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La P’tite Lili (1927)
Character: Man with Bowler Hat
La P’tite Lili is a silent short drama depicting the fate of a young orphaned girl in the working-class districts of Paris. The film follows Lili, a teenage girl marked by innocence and vulnerability, as she is drawn into the city’s underworld after encountering a man who exploits her circumstances. Told through impressionistic visual style rather than dialogue, the film presents a tragic portrait of social marginalization and moral collapse within an urban environment.
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Le Petit Chaperon rouge (1930)
Character: Compère le Loup
This is 1929: the little red riding hood is still with us and her life is more complicated than ever. She still has to go through the forest and she once again comes up against a wolf. This time around the big bad wolf has become a lecherous tramp who keeps stalking the girl trying to wolf her down ... in his own way of course.
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The Spanish Earth (1937)
Character: Narrator (voice)
Joris Ivens’s advocacy documentary for the Republican cause intercuts a besieged Madrid with a nearby village digging an irrigation canal, linking the war to bread, land, and survival. Produced by the writers’ collective Contemporary Historians, edited by Helen van Dongen, scored by Marc Blitzstein, and narrated in its U.S. version by Ernest Hemingway (after an initial Orson Welles track), it blends frontline reportage with persuasion against Franco’s forces and their German–Italian backers.
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Un tournage à la campagne (1994)
Character: Self
Edited from 4½ hours of unused material left over from the shooting of Jean Renoir's 1936 PARTIE DE CAMPAGNE (A Day in the Country) and donated by the producer Pierre Braunberger to the Cinémathèque Française. Re-edited for a new version, much of the film is shot with synchronised sound with Renoir's voice instructing and guiding the actors.
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Jean Renoir, le patron, 2e partie: La direction d'acteur (1967)
Character: Self - Interviewee
Second in the documentary trilogy from mastermind Jacques Rivette, featuring a conversation between Jean Renoir and Michel Simon, who celebrate their reunion by discussing, among other things, La Chienne (1931) and Boudu Saved from Drowning (1932).
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Langlois (1970)
Character: Self
Documentary portrait of Henri Langlois, co-founder of the Cinémathèque Française.
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La règle du jeu de Jean Renoir: Une analyse du film par l'image (1987)
Character: Self (archive footage)
This analysis is based on an ideological commentary on Renoir's film. From the beginning, the reading, unilateral, gives keys to interpret the characters: "These are shadows returning to the castle". Renoir "paints the lie of a society that no longer believes in its own values".
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La vie est à nous (1936)
Character: Le patron du bistrot
A propaganda film of the communist party of France, showing how the comrades help the proletariat against the capitalists.
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Mam'zelle Nitouche (1931)
Character: Master sergeant (uncredited)
Célestin, the organist of a convent, has written and composed a light operetta under the name of Floridor. One day, the Mother Superior asks him to chaperone one of the boarders, Denise de Flavigny, who is returning home to get married. Now, Denise, for all her goody goody looks, soon proves as saucy as can be. Things get even more complicated when Célestin starts courting Corinne, the star of his operetta, to the great displeasure of a commander of dragons, the young woman's lover. Worse, the latter is none other than the Mother Superior's brother... To say nothing of Lieutenant Fernand de Champlatreux, who happens to fall in love with Denise, his fiancée that he has never seen before...!
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D'un Céline l'autre (1969)
Character: Self
Passers-by, those who knew him in his youth, René Barjavel, witness of his beginnings, his wife, his doctor, writers ... By questioning them Michel Polac tries to better understand the troubled personality of Louis-Ferdinand Céline, Notorious anti-Semite and genius writer.
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Quand Jean devint Renoir (2017)
Character: Self (archive footage)
The fascinating story of a man destined to be only a son of and who sought all his life to become "someone" by getting rid of the overwhelming image of his genius as a father, the painter Pierre-Auguste Renoir.
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Une vie sans joie (1927)
Character: le sous-préfet
About the conflict between social classes through the life of the unhappy Catherine Ferrand, an orphan girl, who is a victim of the jealousy of women and the greed of men.
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Le Petit Théâtre de Jean Renoir (1974)
Character: The Narrator/Host
Three vignettes and a musical interlude showcase acclaimed auteur Jean Renoir's eclectic range at the end of his career: the relationship between an old man and an old woman, both homeless; an opera-like story of a woman obsessed with polishing her floors; Jeanne Moreau performs 'When Love Dies'; and an elderly man and his young wife coming to terms when she has an affair with a man her own age.
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La Règle du jeu (1939)
Character: Octave
The Marquis de la Chesnaye and his wife host a weekend gala where a variety of complicated romantic and social entanglements between guests and servants lead to tragedy, all against the backdrop of a looming war.
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Louis Lumière (1968)
Character: Self
Eric Rohmer leads a conversation with Jean Renoir and Henri Langlois on the art of filmmaker Louis Lumière.
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La Bête humaine (1938)
Character: Cabuche
Returning by train to the French port of Le Havre, Jacques Lantier, a tormented railwayman, meets by chance the impulsive stationmaster Roubard and Séverine, his wife.
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Sur un air de Charleston (1927)
Character: Angel
Shot in three days, this surreal, erotic silent short shows a native white girl teaching a futuristic African airman the Charleston dance.
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Partie de campagne (1946)
Character: Père Poulain
The family of a Parisian shop-owner spends a day in the country. The daughter falls in love with a man at the inn, where they spend the day.
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François Truffaut l'insoumis (2014)
Character: Self (archive footage)
This portrait of the world-famous French director based on his personal correspondance reveals the little known insurgent side of his personnality. Featuring interviews with close collaborators, friends and family, this definitive documentary tells his intimate story, from the streets of Paris to the filmmaking accolades and high profile marriages at the height of his career.
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Le Procès d'Emma Bovary (2021)
Character: Self - Filmmaker (archive footage)
On January 31, 1857, the French writer Gustave Flaubert (1821-80) took his place in the dock for contempt of public morality and religion. The accused, the real one, is, through him, Emma Bovary, heroine with a thousand faces and a thousand desires, guilty without doubt of an unforgivable desire to live.
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Ceux de chez-nous (1915)
Character: Self
With family connections to some famous French artists, writers, and musicians of the time, Sacha Guitry decided to film the individuals in action, to celebrate the greatness of his culture, threatened by Germany in the ongoing Great War.
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