Colé Santana

Personal Info

Known For

Acting

Known Credits

0.2958

Gender

Male

Birthday

01-Dec-1919

Age

(106 years old)

Place of Birth

Cruzeiro, São Paulo, Brazil

Also Known As
  • Petrônio Rosa de Santana
  • Cole

Colé Santana

Biography

Petrônio Rosa Santana was born in Cruzeiro, SP, on December 1, 1919. He began his acting career in the circus, as the clown Picolé. Later, as Colé, he worked as a comedian in the pocket theaters in Copacabana. His performances in Jardel and Follies earned him fame and prestige. He made his film debut in 1945 in the film O Cortiço, beginning a successful film career in films such as Carnaval na Atlântida (1953), Dona Xepa (1959), Jesus Cristo eu Estou Aqui (1971), etc. He formed his own revue company and toured Brazil, alongside Renata Fronzi, in plays such as Adorei Milhões. From the 1960s onwards, he participated in comedy shows on television, such as the programs Balança mas não Cai (1968), Os Trapalhões and Escolinha do Professor Raimundo (1990), on TV Globo. In 1993, he participated in the miniseries Agosto. He is the uncle of comedian Dedé Santana. On the show Os Trapalhões, he always appeared as the drunk supporting actor. In the cinema, the actor surprised everyone with racy scenes in the film Tabu. He was married to practically all the starlets he starred with, including Nelia de Paula. He died on August 29, 2000, in Rio de Janeiro, at the age of 80.


Credits

Coração Materno Coração Materno (1951) Character: N/A
As a baby, Carlos was abandoned in the church at the feet of Holy Mary, raised by the priest, and consecrated to her. As a child, he falls in love with the daughter of the Commander, the local landowner, who is already promised to the son of a ruined count.
Jesus Cristo, Eu Estou Aqui Jesus Cristo, Eu Estou Aqui (1971) Character: N/A
Low-budget comedy of errors about false miracles, Catholic priests, greedy politicians and a prostitute in a small Brazilian town, with popular Brazilian comedy stars of the time.
Assim na Tela Como no Céu Assim na Tela Como no Céu (1990) Character: José
A religious comedy in 5 segments, illustrating maniqueism on Earth, as shown by movies. God and his son Jesus disagree on how to manage human life on Earth.
Dona Xêpa Dona Xêpa (1959) Character: Coralino
Dona Xepa is a vegetable stand owner. She dreams about the success of her scientist son. The film is based on the play by Pedro Bloch.
Todos Por Um Todos Por Um (1950) Character: Colegnan
A parody of the story The Three Musketeers.
O Gigante da América O Gigante da América (1980) Character: N/A
A caboclo's soul wanders through purgatory (or hell), visiting many places until he boards a ship whose destination is unknown.
O Escorpião Escarlate O Escorpião Escarlate (1990) Character: Metralha
Anjo, a millionaire playboy who moonlights as a crime fighter, leaps into action when his arch-nemesis, the Scarlet Scorpion, kidnaps a beautiful fashion designer.
Brás Cubas Brás Cubas (1985) Character: N/A
Irreverent adaptation of great writer Machado de Assis's masterpiece "Memórias Póstumas de Brás Cubas" ("Brás Cubas's Posthumous Memories"). A dead man tells about his love life and adventures, specially his affair with Virgília, a dubious married woman.
Tabú Tabú (1983) Character: Oswald de Andrade (as Colé)
The fictional encounter in Rio de Janeiro, Brazil (in the 30s) between popular songwriter Lamartine Babo and inconoclast poet and playwright Oswald de Andrade.
Os Bons Tempos Voltaram: Vamos Gozar Outra Vez Os Bons Tempos Voltaram: Vamos Gozar Outra Vez (1985) Character: N/A
Two stories chronicle the days of the bohemian, libertine youth of 1960s Rio de Janeiro.
O Segredo da Múmia O Segredo da Múmia (1982) Character: N/A
A mad scientist attempts to bring an ancient Egyptian mummy back to life.
As Sete Vampiras As Sete Vampiras (1986) Character: Inspetor Pacheco
A clumsy detective and his secretary are hired to solve the mysterious, vampiresque deaths happening at a nightclub show.
Mulher de Verdade Mulher de Verdade (1955) Character: Bamba
A nurse falls in love with her patient and secretly marries him. When treating another patient, he falls in love with her and, pretending to be in agony, asks for one last wish: to marry him, and she accepts.
A Longa Viagem do Ônibus Amarelo A Longa Viagem do Ônibus Amarelo (2023) Character: N/A
For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
Carnaval Atlântida Carnaval Atlântida (1952) Character: Piro
Movie producer Cecílio B. de Milho is intent on filming an epic about Helen of Troy, while some of the crew would rather turn it into a musical comedy.



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