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Przerwany lot (1964)
Character: Urszula's Father
The reminiscences of a Russian pilot, shot down over Poland during the war, of his first great love there.
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Strachy (1938)
Character: Sikora, Teresa's father
A look at show-business through the lives of cabaret dancing girls Teresa and Linka. When their theatre is closed down, they have to move to a small town. But it turns out that one of them is pregnant and the baby's father is her ex-boss.
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Czarne diamenty (1939)
Character: Gustlik
Engineer Nawrat, together with the mining crew, takes up the fight to save the local mine from being taken over by foreign capital.
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Komedianty (1962)
Character: Werner
Two travelling actors break from their troupe and with help of friends and family start their own act, experiencing serious success.
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Weekendy (1963)
Character: Painter
An intimate psychological drama consisting of two separate stories, the heroes of which represent the attitudes of young people, which were rarely manifested in the early 1960s.
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Dvanáct křesel (1933)
Character: Taksówkarz
The first movie adaptation of the Russian novel "The Twelve Chairs" by Ilya Ilf and Yevgeniy Petrov. The basic idea from this movie, in which a barber and an antique salesman were searching for money hidden in one of of twelve chairs, was later reused for other official and unofficial adaptions of the book
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Pan Dodek (1971)
Character: Felek
A cinematic ode to actor Adolf Dymsza, one of the biggest stars of pre-war Polish cinema. The film combines footage from Dymsza's new movies and contextualises in the frame story of Mr. Dodek, a retired actor who recounts his past exploits while trying to earn an allotment for a plot of land.
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Król Maciuś I (1958)
Character: Minister of Education
A 10-year old boy becomes a king after the death of his father and tries to bring reforms to the country, with varying results
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Wniebowstąpienie (1969)
Character: Professor Karol Goldstein
The strain of German persecution causes a mental breakdown in a young Jew, which prompts his wife to take desperate measures.
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Rodzina Milcarków (1962)
Character: General Henri Le Rond
The fate of a working-class family during the third Silesian Uprising.
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Ojciec (1967)
Character: Homosexual
A young boy must go to school with his father.
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Dyplomatyczna żona (1937)
Character: Krupka, male secretary
The director of the Warsaw operetta has problems with putting together a team. He cares very much about acquiring the star of the stage - Jadwiga Janowska. However, she is currently in Paris with her husband, diplomat Henryk de Fontana. It turns out that Ambassador Rossi falls in love with her. Jadwiga goes to Warsaw, where in her apartment her friend Apolonia trains a young adept Wanda to play on stage.
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Trójka hultajska (1937)
Character: Ignacy Wiórek, czeladnik stolarski
Three provincial journeymen: a shoemaker - Szydełko, a tailor's - Igiełka, and a carpenter - Wiórek, come to Warsaw, where they end up in the "Pod Apartuszkiem" inn. Soon they unexpectedly win a million zlotys in the lottery. They divide it equally and everyone goes their own way, but they agree on "Under the Apron" next year. After a year, they all meet again. The first two lost all their money, and the third settled down and married Lucia, the daughter of a carpenter.
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Każdemu wolno kochać (1933)
Character: Widz w teatrze
Poor musician Alojzy Kędziorek is in love with Sagankiewicz's daughter Renata, who is reciprocated, but her family wants to marry her off to the wealthy butcher Baleron. Hipek, Alojzy's friend, sells his song to the theater director. The song becomes a huge hit. Alojzy is mistakenly locked up in a newly opened psychiatric hospital. He manages to escape. He goes to the theater where his song is being sung. He receives thunderous applause and an order for new songs. Renata's family agrees to her marriage to Kędziorek.
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Królowa Przedmieścia (1938)
Character: Kajetan
Mania is the illegitimate child of a girl from the suburbs of Krakow and a lawyer. Bowing to the will of the family, he abandons the girl, leaving a large monetary "compensation". The girl dies, but before she dies she leaves a certain Mr. Majcherek a letter and a document, proving that Mania will be able to receive the money when she comes of age. The dishonest Majcherek (knowing the contents of the letter) must therefore wait 20 years to be able to apply for Mania's hand and thus come into possession of her property. Unaware of anything, Mania lives in the suburbs with Maciejowa (who took her in as a child) thinking that she is her daughter. When Majcherek begins to adore Mania it turns out that she already has two rivals - boys from the neighborhood. That's when the fourth one appears - handsome Zygmunt. Mania loses her head for Zygmunt. What she doesn't know is that he is in fact her real father's upbringing....
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Kochaj tylko mnie (1935)
Character: Messenger
A comedy of errors, whose main characters are a revue star Lidia Relska and the secretary of an oil tycoon Stefan. While in Cracow, the girl passes herself off as another person, which leads to many amusing misunderstandings, and this is only the beginning of the confusion.
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Wystrzał (1966)
Character: Man listening to Masha
Study of a man obsessively seeking revenge.
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System (1981)
Character: Actor
An adaptation of Edgar Allan Poe’s tale The System of Dr. Tarr and Professor Fether, transposed to a contemporary setting. A couple visits a remote asylum where the woman knows the staff, only to discover that the institution is overrun and the lines between doctors and patients have collapsed.
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Antek policmajster (1935)
Character: Felek
A wanted Pole arrives in Tsarist Russia and assumes the identity of a Police Chief.
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Dom bez okien (1962)
Character: Szarlit
All the ambiance of an old-fashioned circus comes across with great clarity in this otherwise routine psychological tale about a mean-spirited mime and his effects on his colleagues. The small, traveling circus has been sliding downhill for awhile, and unless some new life is infused into its acts, its future does not look very rosy. Into this precarious situation comes a new mime with the uncanny ability to sap the confidence of his fellow performers. If he continues for long in this vein, no one will be able to believe they have any talent left at all.
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Uczta Baltazara (1954)
Character: Klenzel
Engineer Andrzej Uriaszewicz returns to Poland in order to smuggle a valuable painting out of the country.
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Boxer a smrť (1963)
Character: Venzlak
Concentration camp commander Kraft finds out that prisoner Kominek is a former professional boxer. Overnight, the prisoner is made Kraft's exercise partner and unwillingly rises to a privileged position at the camp. His anger over the death of his friend and co-prisoner leads to open revolt. The film brings a new view of human degradation during fascism by a tragic story of one man whose only chance for survival is to accept the rules of an unequal game.
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Pożegnania (1958)
Character: Maestro (uncredited)
The story takes place before World War II and centers on Pawel, a member of a conservative, middle-class family, and his love for Lidka, a taxi dancer. Social conventions and the lovers' inability to defy those forces Pawel and Lidka benefit. Times change, war breaks out, leading to Pawel sent to Auschwitz while Lidka marry his cousin. Their love has survived and conventions are no longer the issue.
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Fredek uszczęśliwia świat (1936)
Character: Józef Bomba
An eager inventor, Fredek, develops a “telefonowizor” combining audio and video calls but neglects his fiancée Irma in the process. Public demonstrations inadvertently expose private, embarrassing moments, alienating buyers and provoking conflicts, turning his revolutionary device into a fiasco that disrupts rather than improves people’s lives.
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