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Siempre es domingo (1961)
Character: N/A
In a sector of Madrid inhabited by families of a well-off class, a gang of boys and girls has continuous fun, sleep and drink, while their parents ignore practically everything. However, each of these young people has, to a greater or lesser degree, a problem. The parties and parties enjoyed by a group of young people from the upper class are the basis of the story that explains this film. Among them we find the famous couple, once happy, formed by Carlos Larrañaga and María Luisa Merlo. Directed by Fernando Palacios, and with a script by Rafael J. Salvia and Pedro Masó, " It's always Sunday " has no greater intention than entertainment, despite giving history a certain sociological touch, for that of valuing the behavior of the Youth of the time.
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Dos chicas locas locas (1965)
Character: N/A
A millionaire leaves all his fortune to his older granddaughter. But his two granddaughters are twins and nobody knows who's the older one is.
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La vida alrededor (1959)
Character: N/A
Josephine and Antonio have reached a delicate economic balance after marriage. The salary of lawyer from him, and wins her in the hospital, allows them to survive and fantasize about some freak. The situation is complicated by the news that Josephine is pregnant. Ahead of the debacle that may involve having a "child who eats everything, including food," Josephine teaches the baby still in her womb, higher education courses in order to save some money in schools. Meanwhile, Antonio enters the underworld scene, looking for customers who offer their services as a lawyer.
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La vida por delante (1958)
Character: Vecino entrometido
Finished their careers of Law and Medicine, respectively, Antonio Redondo and Josefina Castro, a pair of young Spanish newlyweds, are looking for work to buy an apartment and start a life together, but they will face enormous difficulties throughout the process.
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El diablo en vacaciones (1963)
Character: N/A
A mature man habitually pursues young girls, for which he is abandoned by his wife. The devil intervenes, offering both spouses, separately, to regain their youth. The two agree to make up for the lost years, but the devil makes them both join the same gang for a summer. The husband, who now feels comfortable, falls in love with his wife again without recognizing her, just as she will not recognize her ex.
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El príncipe encadenado (1960)
Character: Hermo
The King of Poland abandons his newborn son after predicting a prophecy that would cause destruction in the country in the future.
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Tiempo de amor (1964)
Character: N/A
Three stories in which love plays a decisive role intersect. The first of them is led by a couple who decides to break with the chastity they have been keeping until then. In the second Mary discovers that the man with whom he wants to lose his virginity is a ruffian and in the third, and last, a marriage tries to maintain happiness despite the miseries of his daily life. Second film by director and screenwriter Julio Diamante , composed of three autonomous episodes, minimally chained, called " The sunset ", " The night " and " The morning ". The three chapters are very influenced by the social realism that invaded the Spanish literature of the time and by the badly assimilated cinema of Michelangelo Antonioni. This means that, for example.
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La venganza de Don Mendo (1961)
Character: Abad
Don Mendo, Marquess of Cabra, gallant and dashing knight of medieval Castilian, is also a virtuous mandoline player and a specialist in climbing towers. But he has a bad run, all played and all lost at seven-thirty (card game), and lost his honor playing in his latest escalation of love to the apartment of his beloved and beautiful Magdalena. Don Nuño Manso de Jarama, father of Magdalena, has pledged the hand of his daughter to the Duke of Toro, and surprises Don Mendo in the room of Magdalena. To save the honor of his beloved one, Don Mendo says that no love has led him to the Tower, but he has climbed to steal. Magdalena is clean of all suspicion, and he is condemned to die buried in the castle wall. The Marquess of Moncada and other noble gentlemen, all friends of Don Mendo, facilitate his escape.
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Carola de día, Carola de noche (1969)
Character: N/A
Due to the triumph of a revolution, Carola, a young and beautiful heiress to the throne, leaves her country to save her life; but her new existence, constantly watched, threatened by her enemies, subjected to the punctilious demands of her position, bores her desperately.
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El abominable hombre de la Costa del Sol (1970)
Character: Rector
A young dreamer as attractive as dreamer see his shabby promised as a distinguished gentleman, fascinating and radiant. This, however, eventually reaching a grand illusion, become the public relations director of a large hotel on the Costa del Sol
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091: Policía al habla (1960)
Character: N/A
A police inspector makes his service in a patrol car attenging emergency calls. A memory hauns him, the death of her daughter, who was killed hit by a car that fled. The car is located and the inspector goes there and confrontation will be violent.
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Der Teppich des Grauens (1962)
Character: Chief Inspector
Shortly after his return from India, a special agent of the British secret service falls victim to an insidious poisoning in London. Scotland Yard gets involved. But too late: valuable information has fallen into the hands of an international criminal gang...
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Solo para hombres (1960)
Character: N/A
Spain, late 19th century. When, in a time of great political instability, Flora, a beautiful young woman, starts working in a ministry doing a job that supposedly only a man can do, a great scandal breaks out.
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