|
|
|
Polidor e i gatti (1913)
Character: N/A
Polidor goes looking for lost kittens and brings home some lion cubs. He doesn't notice the difference until his employer points it out three months later, after they have eaten all the parlor furniture.
|
|
|
|
|
Il marengo di Tontolini (1912)
Character: Tontolini
Comedy about Tontolini the soldier who keeps his money in the scabbard of his sword. He wants to pay and therefore draws his sword, the police is then called in....
|
|
|
Polidor e la parrucca (1917)
Character: N/A
The little Agenore combines a lot of trouble to family friend Ilario Mentecatti (Natale Guillaume).
|
|
|
Il divano (1917)
Character: N/A
Polidor drags down the street a bulky sofa on which every couple sitting ends up kissing.
|
|
|
|
Un regalo imbarazzante (1918)
Character: N/A
Polidor, wearing two pairs of pants, left the necklace she wants to give to a young woman in the inner pocket of his trousers. In an attempt to strip generates embarrassment to all diners.
|
|
|
|
|
|
|
Justitia (1919)
Character: Birillo
Astrea plays an adventurous princess who roams the world in the service of justice, supported by her humorous sidekick Birillo (Ferdinand Guillaume). She takes up the cause of two young nobles, Michele and Jole, who have been dispossessed by the unscrupulous baron Max. With her bare fists, she eliminates six shifty circus people sent by Max. “Remarkable stunts, of which a professional strong-woman of Houdini- like prowess is the protagonist, are the outstanding feature of this unusual and entertaining thrill-film, whilst the amazing sensations are pleasantly relieved by a vein of irresistible comedy (“The Bioscope”, 1 April 1920).
|
|
|
|
Polidor e l'elefante (1913)
Character: Polidor
Polidor wins the friendship of an elephant whom he liberates from a splinter in his foot
|
|
|
|
|
|
|
La dernière berceuse (1931)
Character: N/A
A young student breaks off her engagement after her late mother leaves her with a baby she had with a stranger. But the baby's father returns and claims it. The young girl, her life shattered, tries to commit suicide but her fiancé, who has never stopped loving her, arrives in time.
|
|
|
|
Il romanzo di un giovane povero (1958)
Character: N/A
Massimo Odiot, Marquis of Champcey d'Hauterive, has inherited his father's high-sounding title and a sea of debt. To earn a living and support his little sister at boarding school, he is forced to accept a job as administrator for a wealthy bourgeois family, the Laroques. In his new environment, the young man exerts a charm that is not lost on Marguerite, the beautiful and proud heir of the new masters. She falls in love with Massimo, but the Count of Bellavan, who wants to marry her to get his hands on her wealth, makes her believe that Massimo is cheating on her.
|
|
|
Il folle di Marechiaro (1950)
Character: Il vecchio pescatore
The film was originally called "The fires of San Martino". Left unfinished, it was finished in 1950 with the addition of some sequences.
|
|
|
|
Tontolini ipnotizzato (1910)
Character: Tontolini
Polidor is a hypochondriac, so he goes to a hypnotist to have his neuroses dealt with. The hypnotist uses a feather to to hypnotize him, but doesn't turn it off properly, so Polidor goes into a trance on sighting anything with feathers. This means that he leans over in an impossible looking pose, and walks on.
|
|
|
Tontolini è triste (1911)
Character: Tontolini
Comic film. Disappointed by love, Tontolini consults a doctor about the sadness he feels. The doctor prescribes distractions and entertainment as a cure. Tontolini accepts the doctor’s advice and begins the cure by going to café chantants and theaters, where he finds nothing but moving performances that make him even sadder. He is finally healed for a rather funny reason: the showing of a film.
|
|
|
|
|
|
Polidor cambia sesso (1918)
Character: Polidor
To conquer his beautiful mother without insospettirne, Polidor dresses for women and can thus safely visit the house, but was immediately made the subject of attention of the father of the girl, unrepentant libertine. And when you discover the trick, barrel on Polidor, but also on the elderly Don Giovanni, by the jealous wife.
|
|
|
|
Il grammofono di Polidor (1912)
Character: Polidor
In a scheme that is all the more convincing on silent film, Polydor attempts to fool a high-society mob with a no-talent singer who lip-synchs recordings from a hidden Gramophone. (MoMA)
|
|
|
Polidor al club della morte (1912)
Character: N/A
Polidor dreams that he has become a member of the death club, a society for those tired of life. The loser of a card game must commit suicide, and Polidor is dealt the wrong card...
