|
El cerro de los locos (1960)
Character: Invitada de Raúl
Some bizarre figures (bullfighters and future fighters, athletes and boxers) get together in a park from Madrid to improve and rehearse their techniques.
|
|
|
Chely (1977)
Character: N/A
A gang of criminals, composed entirely of young people, bases its unique fun on stealing from rich elders with the help of the charms of one of the members of the band, Pepi (Nadiuska). They are misunderstood young people looking for an assimilation of society.
|
|
|
Acto de posesión (1977)
Character: Farmacéutica
Raquel's not able to have children, so she and her boyfriend manipulate another young woman into bearing his child.
|
|
|
Enseñar a un sinvergüenza (1970)
Character: Empleada de los lavabos (as Mari Carmen Martínez Sierra)
Rosana is an attractive teacher who is losing his youth with such discipline in the study. When suddenly bursts into his life a perfect cheeky who lives of game and odd jobs as photographer, but wants to acquire a little culture for personal reasons. So he hires the services of the best teacher of the place ...
|
|
|
Polvo eres... (1974)
Character: Doña Amelia
The poor Camilo was about a priest, when he suffered a dizzy spell and was diagnosed with a serious illness.
|
|
|
La zorra y el escorpión (1984)
Character: N/A
Adaptation of a play by Alfonso Paso. Overnight, Margarita, a frivolous Baroness, is subject to the whims of his steward dialectic that takes advantage of the absence of the husband of the Baroness. Between Margaret and the butler, by the difference in social class, develop a series of situations which reveal the weaknesses of high society to end naturally between a man and a woman, with the triumph of sentimental
|
|
|
Historia de S (1979)
Character: Condesa
Sebastian (Alfredo Landa), dressmaker of great prestige, is aware of the boredom that produces sexual routine with his wife. Is then made with a good amount of erotic material, including books and magazines and catching up on what is current in the sexual aspects. His wife, alarmed at the new attitude of Sebastian, there is even the possibility to enter. Sebastian, determined to modernize the extreme, organize a parade with new models essentially erotic.
|
|
|
The Naked Target (1992)
Character: Mujer burguesa
A New York executive is handcuffed to a precious briefcase to which only his Spanish contact holds the key and of which many others are in hot pursuit.
|
|
|
Las obsesiones de Armando (1974)
Character: Paciente
Armando, a natural prodigy with lethal attributes, capable of killing both his wives at first glance on their wedding night, decides to visit a psychiatrist friend and falls in love with his wife, her twin sister, and everything in between.
|
|
|
Gay Club (1981)
Character: N/A
A group of homosexual friends tries to set up a gay club in a town in Andalusia, meeting the opposition of the chief who will use all his resources to try to prevent it.
|
|
|
El divorcio que viene (1980)
Character: Mujer escandalizada
Pepe, married to Amparo has fallen madly in love with Mónica, who happens to be the wife of his best friend Luis. Love affairs abound in this screwball comedy in which everyone is unhappy with their respective marriages and dream of the then imminent approval of divorce in Spain .
|
|
|
|
|
|
|
¿Pero no vas a cambiar nunca, Margarita? (1978)
Character: (as Carmen Martinez)
Margarita wants to be an artist, and to achieve this, she relies on the "protection" of an older man. Upon learning of this, her brother wants to end their relationship and become her "protector," but his wife convinces him to take advantage of the situation and obtain money in return. Everyone around young Margarita will force her to change her ways in favor of their own interests.
|
|
|
Las aventuras de Pinín y sus amigos (1979)
Character: Bruja Bigotes
Pinín and his small group of friends discover that the river they frequent is being polluted, affecting all the animals and plants in the area. The group, along with an old captain struggling with alcoholism, will search for the cause of the problem in order to solve it.
|
|
|
La lozana andaluza (1976)
Character: Hornera
In 16th century Rome, Rampín, a friendly and shameless rogue, exploits his arts of deception. He lives with his aunt, Napolitana, a pimp dedicated to the same trades as his nephew. With the arrival of a beautiful Andalusian, Lozana, her fortune enters their house by making her the most beautiful courtesan in Rome. Lozana and Rampín reach an agreement: he will be at her service, taking her lovers home, and she will treat him like a king and give him the best, something that others will never have. But one fine day, Don Sancho, a handsome Spaniard, falls in love with her.
