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Damga (1948)
Character: N/A
The story of Asuman, a rich girl who has had various romantic adventures but has never been able to marry and has fallen into a life of debauchery.
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Allah Kerim (1950)
Character: N/A
Aysesin is the daughter of a Pasha known for opposing the Sultan. She sets out to go hunting with her fiance Kerim in Adapazari. Fettah, the Adapazari Police Commander, also has his eye on Aysesin. But she rejects his offer.
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Şoför Nebahat Bizde Kabahat (1965)
Character: Nebahat
There is an eternal rivalry between Nebahat and Polim Hüseyin, who work at the same taxi stand. They witness the last breath of an elderly man who dies as a result of a settling of scores between Arab mafias. Before he dies, the man offers them a large reward if they find his nephew. There is now a valid reason for the rivalry between Nebahat and Polim Hüseyin. They take action to find Zennube and fulfill her will. However, the situation is more serious than they anticipated. They must set aside their stubbornness and work together.
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Kalbimin Şarkısı (1956)
Character: Perihan
The film focuses on the changing relationships between Münir, his wife Perihan, and their friend Kenan as a result of a misunderstanding. Münir is a passionate musician and composer. He does not show his compositions to anyone other than his wife Perihan and his close friend Kenan. Kenan and Perihan, who find Münir's compositions very successful, devise a plan. They submit the compositions to a composition competition without Münir's knowledge. However, when Münir learns of their secret meetings, he misinterprets the relationship. As a result, his relationship with Perihan and Kenan deteriorates. When Münir's composition wins the competition, everything comes to light. However, undoing what has happened during this process will not be easy for anyone.
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Arzu ile Kamber (1952)
Character: Arzu
Arzu ile Kamber, another film shot by Lütfi Ömer Akad alongside Tahir ile Zühre in Iraq, is one of Akad's attempts at fairy-tale historical films. In folk literature, the story of Arzu ile Kamber, like those of Tahir ile Zühre, Leyla ile Mecnun, and Ferhat ile Şirin, is a tragic love story passed down from generation to generation, so heartbreaking that it inspired elegies to be written in their names. Arzu ile Kamber, the first film adaptation of this story about the love between Kamber, the son of a merchant, and Arzu, the daughter of a subaşı, is a fairy-tale-like story that recounts the past.Arzu ile Kamber, one of two films shot by Lütfi Ömer Akad in Iraq over a period of six months with a large crew, is another of Akad's "failed but useful experiments," like Tahir ile Zühre.
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Fato: Ya İstiklal Ya Ölüm (1949)
Character: N/A
The film tells the story of a woman who guides a group of soldiers trying to stop the Greek forces occupying Izmir. Izmir is occupied by Greek forces. Captain Necdet takes a group of soldiers with him and begins to advance toward the enemy. Necdet plans to destroy the bridge used by the enemy to transport ammunition for the attack. However, since the enemy has surrounded them on all sides, he needs someone to guide them along the way. He takes refuge in a nearby village and asks for help. An old man who opens his home to the soldiers entrusts his daughter Fato to Necdet to guide them. Fato will help the soldiers destroy the Iron Bridge.
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Kaçak (1954)
Character: N/A
Framed for a killing, a teenager takes refuge in a farm house.
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Meçhul Kahramanlar (1958)
Character: Ayşe
Ayşe is the daughter of a father who sided with the sultan against the National Struggle. She is about to marry a captain against her will. Osman, on the other hand, is one of the soldiers fighting for the liberation of the country. One day, he and his men raid Ayşe's house and take some money. After this incident, Ayşe's father, overcome with fear, wants to return to Istanbul. Ayşe, however, insists that they must join the National Struggle. This leads to an argument between Ayşe and her fiancé, the captain. During the argument, the captain accidentally kills Ayşe's father. After this incident, Ayşe decides to join the National Forces.