|
|
|
|
|
|
Tontolini e l'asino (1911)
Character: Tontolini
Jenkins goes to a public park where a procession is in progress. There, he takes a fancy to a donkey and determines to possess it. Cautiously mounting the beast, he rides away when the owner is not looking. Riding through the country, he meets a peddler with a quantity of toy balloons.
|
|
|
|
Polidor in cerca dello zio (1912)
Character: Polidor
Polidor finds out that his uncle, who made a fortune in America, is about to come back home. Polidor has never seen him, but he knows that his uncle has a bump on his head...
|
|
|
The Way of the World (1947)
Character: Tontolini (Archive Footage)
A long-retired director of early silent films recalls his exciting career as a filmmaker.
|
|
|
Carmen (1944)
Character: Le vieux voyageur
Carmen is a French-Italian musical drama film directed by Christian-Jaque and starring Viviane Romance, Jean Marais, and Lucien Coëdel. It is a version of the famous opera. It was filmed in two versions, French and Italian, with the same screen cast but some different crew, and with Italian voices dubbed in on the Italian version, which have been munged together at IMDb. A third version, with English dubbed under the direction of British actor Noel Howlett, was made subsequently using one of the two (French or Italian) originals for the visual source.
|
|
|
Ballerina e Buon Dio (1958)
Character: Lo spazino
Marietto is a very lively and creative orphaned child, housed in a boarding school of nuns. One day, while browsing a newspaper, he sees a photo of a beautiful opera house dancer, Camilla, and is convinced that she is her mother.
|
|
|
Rose rosse per il Führer (1968)
Character: padre Louis
James Daly is an American special soldier who goes behind enemy territory during WWII. His Objective: to steal top secret SS document that can change the course of the war.
|
|
|
Le notti di Cabiria (1957)
Character: Friar (uncredited)
Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.
|
|
|
Un ettaro di cielo (1958)
Character: Pedretti
As he does every year, Severino, a young hawker who goes around the festivals of the various villages in the Po Delta, returns to Migliarino to sell his knick-knacks and tell far-fetched stories about the future and progress. Besides the beautiful Marina, three gullible old friends live here, pensioners who live off poverty, to whom he proposes the sale of a hectare of sky.
|
|
|
Le tentazioni del Dottor Antonio (1962)
Character: Foreman (uncredited)
Dr. Antonio Mazzuolo obsessively fights against what he perceives as immorality in Rome, only to be driven mad by a seductive billboard of Anita Ekberg that haunts him with hallucinations.
|
|
|
Cyrano et d'Artagnan (1964)
Character: Théophile
Duelist and poet Cyrano de Bergerac and musketeer d'Artagnan meet and team up to stop the conspiracy against King Louis XIII of France.
|
|
|
Marisa la civetta (1957)
Character: The porter
For the 17-year-old Mariza, there is no other house than the train station in Civitavecchia. Here, an orphaned girl lives early after the death of her father, a railwayman; here she earns additionally at the station buffet, selling ice cream to passengers of passing trains. Beautiful and brisk, she was accustomed to the admiration of others and perfectly mastered the art of coquetry, but Marise’s heart remains calm until the young sailor Angelo, who is in a hurry on her first voyage, leaves the train on the platform on a sunny Sunday morning.
|
|
|
Tutti Innamorati (1959)
Character: N/A
Giovanni is a young widower with a son who is attracted to the charming teen Allegra.
|
|
|
L'impiegato (1960)
Character: N/A
Nando is dissatisfied with his repetitive and mortifying work. He manages to escape from daily mediocrity only at night, when he enters his fantasy world.
|
|
|
Accattone (1961)
Character: Becchino
A pimp with no other means to provide for himself finds his life spiralling out of control when his prostitute is sent to prison.
|
|
|
La dolce vita (1960)
Character: Pagliaccio
Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
|
|
|
Pinocchio (1911)
Character: Pinocchio (as Ferdinand Guillaume)
Carpenter Geppetto carves a block of wood into a puppet and names him Pinocchio. As soon as his feet have been made, Pinocchio runs out the door and a series of adventures begins.
|
|
|
È sbarcato un marinaio (1940)
Character: Jim
In a sea port, where he has landed after a long voyage, a sailor meets a girl. To overcome her reluctance, he gives up on leaving again and works as a barker in a fair booth where she works and takes her with him.
|
|
