|
Duas Histórias (1960)
Character: Cacareco
Cacareco is a clumsy worker at a dry cleaners who constantly causes losses for his boss, the Portuguese Rebuçado. One day, he receives a package from his relatives in the north: Maria do Socorro, his goddaughter. Pursuing his dream of working in television, Socorro ends up involving Cacareco in numerous disputes, including fights, robberies, and gambling in an underground casino.
|
|
|
24 Horas de Sonho (1941)
Character: N/A
An unlucky woman checks in a hotel pretending to be a French baroness so she can have 24 hours of dream before comitting suicide.
|
|
|
A Dupla do Barulho (1953)
Character: N/A
Tonico and Tião are two vaudevillian artists who travel across Brazil in search of fame and success. A crisis hits the duo when Tião gets tired of being a setup for Tonico's jokes in their numbers and leaves the troupe.
|
|
|
Está Tudo Aí! (1939)
Character: Juquinha
An elderly head of the family, unlike his family—wife, daughters, future son-in-law, and servants—horrifies Carnaval, forming a humorous contrast. But, in need of money, he finds himself forced to accept the demands of an old Luzitano, who will only lend him money if he joins his group and joins the revelry.
|
|
|
O Caçula do Barulho (1949)
Character: N/A
In a workshop there are six workers, the six are brothers. Enter the mother who asks them to rescue the seventh brother, the youngest, Luis. The brothers hesitate because the youngster keeps getting into trouble, but they end up giving in to the request. Gangsters are fighting in a bar and the workers end up getting into the fray.
|
|
|
Cupim (1959)
Character: N/A
Tristão dos Prazeres is a television consultor who is very popular amongst married women. In his show, he defends his theory that jealousy is a small feeling, a "termite" that destroys relationships. However, once he suspects his wife to be cheating on him, he gets enraged and sends his butler to investigate.
|
|
|
|
|
A Batalha dos Sete Anos (1968)
Character: N/A
Investigation into the seven years that followed the closure of Companhia Vera Cruz, in 1955, which marked a period of crisis for national film production in Brazil.
|
|
|
Matar ou Correr (1954)
Character: Kid Bolha
"High Noon" spoof. Kid Bolha and Ciscocada, two clumsy swindlers, arrive at a violent Old West town called Citydown where, by mistake, one of them is appointed Sheriff. They're intent on facing the dreaded Jesse Gordon, a gunman who kills for pleasure.
|
|
|
Três Vagabundos (1952)
Character: Boa Vida/Carne Assada
A scientist swaps the mind of banker and an idiot by accident.
|
|
|
Aviso aos Navegantes (1950)
Character: Frederico
In Buenos Aires, Frederico hides in a ship going to Rio de Janeiro to travel for free. But Azulão, the cook, finds him and blackmails him into working in the kitchen. Meanwhile, Alberto, the captain, receives a radio message saying that there was a dangerous international spy on board. Things get worse when some passports are mixed-up.
|
|
|
De Vento em Popa (1957)
Character: Chico
Industrialist's son returns from the USA, where he'd been supposedly studying Nuclear Physics, when in fact he'd devoted himself to pop music, without his father's knowledge.
|
|
|
É com Este Que Eu Vou (1948)
Character: Oscar/Osmar
A hard working man goes to São Paulo to look for his twin brother unaware that he's famous for his lazyness.
|
|
|
Jovens Pra Frente (1968)
Character: Padre Olavo
After a flood that destroyed the orphanage he managed, Padre João develops a project to rebuild the place. To help, singers Rosemary and Jair Rodrigues will get involved in great adventures.
|
|
|
Céu Azul (1941)
Character: Vitorino
The Companhia de Esquetches Musicados do Teatro 'Brasil' is in crisis. After the debut of a new play failed, impresario Artur Fernandes, despite protests from Nini del Mar—the company's star—decides to hire Vitorino, the only writer who understands the audience's tastes and the company's artistic capabilities, to write the next play.
|
|
|
Barnabé, Tu És Meu (1952)
Character: N/A
A cleaner accidentely stills a secret formula and get mistaken for the heir prince of an old kingdom.
|
|
|
|
|
Crônica da Cidade Amada (1965)
Character: (episódio "Receita de Domingo")
Eleven small stories, loving chronicles about Rio de Janeiro and its people, written by some of the best Brazilian writers of the time.
|
|
|
Os Dois Ladrões (1960)
Character: Jonjoca
The sophisticated thief Mão Leve and his simple-minded accomplice Jonjoca take from the rich to give to the poor. Their new mission is raising funds in order Mão Leve's brother can study abroad. But great care must be taken lest the honest boy discovers the origin of the money.
|
|
|
Carnaval no Fogo (1949)
Character: Serafim
A gang, leaded by the unknown and mysterious Anjo, robs a jewelry and schedules a meeting in the Copacabana Palace Hotel, in Copacabana. The identification would be through a cigarette case with an angel, and the password "- Is everything all right?" Meanwhile, the director Ricardo is preparing a show for the carnival in the hotel with Marina, and they love each other. The janitor Serafim receives a letter from his unknown American brother, who will come to Rio to spend the carnival and meet him, and asks Eliana for a chance in the show, since his brother believes he is an artist. When Ricardo finds the cigarette case lost by Anjo in the entrance of the hotel, he is misidentified by the thieves, and this is the beginning of lots of confusion and fun.
|
|
|
Banana-da-Terra (1939)
Character: N/A
A man in charge of a publicity campaign for bananas decides to kidnap the Queen of 'Bananaland', a tropical island paradise, and take her to Rio, where she falls in love with a member of Carmen Miranda's backing ensemble, 'Bando da Lua'.
|
|
|
Nem Sansão Nem Dalila (1955)
Character: Horácio / Sansão
Barber's jeep crash against crazy scientist's house, where the latter was building a time-machine. The crash triggers the machine, taking them to Gaza kingdom, circa 1153 B.C., where they get involved in many funny situations. Spoof of Cecil B. DeMille's Samson and Delilah
|
|
|
|
|
Bombonzinho (1937)
Character: N/A
A lawyer and an elderly professor (who has been engaged to his cousin for so long), make a plan to freely enjoy the delights of a wild party, far from those who know them. (Cinemateca Brasileira)
|
|
|
Othelo, O Grande (2024)
Character: Self (archive footage)
A beautifully told story using archival footage to explore the life of Grande Otelo, a groundbreaking Black Brazilian actor. Overcoming poverty and racism, he built a stellar career, facing controversy yet using it to challenge prejudice.
|
|
|
|
|
Carnaval Atlântida (1952)
Character: Xenofontes
Movie producer Cecílio B. de Milho is intent on filming an epic about Helen of Troy, while some of the crew would rather turn it into a musical comedy.
|
|
|
O Homem do Sputnik (1959)
Character: Anastácio Fortuna
An UFO that could be the Russian satellite Sputnik falls on a hillbilly's hencoop.
|
|
