Black-Eyed Susan

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Black-Eyed Susan

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Credits

Elaine: A Story of Lost Love (1976) Character: Elaine
Adapted from an obscure Guy de Maupassant novella, lifted from a paperback bought by Meaney as an undergrad for 99 cents. What’s evident is Horn’s fascination for squared-off blocking and choreography, including a glimpse at a performance of Orpheus and Eurydice in minature. Star Adam Macadam brought on other members of Charles Ludlam’s Ridiculous Theater Company, many of whom would return to work on DOOMED LOVE. Featuring ancient costumes on loan from the Metropolitan Opera (repurposed from early twentieth century productions of Tosca and La Traviata), ELAINE aspires to high gothic on a shoestring budget. Horn and Meaney shot at locations including the Morris-Jumel Mansion in Washington Heights, the Frick, and the Carnegie Hall Cinema, then operated by Sid Geffen and Jackie Raynal – the programmers responsible for hosting the first-ever New York City screenings of films by Marguerite Duras, an influence on the filmmakers (alongside Daniel Schmid, Douglas Sirk and Alain Resnais.)

Black-Eyed Susan: Portrait of an Actress (1989) Character: Self
A short film about the actress Black-Eyed Susan

The Sorrows of Dolores (1986) Character: Gorilla Girl
Film recounts the madcap tale of sweet Dolores who, after being tortured by her sadistic mother, is thrown into the harsh city environs, innocent and alone. Chased by villains, abducted into white slavery, and ravaged by monstrous beasts, Dolores spirals deep into the underworld unable to find redemption.

A Blink of Paradise (1992) Character: Therapist
"A Blink of Paradise" is a twelve minute investigation into the event that caused one woman's first memory. Obsessed by past images of herself as a baby in a carriage, she uncovers a simple fact concerning her mother that explains why she has been haunted by them ever since. This is realized through an interweaving of her present life (on a therapist's couch) and the visual fragments she has retained of that day. Having located the source of her pain, she is now able to go forward with newfound understanding.

Rollo seis: El Grand Tarot de Charles Ludlam (1987) Character: N/A
The New York underground linked the paths of the actor and playwright Charles Ludlam, the superstar of avant-garde cinema Mario Montez and the Argentine artist Leandro Katz. An underground community found refuge in a porn cinema that Ludlam rented at night to stage his theater of the ridiculous. In 1970 he premiered The Grand Tarot, an extravagant burlesque where the arcana became characters and a reading of cards before the performance began established the order of the scenes. Rollo Six materializes that furtive experience, recovering in its formal commitment the inventiveness of chance that guided Ludlam's work. Katz superimposes edited scenes in camera, fracturing the screen through the use of masks that cover the lens and allow him to separately expose each corner of the frame.

Bloodhounds of Broadway (1989) Character: Minnie the Shrimp
On New Year's Eve 1928, in the New York underworld, a gambler sells his body to science, a gangster needs a transfusion, and a gambler is on the run

Ironweed (1987) Character: Clara
An alcoholic drifter spends Halloween in his hometown of Albany, New York after returning there for the first time in decades.

Doomed Love (1983) Character: Couple on TV
Depressed after losing his lover a long time ago, Andre visits a psychiatrist. While in the doctor's waiting room, he strikes up a friendship with Lois, the doctor's receptionist, and later with Lois' husband, Bob. Although the couple wants to help Andre recover from his depression, Andre finds himself unable to pull his life out of the past.

Black-Eyed Susan

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Black-Eyed Susan

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