Adolfo Arrieta

Personal Info

Known For

Directing

Known Credits

0.2404

Gender

Male

Birthday

28-Aug-1942

Age

(83 years old)

Place of Birth

Madrid, Spain

Also Known As
  • Adolpho Arrietta
  • Ado Arrieta
  • Ado Arrietta
  • Udolfo Arrieta
  • Alfo Arrieta
  • Adolpho Arrieta
  • Adolfo Arrietta
  • Adorfo Arrieta

Adolfo Arrieta

Biography

Adolfo González Arrieta is a spanish filmmaker, considered as the pioneer of independent film both in Spain and France, due to the artisan quality and the unique spirit of freedom of his films. He usually uses variations of his name in the credits of his films, such as Udolfo Arrieta, Alfo Arrieta or Adolpho Arrieta. His cinematic language is very poetic, apart from narrative conventions, which has made it to be compared with the cinema of Jean Cocteau. Having started as a painter, Arrieta began his filmmaking with the short films El crimen de la pirindola (1965) and Imitación del ángel (1966) both shot in Madrid, a milestone for independent cinema in Spain. He moved to Paris in 1967 with Javier Grandes, an usual actor in most of his films, where he would live through the events of May 1968. In 1969 he met Jean Marais, leading actor in La Belle et la Bête (1945), Orphée (1949) and Le Testament d'Orphée (1959) by Jean Cocteau, of whom he had been a former lover. With Marais Arrieta would shot his first feature film, Le Jouet criminel (1969), that was compared to Cocteau's cinema for his poetic nature. With Le Château de Pointilly (1972), he would receive critical praise from Marguerite Duras. He won the Great Prize at the Toulon Film Festival with Les Intrigues de Sylvia Couski (1974), acclaimed by the critics and considered as the first underground parisian film. He would follow with Tam Tam (1976), the record of an uninterrupted party between New York, Paris and Spain; and Flammes (1978), a story about a sexual childhood fantasy turning into a real passion in the adulthood. In the following years he would make Grenouilles (1983), Kiki, la gata (episode of the TV series Delirios de amor, 1989), Merlín (1990) and Narciso (2004). His next film, Vacanza permanente (2006), was awarded at the Lucca International Film Festival, and meant for Arrieta a creative rebirth. It was premiered in Madrid at La Casa Encendida de Madrid on May 27 2007, during the polipoetry festival Yuxtaposiciones, and presented by the writer Leopoldo Alas. In March 2008 the venue La Enana Marrón in Madrid held a partial retrospective of Arrieta's filmography, screening his most outstanding works.


Credits

Merlín Merlín (1991) Character: N/A
Merlin, shot on 35mm, is an adaptation of Cocteau's play "Knights of the Round Table."
Cinématon VI Cinématon VI (1979) Character: N°50
Reel 6 of Gérard Courant's on-going Cinematon series.
El crimen de la pirindola El crimen de la pirindola (1965) Character: N/A
A young boy plays with a top instead of doing his homework and daydreams about his brother and his brother's girlfriend.
L'Imprésario L'Imprésario (2010) Character: Self
In the fall of 2010, Bozon and co-conspirator Pascale Bodet commandeered the first floor of Paris’s famed Centre Pompidou for 10 days of screenings, lectures and performances that amounted to a counter-canonical history of French cinema. During the ensuing merriment (entitled Beaubourg, la dernière Major !) audience members were invited to observe the daily making of this film, directed by Bozon and written by Axelle Ropert, about an inexperienced young journalist (Laure Marsac) sent to the Pompidou to interview a maverick artistic impresario (Thomas Chabrol). The result is an unexpected love story that is also a record of this landmark exhibition, featuring cameos by Raul Ruiz, Paul Vecchiali, Luc Moullet and more !
Fragmentos para una historia del otro cine español Fragmentos para una historia del otro cine español (2010) Character: N/A
Documentary about the history of experimental cinema in Spain. FRAGMENTS is a historical survey of “the other” Spanish Cinema — films that brazenly explored their artistic, poetic and conceptual potential. Spanish experimental cinema can be glimpsed in a series of important yet isolated events that FRAGMENTS compiles through various firsthand accounts, film excerpts and documents. For the first time in Spain, a documentary brings together the most relevant of a cinema that is slowly losing its invisibility.
O trio em mi bemol O trio em mi bemol (2022) Character: Jorge
Paul and Adèle were once lovers and separated but are still good friends, one year after everything seems to take them away from each other. The key of E-flat may be the key of true friendship, but it is Mozart that pushes them apart...
Adolfo Arrietta, (cadré - décadré) Adolfo Arrietta, (cadré - décadré) (2015) Character: Self
A “Cinéma, de notre temps” series episode directed by french film critic André S. Labarthe, originally aired sometime around 2015.
Reír, cantar, tal vez llorar Reír, cantar, tal vez llorar (2024) Character: Director de cine
Toñi a trans woman asks a miraculous saint in a church to have a boyfriend, and that is how Lahcen appears in their life, a young Moroccan immigrant who has just arrived in Spain, with whom they will fall in love.
Tam Tam Tam Tam (1976) Character: N/A
At a very camp party in Paris, guests are told about a strange tom-tom played by an Andalusian gipsy, himself a character in a book by a young novelist present at the party. A frantic quest begins for a mysterious love-filter. Tam Tam shows desire and repression through the subversion of archetypes both social (ambassadors, stars, artists) and sexual (homophiles, transvestites, transsexuals), and converting these into a most accurate account of a certain kind of unease: an identity crisis.
He Stands in a Desert Counting the Seconds of His Life He Stands in a Desert Counting the Seconds of His Life (1986) Character: Self (archive footage)
A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.



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