|
Um Ramo Para Luísa (1965)
Character: N/A
Paulo works as a journalist for a print publication and is a man of many women. He has a long-standing affair with a wealthy married woman and also begins a new relationship with Luísa, a young call girl who is his client.
|
|
|
No Mundo da Lua (1958)
Character: N/A
For a long time a couple exchanged love letters, he living in the Northeast and she in Rio de Janeiro. One day he goes to the wonderful city together with a colleague, but he soon faces a problem: since he has sent the girl a photo of someone else, he is afraid to approach and reveal who he really is. At the same time, the colleague has a falling out with a girl who defends rock 'n' roll tooth and nail.
|
|
|
A Banana Mecânica (1974)
Character: N/A
Dr. Ferrão, a famous psychoanalyst, uses his daily column on a newspaper to atract women to his practice.
|
|
|
A Doce Mulher Amada (1969)
Character: Lúcio
A soap opera idol, lonely despite his fame and wealth, seeks a woman for companionship. He becomes interested in Míriam, a mysterious character who causes him countless setbacks. He's inclined to marry Carolina, his 19-year-old neighbor, who spends her time playing waltzes on the piano. However, all of Míriam's adventures will pale in comparison to the discoveries he will make in intimacy with Carolina, the sweet woman he loves.
|
|
|
Elke Maravilha Contra o Homem Atômico (1978)
Character: Tião
Reporter Tião, who routinely brings neighbor’s son Zeca along for leisure features, is drawn into investigating mysterious disappearances in the city. He uncovers Dr. Kiriri’s hidden laboratory, where the mad scientist and his secretary Mérilin transform victims into dust and send them to another galaxy. Tião must expose and stop Kiriri before more people vanish.
|
|
|
O Vale do Canaã (1970)
Character: N/A
The film depicts the arrival of immigrants in the city of Espírito Santo following the history of Carlos, an Italian who struggles for his place against Hermann Gunter, a German colonist who rules the region.
|
|
|
A Lei do Cão (1967)
Character: N/A
Bebeto is a playboy who commits a passional crime killing a friend because of his fiancee. Feeling cornered he kills other four people to survive and scapes to the countryside where meets Quinzinho, a professional hitman who protect him. Then Bebeto starts a romance with a local woman causing the wrath of the population and forcing him to leave.
|
|
|
Natal da Portela (1988)
Character: N/A
Biography of one of the legendary names in the Samba genre of Brazilian music. Although he could hardly dance or play an instrument, he became one of the main composers of Portela, an important Samba "school" in Rio de Janeiro.
|
|
|
El ABC del amor (1967)
Character: N/A
Film that includes three short films by different authors about love: "O pacto" by Eduardo Coutinho, "Terrible Night" by Rodolfo Kuhn, and "Magic World" by Helvio Soto.
|
|
|
Barra Pesada (1977)
Character: Dono do carro roubado
Young robber, son of a prostitute who had killed herself, gets involved with two police informers, who force him to share the loot he gets.
|
|
|
Na Onda do Iê-Iê-Iê (1966)
Character: N/A
César wants to be a singer and, with the help of his friends Maloca and Didi, seeks an opportunity on television talent shows. When he performs on Chacrinha's show, he wins all the night's prizes and wins the affection of a young woman from a wealthy family who is dating a con man who steals cars. Realizing the girl has a crush on the singer, the con man sets a trap to get César out of the game.
|
|
|
Os Devassos (1971)
Character: Convidado
Wanted by the police, a university professor flees to a hotel in the interior and causes changes in the lives of the owner of the establishment and his wife.
|
|
|
Amor Maldito (1984)
Character: Jornalista
Two young women with different social backgrounds have a lesbian relationship. The real problems begin when one of them also gets involved with a man, a journalist.
|
|
|
Selva Trágica (1963)
Character: N/A
In a company trading maté, workers are treated as slaves. Some of them try to escape, but those who are caught suffer severe punishments.
|
|
|
Engraçadinha Depois dos Trinta (1966)
Character: Durval
After marrying everyday man Zózimo, Engraçadinha, who had been through intense sexual experiences as a teenager, settles to live a quiet and normal life. As the years go by, her teenage daughter's behaviour seems to call back Engraçadinha's own teenage days.
|
|
|
Memórias do Cárcere (1984)
Character: N/A
In the 1930s, novelist and politician Graciliano Ramos is accused of being a communist sympathizer. He is then arrested and sent to the Ilha Grande prison, where he experiences the disturbing treatment reserved for common prisoners.
|
|
|
Fulaninha (1986)
Character: Sabonete
Movie director in his forties and in existential crisis falls in love with an unknown teen girl he sees walking down the streets, without knowing she's the daughter of the woman he's having a relationship with.
|
|
|
Eu Matei Lúcio Flávio (1979)
Character: N/A
In the early seventies in Rio de Janeiro, detective Mariel Moryscötte de Mattos belonged to a special police force called "The Golden Men". This powerful group of the elite of the police was created with the intention of eliminate crime from Rio de Janeiro, and they had privileges above law to expedite their action against the outlaws. However, absolute power in wrong hands corrupts, and this group formed the "Death Squad", executing criminals without the conventional trial from the justice.
|
|
|
Luz Del Fuego (1982)
Character: Paco
Biography of a Brazilian dancer who lived on an island and practiced nudism when it was forbidden by law.
|
|
|
Solar das Taras Proibidas (1984)
Character: N/A
Five women and a nymphomaniac aunt receive two nephews to spend time in their manor house in Petrópolis. In reality, however, the boys are not nephews, but masseuses hired by the caretaker at the behest of their aunt. While things are happening in the manor, the five women are blackmailed, as a result of the strange death of a man who had disappeared in the past, considered by the press as the victim of his aunt, the biggest suspect.
|
|
