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Αγάπησα και πόνεσα (1963)
Character: Domna
After a momentary lapse of judgment, an impecunious husband finds himself behind bars, losing both his freedom and his wife who's eloped with her ex-lover. Now, a desperate search for the missing mother commences. Will the family reunite?
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Τόσα Ονειρα στους Δρόμους (1968)
Character: N/A
Two ambitious young employees land a job at the small store of an avaricious man, intending to stay there no more than a few months. But, fate has other plans in store for them. How many dreams must one sacrifice to find happiness?
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Το Στραβόξυλο (1952)
Character: Σταθούλα
A fastidious family man torments his wife and his niece with his nagging. He opposes his niece's double-dating with his partner and a client of his.
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Ο Θείος από τον Καναδά (1959)
Character: N/A
Waiting to get their lucky break, three penniless musicians, who are already five months behind in the rent, resort to a reckless fabrication to escape the landlady's wrath. But, what happens if she realises that everything is a cruel lie?
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Ησαΐα χόρευε (1966)
Character: Kallirroi
Isaiah and Anargyros are partners and keep together a wedding bureaux office. Things are not going well lately, and Isaiah's wife, Kallirroi, is in charge of helping the situation. She finds a bridegroom for her daughter, a wealthy family. But the groom is not as rich as he is in fact the son of the groom. The situation is getting even more confused since her daughter is not the daughter of a shipowner as he presented her!
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Η Σμυρνιά (1969)
Character: Efthalia
Mrs. Efthalia, a woman with origin from Smyrna, is an active citizen of an Athenian neighborhood: she deals with everyone and everything, and loves to gossip.
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Η περιπτερού (1970)
Character: Georgia
A good-hearted taxi driver dreams of living comfortably and rich. In her attempt to help people, she upsets her little neighborhood.
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Γκολ στον έρωτα (1954)
Character: Fofo
A barber owes a lot of money to his landlady, who shows great patience and understanding, hoping that one day he will convince him to marry her.
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Η προξενήτρα (1966)
Character: Georgia
Georgia Vasiliadou claims to be a simple housewife. And an inveterate matchmaker! She spies on everyone and everything and issues a daily bulletin about what is happening in a working-class apartment building in Athens in the 1960s. Most importantly, however, she marries everyone who has been left on the shelf and even "makes" children for those who don't have any! A hilarious comedy
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Ο Θύμιος στη Χώρα του Γέλιου (1963)
Character: N/A
Staple of music-dance with acrobatics and theatrical skits mainly foreign artists metaklithikan in Greece by Kostas CHATZICHRISTOU, in line with the business of theatrical activities
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Η Αθήνα χορεύει Rock 'n' Roll (1957)
Character: N/A
The film refers to the fashion of the new American rock and roll dance, which also reached Athens. It is a short film that cost 100,000 drachmas. When Costas Karras appears in the movie, he says that it is a "rock and roll" competition in which he won an electric guitar and that his partner Katerina Helmi was a top performer at that time.
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Παπούτσι από τον τόπο σου (1946)
Character: N/A
After the end of WWII, a beautiful woman falls for a British soldier who abandons her when she becomes pregnant. Now, she finds no meaning in life; but, a Greek lad comes to her rescue. Was she meant to find love in her neighbourhood?
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Ο Μιχαλιός του 14ου Συντάγματος (1962)
Character: Maianthi Karadimou
A guileless peasant with a heart of gold enlists in the prestigious Hellenic Special Forces and finds himself neck-deep in trouble when his superior entrusts him to keep an eye on his beloved only daughter.
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Ο φαταούλας (1952)
Character: Zoi
The avaricious Athenian, Fanouris Karababas, forbids his daughter to marry her beloved and behaves cruelly to his wife. But she persuades him that he suffers from a rare disease.
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Ο Θησαυρός του μακαρίτη (1959)
Character: Theoni
Theoni finds a strange way to gain some money, in order to pay her bills , by renting rooms in her rickety house.
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Οι Γερμανοί Ξανάρχονται (1948)
Character: Marigo
4 years after the Nazi occupation in Greece, the Greeks are involved in a Civil War and they are killing each other. Theodoros, a quiet and modest man, disgusted and disappointed, falls asleep and has a nightmare. Hitler is alive and the Nazis strike back with new, more powerful weapons.