|
|
|
Heartbreaker (1983)
Character: Minnie
Car clubs in East LA provide the background for gang rivalry and a blossoming romance between Beto (Fernando Allende in his first English-speaking role) and the blonde newcomer to the neighborhood, Kim (Dawn Dunlap)
|
|
|
¡Bruja, más que bruja! (1977)
Character: Madre de Mariana
A small provincial town lives under the caprices of Don Justin, the local cacique. This forces the young Mariana to marry him, taking advantage of the fact that her nephew Juan, the boyfriend of the girl, is far away from military service. Upon his return, Juan is mocked and goes to a witch to assist him in his revenge.
|
|
|
Buitres sobre la ciudad (1981)
Character: N/A
Merli, teamed with Mexican star Hugo Stiglitz as his photographer buddy, plays a journalist investigating the shady activities of the local Mafia. Eventually the shit hits the fan, and Merli is cornered and beaten for sticking his nose to close to the action. After his girlfriend is raped, Merli dishes out some vigilante justice and punches, shoots, and bitch slaps his way through the Mafia ranks.
|
|
|
Casa Flora (1973)
Character: N/A
The movement of a bullfighter's body died in America originates a massive concentration of people in an Andalusian people. Owed to the influence of so many persons, all the houses are enabled, even the brothel.
|
|
|
Verano 70 (1970)
Character: Doña Asunción
Typical Spanish comedy of the seventies set in Benidorm, the famous coastal town of Alicante where numerous families come to spend the summer. It tells the travel arrangements and incidents that occur before arriving to the apartments as well as the return of working husbands to the city, once the families have settled on the beach, and their unsuccessful attempts to flirt while alone
|
|
|
Un curita cañón (1974)
Character: N/A
Father Saturio is a priest unable to keep his mouth shut if he sees injustices being committed. That is why they have transferred him on various occasions from the parishes where he has been assigned. On this occasion, he will have to face Mrs. Aurora, a rich and powerful woman. The war is served.
|
|
|
Los energéticos (1980)
Character: N/A
A couple of rival farmers discover the plan to build a nuclear power plant on their lands, and decide to ally to avoid it.
|
|
|
|
|
No encontré rosas para mi madre (1973)
Character: Doña Amparo
Teresa hopes that her social climbing ambitions will be fulfilled by her young son, Jacy. When he learns that his mother has started an affair, Jacy leaves home and embarks on a series of short-term liaisons with several women. He ends up by marrying a retarded but incredibly rich woman. His mother's hopes have finally been realised. Meanwhile, Teresa has herself found love and happiness, with a schoolteacher.
|
|
|
|
|
Les Pétroleuses (1971)
Character: (uncredited)
Outlaw sisters in the old West inherit a ranch and try to settle down and develop relationships with neighboring family of lots of brothers.
|
|
|
La cabina (1972)
Character: Lady #1
A man gets trapped inside a telephone box and nobody is able to free him.
|
|
|
La tonta del bote (1970)
Character: Clienta
Susana is an unappreciated, naive and somewhat clumsy orphan who has lived since she was a child at doña Engracia's house, because her mother died a few days after she was born. In this house, which also houses three nephews of doña Engracia without a penny to one's name, Susana is the maid of all. Economic necessities lead Engracia to rent a room. Felipe, a handsome man with a bad reputation, will reply to the ad.
|
|
|
Una abuelita de antes de la guerra (1974)
Character: Cocinera
Doña Emilia lives quietly in a village in Lugo, when she receives the news that her son has suffered an accident. So she travels to Madrid without warning.
|
|
|
¡Se armó el belén! (1969)
Character: Doña Lupe
An old priest, who has old ideas, is intended to exercise the apostolate in a neighborhood in the suburbs of Madrid. There the revolutionary climate and anti-religious character of the congregation thwarts all his attempts to attract them. The Archbishop admonishes him and asks to renew his methods, using the example of a young priest of a modern parish. The old priest tries to apply in his environment what he has seen in the parish model, setting off a chain of events.
|
|
|
Cinco almohadas para una noche (1974)
Character: Tía de Leandro
Ana, a girl who is about to get married, discovers in her boyfriend's house a photograph in which her mother, dead at birth, and her future father-in-law appear in a very affectionate way.
|
|
|
El astronauta (1970)
Character: Encarna
After witnessing man's landing on the Moon on television, several friends from the Spanish village of Minglanillas decide to do the same and build their own rocket.
|
|
|
Ésta que lo es... (1977)
Character: Madre de Faustino
Lina, who works as a servant, is saving money with his boyfriend Daniel, who is fireman, in order to get married. But the weddings' day, when his fiance is goint to the wedding, he recieves an urgent call because of a big fire in the forest. So he decides to go to the fire and leaves his fiancee at the church. Lina feels that Daniel prefer the fire than her so he goes to her town hitchhiking. Carlos, who has just robbed a bank, picks her.
