|
Dòng sông hoa trắng (1989)
Character: Hoàng Điệp
While undertaking secret operations, four undercover agents experience turmoil in their personal relationships.
|
|
|
Từ Một Cánh Rừng (1978)
Character: Tuất
Two classmates volunteer to work in logistics across the forests of Trường Sơn mountains.
|
|
|
Có một tình yêu như thế (1989)
Character: Kim
A young couple, whose love blooms from their mutual appreciation of Chingiz Aitmatov's "Tales of the Mountains and the Steppes", struggles with their personal romanticism and faith in each other as the novel becomes subjected to a new era's changing ideas about art.
|
|
|
Cạm bẫy tình (1992)
Character: N/A
In 1954, Thanh, an architect, returns to live in the family house he resided in before the war. He suggests that Quy, a comrade from his regiment and his wife, Hue, share the villa which is too big for just him.
|
|
|
Cô lái taxi (1993)
Character: Mrs. Thịnh
Trâm Anh rejects the advance from wealthy suitors and instead works as a taxi driver to support her family; the hot-tempered and blunt young girl enjoys winning over the male colleagues who mocks her driving in racing shows, helping girls fight off bullies and spending her free time at a martial arts club. On one day at work, Trâm Anh encounters a new client and her antithesis, the rich and pampered Tuấn. Soon, a string of incidents will strike up a spark between the unlikely pair.
|
|
|
Fleur de lotus (1988)
Character: The nurse
After his family was brutally murdered by French settlers on his wedding day, an Algerian man joins the French army and is sent to Vietnam to fight in the First Indochina War.
|
|
|
Bạn Gái Tôi Là Sếp (2017)
Character: Mrs. Van
She's the Boss follows two co-workers whose secret relationship could compromise their jobs. Both want marriage, but neither want to quit, they comically try to sabotage one another into leaving their job.
|
|
|
Ám Ảnh (1988)
Character: Hân
During the war, a woman learns that her husband is an army deserter.
|
|
|
Fanti (2023)
Character: Mẹ Ánh Dương
Fanti is the never-ending nightmare of a social network hotgirl who aspires to become a famous actress. The appearance of a mysterious stalker, stalks and makes her life gradually dark. In addition to uncovering the mystery behind the perfectly beautiful face on social networks, the film also depicts the fears and pressures of young people who want to be recognized in front of their families and society.
|
|
|
Hẹn Em Ngày Nhật Thực (2026)
Character: Bà Hoa (mẹ Ân)
In 1995, a young Catholic woman at the end of noviciate finds herself shaken by the flashbacks of a long gone first love.
|
|
|
Kiều (2021)
Character: Hoạn Bà
A dramatic retelling of Nguyễn Du's epic poem "The tale of Kiều"
|
|
|
Cô gái từ quá khứ (2022)
Character: N/A
When a famous celebrity with a dark past meets an old friend from 15 years ago, secrets start to come back from the grave…
|
|
|
Gái Già Lắm Chiêu 3 (2020)
Character: Thai Tuyet Mai
When a TV host travels to her fiance's hometown to uncover a showbiz secret, she learns her future mother-in-law is working to stop their wedding.
|
|
|
|
|
Một Thời Ta Đã Yêu (2026)
Character: Bà Bích (Mẹ Bảo)
In 2006, 18-year-old Bảo spends the final summer of his youth with his closest friends in a quiet coastal town, surrounded by unfinished dreams and endless possibilities. The arrival of Quỳnh—a worldly and emotionally complex woman—awakens feelings he has never experienced before, pulling him out of the safe orbit of his ordinary life. Their passionate romance soon triggers a chain of irreversible events, beginning with a death that changes everything. Twenty years later, the echoes of that summer still linger in silence. Can Bảo truly understand love—and finally forgive himself?
|
|
|
Mùa hè chiều thẳng đứng (2000)
Character: Khanh
Hanoi comes across almost picture-perfect in director Tran Anh Hung's beautiful, elegiac tale about the lives and loves of three Vietnamese sisters. A mood characteristic of Hung's films is set early on with the vivid sounds of birds, insects and water and the way the lighting enhances the subtle use of color. They all combine to gem-like effect here.
|
|
|
Hai người mẹ (1975)
Character: Young Bun Mi
Upon meeting a young Vietnamese soldier during his brief stay in the Lao mountains, a woman begins recalling to her daughter episodes of her life ever since she had to leave Northwest Vietnam in 1952, including her fateful encounter with a Lao mother.
|
|