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Η Θεία Απ' Το Σικάγο (1957)
Character: Kalliopi
Charilaos (Orestis Makris), a retired officer with very strict and conservative principles, raises his four daughters with... military discipline, taking care of their culture, their appearance and their good behavior. Despite all his desire to marry them, he does not leave them anywhere alone, as a result of which no man approaches them. His wife, Efterpi (Eleni Zafiriou), as well as his friend and neighbor Xenophon (Pantelis Zervos), make remarkable efforts to convince him to change his tactics, but he insists on his very conservative behavior. But when the conversation reaches the well-to-do sister of Kalliopis (Georgia Vassiliadou) who has been living in Chicago, USA for years, everything turns upside down. She returns to Athens and undertakes to modernize the general's house, as well as help the four girls (and her nieces) to be rehabilitated.
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Ο Γρουσούζης (1952)
Character: Epistimi
Agatocles, a grumpy and gruesome caffector, finds out a baby's out of his cafe and, to the surprise of everyone, decides to adopt it.
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Η κυρία δήμαρχος (1960)
Character: Aspasia Zorbala
On the square of a village on a beautiful greek island there are two competing tavernas. One belongs to Aspasia and the other to Anargyros, who is a former Sergeant Major of the Greek Army. Their constant conflict doesn’t affect their children, who love and meet each other in secret. The local elections creates a new battlefield for the two taverna-owners, as they both run for office and promise everything to everyone.
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Αστέρω (1959)
Character: Stamatina
This immensely successful remake of the 1929 foustanella classic was directed by Dinos Dimopoulos and quickly established its stars (Dimitris Papamichael and the beautiful Aliki Vouyouklaki) as the Greek cinema's top box-office draws. The story itself rigidly follows the conventions of its subgenre, although because Greek filmmakers were still churning out foustanellas for decades afterward, it hardly seems more dated than the original. Once again, it tells the tale of Mitros (Titos Vandis), a wealthy herd owner with a foster daughter named Astero (Vouyouklaki) whom he marries off to another herd owner, despite the fact that she and his son Thimios (Papamichael) are desperately in love. The other herd owner dies and Astero loses her mind a bit (although she doesn't wig out quite as spectacularly as Aliki Theodoridou in the silent original), but Mitros finally comes to the right decision and allows the children to marry.
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Οι Γαμπροί της Ευτυχίας (1962)
Character: Eftyhia Tarniani
The film focuses on the Tarniatis brothers, with the brother trying to marry his sister (Georgia Vasileiadou), who refuses to follow the fashion of the time and become a lustful woman, so that he too can marry, having been engaged for eight years. The last groom that Vangelis shows Eftychia is Kleomenis, who after their trip to Hydra falls in love with the family's niece. However, Koulis also wants to marry Eftychia, who thinks he is inheriting 120,000 pounds.
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Η Κυρά Μας η Μαμή (1961)
Character: Kalliopi Moustaki (the midwife)
The rivalry between a professional doctor and a midwife in a small Greek village.
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Μια νύχτα στον παράδεισο (1951)
Character: Mrs. Vyzantiou
Ms. Byzantiou is a passionate writer who stays at the hotel “Paradise” together with other eccentric tenants. When the friend of a hotel boy, who is planning to marry a young tenant, arrives at the same time with a couple of newlyweds, Ms. Byzantiou is inspired to write about a dramatic love affair.
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Κάλλιο πέντε και στο χέρι (1965)
Character: Katina / Catherine Poure
The daughter of a miser grocer react to their father's effort to marry with the man he approves. When her uncle from America and her older sister arrive, the situation radically changes, because the new arrivals happen to be open-minded and view things in a different light.
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Ο Ανηψιός μου ο Μανώλης (1963)
Character: Aspasia Papakatsika
Aristides Papakatsikas welcomes two nephews to his home, the wealthy Manolis from America and the poor Manolis from Amaliada, whom he has never met in person. The two nephews, following a suggestion from Manolis in America, agree to switch roles so that the wealthy Manolis can understand the sincerity of his uncle's intentions.
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Η Ελληνίδα και ο έρωτας (1962)
Character: Afroditi
Revolving around the modern Greek woman and her perspective on love in general, not one, but twenty-one brief and vivid vignettes attempt to shed light on an ever-present matter: can there be consequences in Cupid's eternal game?
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Ήταν Όλοι Τους... Κορόιδα! (1964)
Character: Pagona Sousami
The whole male population of Katochori is in love with the niece of former president Katsikaris. The village is the American archaeologist John Bull and the president did not miss an opportunity, as a man unexpectedly appeared, willing to dig the fields ...