|
|
|
Sex o no sex (1974)
Character: Dama solitaria y confiada
Paco, a frustrated office worker, goes to the office of a psychologist, to whom he tells his most delirious sexual fantasies in the hope that he will apply a curative therapy. Unfortunately, the doctor will end up confessing that he can not help, because he lives with a doll that has become his companion sentimental.
|
|
|
Pena de muerte (1974)
Character: N/A
A notoriously harsh French judge, vacationing at a luxury resort, finds his holiday interrupted when a mysterious killer begins murdering those in and around the hotel.
|
|
|
El señor está servido (1976)
Character: Asistenta de Luisa
Three stories of three housemaids: Martina, shop steward, serves a marriage that can not have children because she entered the house with that condition. Basilia, Cateta coming to serve and not do anything, the contract for a small fee and let she carry a transistor always hung over the shoulder. And Lali, a gorgeous girl, but very serious and decent, it does not last any longer than 24 hours home because everyone wants to conquer.
|
|
|
Supernova (1993)
Character: Madre de Avelina
Count Nado, is in love with Fénix, an intergalactic singer. Unable to achieve it with traditional methods, the evil Nado kidnaps the scientist Avelina to make a replica of the singer, creating Supernova.
|
|
|
|
|
Estoy hecho un chaval (1977)
Character: D. Ricardo Monte's Wife
Juan, a 65-year-old accountant, is going to be a father. At the same time, he's going to retire. Needing extra money, he tries all kinds of jobs, with no success. But his wife saves the day, with her embroidery which sells well in Germany.
|
|
|
El Tigre de Chamberí (1958)
Character: N/A
By chance, Miguel el Tarta becomes a potential boxing champion. Manipulated by Manolo, his opportunistic and cynical best friend, and several unscrupulous individuals, Miguel is thrown into the ring, where he tries to fight with more enthusiasm than technique.
|
|
|
El padre de la criatura (1972)
Character: Martina (as Carmen M. Sierra)
Eduardo and Antonia are a mature couple excited about their daughter expecting their first grandchild. But life will change completely when some laboratory tests confirm that it is Antonia who is pregnant and not her daughter. This unexpected situation strongly influences the character of Eduardo, who begins to live what he calls a "second youth".
|
|
|
Las chicas del bingo (1982)
Character: N/A
The movie tells the story of four beautifull and young girls: María, Pilar, Patricia and Virginia. They all work at the bingo and while they sell bingo cars they fill the room with smiles, happyness and excitement. But not all in their lifes is a game. They have all type of problems and dificult situations at work: the harassment of men, the quirks of the players ... but by the end love will win, as well as the joy of life and optimism.
|
|
|
Un lujo a su alcance (1975)
Character: Madre de Rosario
Miguel is a massage therapist and is married to Marta. Between them they have mounted a beauty institute, named "Beautiful" and Martha, as director of the institute, operated at Miguel ends up exhausting. Everyone thinks that Michael can not take it anymore, but who dies of a heart attack she is. Miguel decides then live your life doing what you want, in the company of his dog Rustin, and locks in your home, not wanting to go to work and not see anyone. The Beautiful Girls prepare several tricks to get him back, to no avail. Until one of them, Pili, managed to get into the life of Michael ...
|
|
|
Las Ibéricas F.C. (1971)
Character: Madre de Luisa
The Iberian F.C. is a female football team makes a splash in the world of football, rather than their athletic skills, their physical attraction for the male audience. Each of the components of the whole suffers a different and peculiar relationship status, derived from its new sports.
|
|
|
Haz la loca... no la guerra (1976)
Character: Hermana María
Lola Reyes is a singer who is succeeding and, therefore, is besieged by everyone. A group of homosexuals are the only ones authorized by his possessive mother to be her friends. Lola falls for a painter, and he falls for her, so her gay gang make him pose as one of them for the mother to authorize the friendship.
|
|
|
Cuatro noches de boda (1969)
Character: Woman with a Child
After getting married in a church in Madrid, four couples, who have already left behind the anxiety of the chaotic wedding preparations, face the joys and disappointments of the honeymoon trip.
|
|
|
Incubo sulla città contaminata (1980)
Character: Woman in Elevator (uncredited)
A reporter and his doctor wife try to escape from the hordes of bloodthirsty, undead people exposed to nuclear radioactivity as military leaders fight a losing war of attrition against the relentless attacks.
|
|