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Edu, Coração de Ouro (1968)
Character: N/A
A volatile young man, Edu is a typical Rio de Janeiro middle-class kind, who flirts with multiple women at the same time. None of them, however, had managed to make him fall in love, until he met with mysterious Tatiana.
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Eros, o Deus do Amor (1981)
Character: Ana
A man explores the process of formation of sexuality and is looking for a woman that does not exist.
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A Culpa (1972)
Character: N/A
Heitor and Matilde are two siblings who decide to murder their rich father in order to quickly inherit his wealth. They get the killing done, aided by Matilde's boyfriend Henrique, but after a while the three of them begin to recieve mysterious notes which suggest that their secret is in danger.
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Perdidos e Malditos (1970)
Character: N/A
A criminal reporter and his guru-like friend go around together, but a crossroads will lead them to different ways.
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Gaudêncio! O Centauro dos Pampas (1971)
Character: Greta, a Mulher Aranha
A gang plans to carry out a major heist in a city in the interior of Rio Grande do Sul. What they don’t know is that the city is home to the result of a mad scientist’s experiment — a man transformed into a superhero.
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Fabula de la Bella Palomera (1990)
Character: Andrea
Orestes, a rich factory owner, falls for the beautiful Fulvia. They communicate using pigeons, to avoid being discovered by her husband.
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Máquina do Desejo (2021)
Character: Self
In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.
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O Judeu (1996)
Character: Lourença Coutinho
The story of Brazilian Antônio José da Silva, a jewish poet, playwright and lawyer living in the 18th Century Lisbon, who managed to avoid Inquisition by converting himself to Catholicism, after being tortured. But his fierce criticism of Portugal's élite led him to persecution and torture, becoming kind of a scapegoat.
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Jardim de Guerra (1969)
Character: N/A
Edson is having an affair with actress Maria do Rosário, who dreams of being a movie director. So he tries to get some easy money for her film, but is arrested and meets a police torturer instead.
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Os Deuses e os Mortos (1970)
Character: Crazy Woman
In the 1930s, in the South of State of Bahia, Brazil, an adventurer with no name or history, who has already been shot seven times, gets involved in the battle for land and cacao plantations. His plan is to take the place of "Colonel" Santana, taking his wife and money. He starts a bloody conflict, in which many simple people and landowners die.
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Álbum de Família (1981)
Character: Senhorinha
Follows the decadence of an incestuous oligarch family in a rural Brazilian household through the years during the early 20th century.
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Das Tripas Coração (1982)
Character: Renata
Financial problems in a religious school for girls force the government to interfere. While waiting in the conference hall to communicate the fact to the school administrators, the intervenor falls asleep and a crazy dream begins, involving teachers, students and strange characters.
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O Corpo Ardente (1966)
Character: N/A
Márcia discovers that her husband is having an affair and decides to take a trip out into an isolated part of Brazil with little human contact. There she finds a black stallion roaming the fields.
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Macunaíma (1969)
Character: Ci
Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.
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Mulheres de Cinema (1978)
Character: Self
Documentary on famous Brazilian actresses, female directors and the role of women in Brazilian film history.
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O Homem do Pau-Brasil (1982)
Character: Branca Clara
Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.
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O Barão Otelo no Barato dos Bilhões (1971)
Character: Maria vai-com-as-outras
João-Sem-Direção knows Carvalhaes that proposes a blow to him. John does not accept the proposal, but ends up earning a hefty cash in the game.
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Lobby do Batom (2022)
Character: Self (archive footage)
The most successful case of collective fight for women's rights in Brazil.
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Tati, a Garota (1973)
Character: Manuela
The seamstress Manuela, Tati's single mother, moves from the suburbs to Copacabana but faces severe financial difficulties. A friend of Manuela's sometimes fills in for Tati's father, giving the girl temporary happiness.
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A Vida Provisória (1968)
Character: Paula
During the Brazilian military government, journalist Estêvão is sent from Rio de Janeiro to Brasilia to cover the important statement of a minister, but takes the opportunity to deliver incriminating documents to another one.
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