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Τα τέσσερα σκαλοπάτια (1951)
Character: Pagona
Surrounded by wealth, an impecunious young lady leaves home and the suave man of her dreams to spread her wings in Athens. But, he refuses to give up on her. Will she ever know that love awaits at the villa with the four marble stairs?
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Η Ωραία Των Αθηνών (1954)
Character: Aristea Karabi
A streetwise guy, according to a will, has to marry an extremely ugly old lady to get the money of the inheritance.So he tries to trick a poor devil into getting married with her.
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Ο Κλέαρχος η Μαρίνα και ο κοντός (1961)
Character: Marina Zougala
The Clearchos order to escape the unbearable and domineering wife Marina and found a lively geitonisa of Iro, will invoke the alleged suspicions that the Mahos groom, husband of their daughter Rhea has a mistress and will follow up the Fthiotida, where do you go to spas for a sore arm ...
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Το 1821 στον Κινηματογράφο (2021)
Character: (archive footage)
In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.
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Νταντά με το Ζόρι (1959)
Character: Loulou
After returning from a masquerade, much to his surprise, a wandering textile salesman stumbles upon an abandoned and helpless baby. Will he find his parents--and if not--will the poor child finally find a loving foster family?
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Εκείνες που δεν πρέπει ν' αγαπούν (1951)
Character: Kalliopi
Pavlos, a conservatory student dreaming of becoming a great artist of quality music, lives with his fiancée Kaiti in a small room, hosted by two friends. Due to financial tribulations, he is forced to join his friends' folk band and performs every night at a night club. That's were Mr Giorgos and his lover Liza frequent. Liza, a rich girl, falls in love with Pavlos and tries to seduce him. However, when she realizes how deeply he loves his fiancée, decides to help him get back together with Kaiti.
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Το αμαξάκι (1957)
Character: Thodoros' wife
An old chauffeur, after removing his rambling son, decides to live with his orphaned girl while facing the advent of the car that displaces the carts.
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Εμείς τα μπατιράκια (1963)
Character: mad woman
A poor young man leaves the city that lives and works to go to Athens. On the way he will meet one mad, who falls in love with him , and a young women falling in love.
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Η Βαρώνη και ο Προκόπης (1970)
Character: N/A
A rich widow returns to Greece and draws the interest of a gang that wants to steal her precious diamond. Prokopis becomes her guardian angel.
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Πιάσαμε την καλή (1955)
Character: Katina
A jobless and kind countryman moves to Athens, only to lose yet another job. However, the lottery ticket in his hand could be the solution to his chronic problems. Will now the love of his life change her mind and reciprocate his feelings?
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Χαρούμενο ξεκίνημα (1954)
Character: Valentina
Three young musicians and three female singers strive for success, competing each other. But love gets in their way.
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Η Δοσατζού: Επιχείρησις Γαμπρός (1966)
Character: Evanthia
An intelligent and versatile woman, Evanthia, to marry her daughter Lella, takes French and good behavior lessons and begins to portray the brilliant aristocrat. In a resort of wealthy they are familiar with Babis, who also represents the rich man to find a rich bride.
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Ο Μαγκούφης (1959)
Character: Foteini
A bachelor by conviction not watch the girl who works at the shop cashier is in love with him, despite all the efforts of the landlady.
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Το Καρπουζάκι (1962)
Character: Matina
Bursting with excitement before meeting a blonde hottie and her equally good-looking companion, a lascivious merchant lures his gullible old friend into a splendid afternoon by the sea behind his wife's back. But, will he get away with it?
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Η Καφετζού (1956)
Character: Kalliopi
In a poor neighborhood of Athens, next to the coffee shop of Spyros (Mimis Fotopoulos) is a coffee shop that has gained a great reputation and is preparing to move to Kolonaki as it has made a lot of money by telling the cup. In the same neighborhood is a laundress, Kalliopi (Georgia Vassiliadou), who makes a living by force. One day, after an incident in which a customer (Kostas Mentis) humiliates Kalliopi and Spyros intervenes, he comes up with an idea: for Kalliopi to run the coffee shop, since the other one has left.
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Μπουμπουλίνα (1959)
Character: N/A
The life and action of Laskarina Bouboulina. Captain Lascarina decides to organize the revolution in Spetses and to participate herself, despite her double widowhood. In the struggle for the liberation of Greece, she gives all her property and fighting along with her lads.
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