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O Homem Nu (1968)
Character: Mariana
A man gets locked naked outside of his apartment.
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Amor, Carnaval e Sonhos (1972)
Character: Pirata
On Carnival's eve, girl dreams of a man to stay with her during these four days. She meets a photographer, with whom she has an affair.
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Edu, Coração de Ouro (1968)
Character: Tatiana
A volatile young man, Edu is a typical Rio de Janeiro middle-class kind, who flirts with multiple women at the same time. None of them, however, had managed to make him fall in love, until he met with mysterious Tatiana.
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Os Paqueras (1969)
Character: Ela mesma
Two ladykillers living in Rio de Janeiro know no limits when courting a beautiful woman. A problem arises when one of them starts coming on to a girl, not knowing she's his buddy's daughter.
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Leila Para Sempre Diniz (1976)
Character: Self (archive footage)
A documentary that presents home movies and several excerpts of known films of famous actress Leila Diniz. Friends of the late actress, tragic killed on a plane crash in 1972, discuss about her life, her work and her legacy in Brazilian culture.
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Corisco, o Diabo Loiro (1969)
Character: Dadá
After killing a troublemaker, Cristino flees to a town in the Northeast and is forced to join Lampião's gang, where he becomes his right-hand man, under the name Corisco, the Blond Devil. He falls in love with Dadá, a farmer's daughter, and takes her with him by force. Gradually, she learns to love him, and they live together for 13 years in the cangaço. Corisco escapes the Angico massacre but is captured by Lieutenant Zé Rufino's volante after beheading the family of Lampião's informant. Dadá and Corisco, on the way to hand them over to the authorities, reminisce about the adventurous adventures of their lives.
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Fome de Amor (1968)
Character: Ulla
An extended research tour of US university film programs introduced dos Santos to the American avant-garde filmmakers, among them Jonas Mekas and Stan Brakhage, who would directly inspire his formally radical adaptation of an allegorical short story about adultery and colonialism by Guilherme de Figueiredo. Filmed in both Manhattan and Brazil and set against the background of the Vietnam War and its protests, Hunger for Love uses a rigorously abstract soundtrack and narrative structure to evoke the acute paranoia of the period building up to the December 1968 military coup that tipped Brazil perilously close to a conservative dictatorship. With its harsh critique of the decadent tendencies of the Sixties counterculture, Hunger for Love offers a key expression of the self-consciously “ideological” phase of Cinema Novo. -Harvard Film Archive
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Mãos Vazias (1971)
Character: Ida
In a small town in the State of Minas Gerais, Brazil, a woman rebels against local morality after her child dies, with tragic results.
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A Opinião Pública (1967)
Character: N/A
Documentary about middle-class people in Rio de Janeiro, in the 1960s, when Brazil was going through a hard period in its history, with the military coup and the following dictatorship. Interviews with people in the street disclose their fears, aspirations and political alienation.
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Divertimento (1967)
Character: N/A
Mario is a playboy who is married to Lucía, a millionaire who has fallen on hard times, and he also maintains an adulterous relationship with one of her friends, the temperamental and libertine millionaire Lena Anderson.
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Domingos (2009)
Character: (archive footage)
A look into the life and mind of Brazilian playwright and filmmaker Domingos Oliveira through his daily activities and artistic deeds.
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A Madona de Cedro (1968)
Character: Marta
Delfino, a quiet man who lives in Congonhas do Campo, a small historical town in the state of Minas Gerais, Brazil, is urged by his friend to steal the image of the Madona de Cedro (the Cedar Madonna), sculpted by Aleijadinho in the 18th century, from the town sanctuary.
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Mineirinho, Vivo ou Morto (1967)
Character: N/A
Based on real-life Brazilian bandit "Mineirinho", the film follows the story of Zezé, a man falsely accused by sensasionalist press of being a high-caliber criminal who suddenly becomes one of the most wanted men of Rio de Janeiro.
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Improvisiert und zielbewusst: Cinema Novo (1967)
Character: Self (archive footage)
Originally produced for German TV, Improvised and Purposeful is a firsthand look at the "Cinema Novo" movement (otherwise known as the 'Brazilian New Wave'). Director Joaquim Pedro de Andrade focuses on six Cinema Novo filmmakers working in Rio in 1967.
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Mulheres de Cinema (1978)
Character: Self (archive footage)
Documentary on famous Brazilian actresses, female directors and the role of women in Brazilian film history.
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Todas as Mulheres do Mundo (1966)
Character: Maria Alice
When womanizer Paulo meets a friend’s fiancée, she changes the way he looks at the opposite sex. He falls in love, and believes she is in fact all women in one. Because of that, he has to face an important decision: to go on with his old life, or embrace this special relationship and become a monogamous man.
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Juego peligroso (1967)
Character: Servant (segment "Divertimento")
Two dark-comedy stories involving blackmail, murder and love triangles in Rio de Janeiro
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Já que Ninguém me Tira Para Dançar (2021)
Character: Self (archive footage)
Conducted from interviews with personalities who lived with Leila Diniz (1945-1972), the documentary is a record of an era and, above all, it rescues the participation in Brazilian culture of the actress who opened the way for the sexual revolution during the dark years of the dictatorship.
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Azyllo Muito Louco (1970)
Character: Eudóxia
Father Simão Bacamarte arrives in the small town of Serafim to investigate a certain phenomenon of madness.
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