Pyotr Chardynin

Personal Info

Known For

Directing

Known Credits

0.6417

Gender

Male

Birthday

08-Feb-1873

Age

(153 years old)

Place of Birth

NO INFO PROVIDED

Also Known As
  • Peter Chardynin
  • Петр Чардынин
  • Piotr Chardynin
  • Петро Чардинін
  • Petro Chardynin
  • П. Чардынин

Pyotr Chardynin

Biography

NO BIOGRAPHY AVAILABLE


Credits

Крейцерова соната Крейцерова соната (1911) Character: Poznyshev
The Kreutzer Sonata is a 1911 Russian silent film directed by Pyotr Chardynin. The film is considered lost.
Вадим Вадим (1910) Character: Boyarin Palitsyn
The landowner Palitsyn (Chardynin) long and successfully sues the neighbor. The lawsuit led to the ruin. He died, leaving orphans children — humpback a young boy Vadim (Speransky) and three-year Olga. In order to avoid condemnation, the Palitsyn takes the girl to the pupils. The young man vows to take revenge on the offender and leaves this region. Several years pass. Olga (Goncharova) becomes the beauty and object of desire of the elderly Palitsyn. Comes the hour of revenge. Returned and did not learn of Vadim goes to the Lord in slaves. Soon he reveals to Olga the truth about the real family. The girl agrees to help Vadim. Meanwhile, the younger Palitsyn — son Yuri returns to the estate. Olga falls in love with the young landowner and refuses to help her brother. Finally angry Vadim decides to finish with the whole hated family. He goes to the camp of Pugachev to later return to the estate of Palitsyn and take revenge.
Драма в Москве Драма в Москве (1909) Character: N/A
An actress is given a telegram in her theater bathroom in the presence of a fan: she has won the trial and can receive one hundred thousand rubles. The actress and a fan drive around Moscow in a troika, entering and exiting the entrances of luxury restaurants.
Чародейка Чародейка (1909) Character: Prince Kurlyatev
This tragedy depicts a father and son in love with the same woman, who is an enchantress. She keeps them both in subjection with her charms, butthe mother and wife of the victims kills the seducer. However, both the father and the son are severely affected by her actions, which they cannot forgive.
Власть тьмы Власть тьмы (1909) Character: Nikita
First known Russian film adaptation of Leo Tolstoy's work, and reportedly the directorial debut of Pyotr Chardynin.
Вот так поцелуй! Вот так поцелуй! (1911) Character: The bank director
Comedy vaudeville based on the play-joke by R. Chinarov "Dear Kiss".
Хозяин черных скал Хозяин черных скал (1924) Character: Hermit monk Abish
The film takes place somewhere abroad. One of the characters in the film, novice Morne, rescues a fisherman girl, Armela, who loses her mind from terror and seriously begins to believe that she is the "goddess of the winds". The monks of the monastery use this not without benefit. Armela's father finds his daughter and takes her home. Morne, in love with the girl, leaves the monastery and returns to his former profession of an artist. Soon Armela recovers and marries Morne.
Выбор царской невесты Выбор царской невесты (1910) Character: N/A
Based on the plot of L. Mey's play "The Pskovite Woman". A poetic legend about the arrival of Tsar Ivan the Terrible and his oprichniki in Pskov. Having destroyed Novgorod, the tsar moved to free Pskov, the city was waiting for the same fate. But the city was not ruined - the Terrible met in Pskov his illegitimate daughter Olga, whose existence he did not even suspect.
Кинематограф солдату Кинематограф солдату (1915) Character: Self
Filming of the collection of donations during the cinematic film week "To a Soldier in the trenches" in Moscow at the A. Khanzhonkov Theater on November 30, 1915.
Василиса Мелентьевна и царь Иван Васильевич Грозный Василиса Мелентьевна и царь Иван Васильевич Грозный (1911) Character: Prince Mikhail Ivanovich Vorotynskiy
Based on the drama by Dmitry Averkiev. The reign of Tsar Ivan Vasilyevich the Terrible. Boyar Vorotynsky loudly expresses his indignation at the untruth. Many agree with the boyar in their hearts, only Malyuta hates him and dreams of revenge. Having whispered to Grozny about Vorotynsky, he receives an order to arrest him.
Боярин Орша Боярин Орша (1910) Character: Orsha
Based on Lermontov's poem of the same name, Boyarin Orsha (Peter Chardynin) leaves the service of Ivan the Terrible.
Драма в таборе подмосковных цыган Драма в таборе подмосковных цыган (1908) Character: N/A
Two gypsy lovers sneak away from camp at night. The man proposes, the woman refuses. He then murders her with a knife. The body is immediately discovered. The distraught man then leaps off a cliff to the rocks below.
Крестьянская доля Крестьянская доля (1912) Character: Pyotr's father
Two peasants in feudal Russia wish to marry but tragedy strikes. A grim if familiar depiction of the precarious condition of the rural life.
Мёртвые души Мёртвые души (1909) Character: Nozdrev
Film adaptation of excerpts from Nikolai Gogol's novel of the same name. Only two episodes are recreated faithfully: Chichikov's visit to Sobakevich and Chichikov's visit to Plyushkin. These episodes are followed by a series of scenes in which other characters appear without any connection with the plot. In the finale, everyone is photographed next to the bust of Gogol.
Русская свадьба XVI столетия Русская свадьба XVI столетия (1909) Character: Groom's father
A dramatization of a wedding in 16th-century Russia, between members of two prominent boyar families (based on paintings by Konstantin Makovskii): Three matchmakers first visit the family of the prospective bride, and then do the same with the prospective bridegroom's family. Later, as the time of the wedding draws near, the bride is dressed with great formality and prepared for the ceremony, as the guests get ready to celebrate the upcoming wedding.
Молчи, грусть... молчи Молчи, грусть... молчи (1918) Character: Lorio, Musik-Clown
Paula is a circus performer married to the alcoholic clown-acrobat Lorio. Lorio's heavy drinking leads to him being severely injured during a performance. This forces Paula and the now-crippled Lorio to become street musicians. This film formerly ran to 81 minutes – regrettably, the second half is considered lost.



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