|
Rifa-se Uma Mulher (1969)
Character: Ana Maria
A young woman from high society decides to raffle herself to raise money to complete the construction of a hospital, a social project she has dedicated herself to. She takes a nude photograph, orders several copies made, which are numbered and sold. The plan was initially intended to be limited to those close to her, and various measures were taken to ensure the photograph would not be seen by a limited circle. However, these measures prove unsatisfactory, and soon the raffle goes beyond the limits controlled by its promoter. The event becomes the talk of the town, and the raffle photos are sold and voraciously purchased everywhere on the streets, in universities, offices, and stores.
|
|
|
A Banana Mecânica (1974)
Character: Miriam
Dr. Ferrão, a famous psychoanalyst, uses his daily column on a newspaper to atract women to his practice.
|
|
|
Confissões de Uma Viúva Moça (1976)
Character: Lia
In this comedy adaptation of Machado De Assis (1839-1908) novel, a young widow writes letters to a friend telling about her days as a married woman and the special relationship she had with Emílio, a friend of the couple who becomes her adoring lover.
|
|
|
|
|
Um Desconhecido Bate à Porta (1958)
Character: N/A
The film tells the story of Luciano who hides his identity as a rich boy to work in the stables of Patrícia, a woman he is in love with.
|
|
|
O Cantor e o Milionário (1958)
Character: Elizabeth
A singer is in love with the wife of a rich banker. Both men have the same analyst who allow them to swap souls.
|
|
|
O Sequestro (1981)
Character: Lucinha
A robber breaks into a house in the Santa Teresa district of Rio de Janeiro and kidnaps the family's youngest son. Based on a true kidnapping that happened in Rio de Janeiro in the 1970s, whose victim, Carlinhos, has never been found to this day.
|
|
|
O Viajante (1998)
Character: Isaura
Fortune takes four human beings to the last frontier of passion. There, where love becomes almost inhuman and divine. As if he was a comet, Rafael, the traveler, appears at the party for the cities patron saint, in a small town in the interior of Minas Gerais. He is the one who brings passion and crime, vanishing afterwards, leaving a poetic feeling in the air, which is always deadly to the ones who stay. Mrs. Ana de Lara, the proud rich widow, and Missy, still a child, whose beauty and innocence are like the Tiê-Sangue, a red bird, are the travelers victims. There is also Master Juca do Vale, a criminal, whose passion turns him incredibly human, in this story of love, death, forgiveness and resurrection.
|
|
|
O Beijo (1965)
Character: N/A
When a dying man receives a kiss from a bereaved man who tries to save him, the man is jailed as a homosexual. He is released from jail, but his life has been ruined by the incident -- and the man eventually is killed by his own father-in-law. The kiss that resulted in the eventual persecution and death of the man is never shown in this plodding, downbeat drama.
|
|
|
O Grande Momento (1958)
Character: Ângela
On the day of his wedding, young man from a family of immigrants faces some problems to get the money needed for the last arrangements. The family do what they can in order to honour the great event, selling personal belongings and buying enough supplies for a decent party.
|
|
