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Jugando a morir (1966)
Character: Doña Manuela
Blas Romero "El Platanito" is a bullfighter who begins to take its first steps in Merida. After a long journey, one day he is lucky enough, his performance is showed on TV and that brings him to top of the charts. From now on, his problems will be centered with the dilemma of having to give up their dreams of making serious classical bullfighting, or jump to a false bullfighting, between slapstick and temerity, which will give offer him numerous well-paid contracts.
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Música de ayer (1958)
Character: Señora Tomasa, madre de Esteban
Laura Gayán, a young singing student, is secretly in love with Carlos, Count of San Telmo, and she lives in his palace because his father is the porter. Stephen, a fellow student, drinker and womanizer, attempts to seduce her, taking advantage of the girls' sentimental bad situation due to the recent news of the wedding of his beloved. Eventually, Laura gets a contract to make "small forms" and, against her heart, she married Stephen. Meanwhile, dissolves the marriage of Charles ...
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Un ángel tuvo la culpa (1960)
Character: Vecina
Claudio is a kind mand who works as cashier in a company for several years. Whe he finds closed the bank where he has to deposit a millon of pesetas, he decides to go to a friends party. Due to alcohol effects, he share out the money to the people who need it more.
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La chica del gato (1964)
Character: Doña Chuncha
Guadalupe is an orphan as a child by Eulalio host and Euphrasia, who incite to steal and commit crimes. She opposes and decides to leave the house to avoid it in the company of a goldfinch and his trusty cat. The girl comes to live independently but failures will accumulate, until he accidentally meets Baby, a lady of good family, and among them emerges a sincere friendship.
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El hombre que viajaba despacito (1957)
Character: Telegrafista
A tank regiment soldier needs a permit to go to his village to meet his newborn son. It will not be easy, leading to absurd situations featuring the legendary humorist Miguel Gila.
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La reina del Tabarín (1960)
Character: Espectadora en la calle
In 1913 a family of traveling musicians goes to the house of a rich marquise. Lolita, daughter of one of the musicians, encounters the son of the wealthy lady.
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El inquilino (1958)
Character: Portera
One unlucky day, a married couple with four children get an eviction notice: the building they live in is to be demolished. The family looks desperately for a new home, which is no easy task in Madrid in the fifties.
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Amor sobre ruedas (1954)
Character: N/A
A taxi driver participates in a singing contest of a radio station for non-professionals and enters the final round. Being among the finalists he meets at the radio station a famous singer and falls in love with her.
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Bella, la salvaje (1953)
Character: N/A
A young Cuban man and his uncle find a beautiful white woman in the heart of Africa and take her with them to Cuba.
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El hombre que mató a Billy el Niño (1967)
Character: Mrs. Patterson
This spaghetti western presents a fictitious version of the often filmed legend of Pat Garrett and Billy the Kid. Billy becomes innocently an outlaw while protecting his mother, but then turns into a trigger happy killer. When he falls in love he tries with the help of Pat Garrett, a fatherly friend, to change back. However, circumstances force Billy to become violent again and it is Garrett who is credited with the killing.
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Fulano y Mengano (1957)
Character: Clotilde
Eudosio and Carlos were imprisoned by mistake. Now out of prison, are trying to get a job and to adapt to a society that rejects them.
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Los hombres las prefieren viudas (1970)
Character: N/A
Marisa is an employee in a travel agency. She is in mourning and her workmates call her in fun 'the little widow'. One day, Carlos, the owner of a hotel in Almuñécar, visits the agency and is attracted by her thinking that she really is a widow. She falls in love with him and, encouraged by her friend Amelia, they both go on holiday to the hotel owned by Carlos.
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Las chicas de la Cruz Roja (1958)
Character: N/A
Paloma, Isabel, Marion and Julia Madrid are four girls belonging to different social strata, who are preparing to apply for the Red Cross on the flag. The four girls will be sought by many young ...
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Don erre que erre (1970)
Character: La señora del banco
Don Rodrigo goes to the bank and when he is going to take his money there is a robbery. Then the bank refuses to give him his money back (257 pesetas, a small amount of money) with the argument that the money was robbed to him, not to the bank. He will fight against the bank till the last consequences.
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La tela de araña (1963)
Character: N/A
By chance, writer Eddie Ross comes to the aid of a young woman on the street, a good deed that lands him a job with a strange underground character known only as Martínez.
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Se necesita chico (1963)
Character: Sra. de Linarejo
A boy of fourteen enters to work as messenger boy in a flower shop. His first task is to bring a bouquet for a bride but arrives late and is forced to go to the altar. His second job is to bring a funeral wreath but uses it to save a man who is drowning in the river. Naturally, he is late again. In the afternoon, he carries a basket of flowers to the TV a Spanish movie star is performing. But he is wrong and takes another funeral wreath that is delivered to star in a big stage. Due to customer complaints he is fired and the store puts back the sign "boy is needed."
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Sabían demasiado (1962)
Character: Madre de Margarita
A gang of Spanish pickpockets decide to send one of them to Chicago to learn how to be a gangster...
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Teresa de Jesús (1961)
Character: N/A
The life and tribulations of Carmelist nun Teresa de Jesús, who had transcendental experiences. She would write several works and would reform the Carmelist order.
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La revoltosa (1963)
Character: Maestra planchadora
Mari Pepa, a beautiful laundress of Madrid, and Felipe, a carpenter, are in love but they are always quarreling over trifles. However, she must marry with the fence Don Leo to help his father, a drunk player who has committed a robbery and has determined the family jewels.
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Gritos en la noche (1962)
Character: Madame Gold
Dr. Orlof, a former prison doctor, abducts beautiful women from nightclubs to use their skin to repair his daughter's fire-scarred face. He is assisted by Morpho, a deformed monstrosity who delights in biting his victims. Orlof had better hurry, though -- a young police inspector and his ballerina girlfriend are onto his sadistic practices.
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La pandilla de los once (1963)
Character: N/A
Inspired by the American gangster films, a group of thugs decides to dock the Bank of Spain. "El Rubio" explains to his men that, to commit the armed robbery, they will have to dig a gallery in the Cibeles. But, due to the threats of a rival band, "El Rubio" decides to disguise itself and pretend to be one of the most famous actors of the moment.
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