N/A
Attila, the leader of the barbarian Huns and called by the Romans "The Scourge of God", sweeps onto the Italian peninsula, defeating all of the armies of Rome, until he and his men reach the gates of the city itself.
Osvaldo Bayer “La livertá” Osvaldo Bayer “La livertá” (2014) Character: N/A
Throughout his 87 years, the anarchist historian, journalist and writer Osvaldo Bayer was one of the greatest exponents of a sustained commitment to his liberation struggles, illuminating the past so that the present and future are increasingly emancipatory. But, as this documentary by Gustavo Gzain demonstrates, using the past tense is difficult to describe the peaceful battles of Bayer, who is still an active defender of human rights.
Carpani, vida y obra Carpani, vida y obra (2009) Character: N/A
A journey through the life and work of artist Ricardo Carpani, his artistic and ideological formation, and the importance of his pictorial output, considered a symbol of the political struggle of the 1950s, 1960s, and 1970s. Once the rise of state terrorism began, Carpani was forced into exile and spent ten years in Europe. During this period, he continued his political commitment, creating works that denounce the horrors experienced in Argentina during those years.
Allegro squadrone Allegro squadrone (1954) Character: N/A
The Cheerful Squadron is a 1954 Italian war-comedy film directed by Paolo Moffa and Interpreted by movie stars like Paolo Stoppa, Vittorio De Sica, Alberto Sordi and Silvana Pampanini. Based on the military environment novel The Allegro Squadron by Georges Courteline (1886), this film presents a series of sketches on military life in the late nineteenth century.
Donde comienza el camino Donde comienza el camino (2005) Character: N/A
The journey of Fernando Birri, the great father of New Latin American Cinema, has left a mark that begins at the legendary Santa Fe Documentary School and continues to this day. His methods, influences, his founding role, his poetic-political commitment, and his artistic output are some of the milestones that make up his journey.
Glauber o Filme, Labirinto do Brasil Glauber o Filme, Labirinto do Brasil (2003) Character: Self
Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.
Rocha Que Voa Rocha Que Voa (2002) Character: Self
Documentary about the relationship between filmmaker Glauber Rocha and Cuba.
Paisajes devorados Paisajes devorados (2013) Character: N/A
A mockumentary about three young student filmmakers as they make a movie about an alleged film director living obscurely in a Buenos Aires mental hospital. In their visits to the mental hospital, the three students will forge a very special relationship with the self-styled former film director as they follow different clues and strategies to discover his 'true' identity.
El Fausto Criollo El Fausto Criollo (2011) Character: El diablo 8
A version of El Estatola del Campo's poetic Faust of the Poet (1886) integrates the major trilogy of Argentine gaucho poetry, is proposed here in a faithful version and integral.
Dar la cara Dar la cara (1962) Character: Cameo-bar Laboratorios Alex 1 (no acreditado)
Three boys from very different backgrounds who have just finished their military service must face the complex social reality of Argentina.
Compañero Fernando Compañero Fernando (1981) Character: N/A
This documentary is a portrait made in Mexico by a group of Argentine exiles, directed by the painter Nicolás Amoroso.



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