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Ne Sihirdir Ne Keramet (1951)
Character: N/A
Sim Sala Bim is about a funny chain of events experienced by İsmail Dümbüllü upon his arrival in Istanbul. He has a job at a theater company, but the manager fires him for slacking off at work. He sets out for Istanbul with plans to meet with his girlfriend Aysel and arrives in the city following a rather eventful journey. Accompanied by his friend Rasih, Dümbüllü goes in and out of jobs while tracking down his girlfriend in the big city. Just as everything seems to go against him, a genie in his dream gives him a magic wand which will prove to be highly useful.
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Meyhanecinin Kızı (1958)
Character: Zehra
As soon as Ali is released from prison, he rushes to his friend Selim's side. In the evening, they go to Viran Kazım's tavern. The tavern owner's daughter Zehra is also there. Ali and Zehra fall in love at first sight. Ali begins making plans to start a new life with Zehra. However, Çamur Süleyman, the troublemaker of the neighborhood, has no intention of letting Zehra go.
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Vurun Kahpeye (1949)
Character: Aliye
During the years of the National Struggle, Aliye, an idealistic teacher who goes to an occupied town in Anatolia, wages a battle for enlightenment against both the occupying forces and the ignorance of the local people, fueled by bigotry and self-interest.
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Yavuz Sultan Selim Ağlıyor (1952)
Character: N/A
The film tells the story of Yavuz Sultan Selim, who went on a campaign to the East after ascending the throne. Grand Vizier Ali Pasha wants Prince Ahmet to succeed Sultan Bayezid II. Prince Selim, who objects to this situation, sets off for Istanbul. With the support of the Janissaries and those in the palace, he ascends the throne. He has the other princes who covet the throne killed and turns his attention to Shah Ismail, who is causing trouble in the east of the country. Selim sends his men ahead to gather information and begins preparations for his campaign against Iran.
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Şoför Nebahat ve Kızı (1964)
Character: Nebahat
Unlike her mother Hulya freewhells with her rich and spoiled friends. But Sofor Nebahat is poor and proud.
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Üç Tekerlekli Bisiklet (1962)
Character: Hacer
Üç tekerlekli bisiklet (Tricycle aka The Three-Wheeled Bicycle, I962) is a love story about a lonely woman with a small child and the man she hides in her house, who is chased and trapped, one of the staple motifs of Lutfi Akad’s cinema.
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Şoför Nebahat (1959)
Character: Şoför Nebahat
Following the death of her taxi driver father, Nebahat has to choose between poverty and being a driver herself. Despite the troubles caused by her fiancé, his mother, rascal drivers and the owner of the cab she chooses to become Nebahat the Cabbie.
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Tahir ile Zühre (1952)
Character: Zühre
One of the most famous folk tales in Anatolia. Sultan's daughter Zühre and the grand vizier's son Tahir grow up together and become madly in love with each other. But young lovers have an unfortunate destiny.
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Lüküs Hayat (1950)
Character: Sadiye
Riza and Fistik pickpocket to make both ends meet. When they enter a deluxe villa they find themselves in the middle of a costume party. Subsequently, the fur flied.
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L'Immortelle (1963)
Character: Woman from neighborhood
A melancholy man meets a stunning, mysterious woman while he is traveling, and discovers she may or may not be involved in a prostitution ring. She disappears after their relationship lasts a few days, and though he searches for her, those around him pretend not to know who he is speaking of.
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Altın Kafes (1958)
Character: Leyla
A love story between a chauffeur, a poor girl and a very rich woman.
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Şahane Züğürtler (1964)
Character: Leyla Soylu / Fatoş
Fikret is a wealthy cotton merchant. He married his childhood sweetheart Leyla and built a happy home. The young couple's kindness touched many people around them. However, one day, things took a turn for the worse. Fikret's business failed. Yusuf, whom he had once saved from bankruptcy, refused to help him. He was acting out of resentment that Leyla had chosen Fikret over him. Fikret is an honorable man. He has been appointed guardian of the young son of his closest friend, who died in a traffic accident. The management of a large fortune has fallen to him. However, he prefers to work as a servant in Istanbul rather than touch the money. The couple builds a new life for themselves in Istanbul. But Yusuf's resentment shows no signs of abating.
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