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A Pensão de D. Estela (1956)
Character: N/A
The story takes place in a boarding house, on the verge of bankruptcy, where the most different characters parade: a solitary woman, a womanizer singer, a musical group, an unemployed doctor, a football player and a radio singer, and where everyone gets involved to pay the mortgage that threatened the pension.
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O Pão Que o Diabo Amassou (1957)
Character: Álvaro
A ruthless loan shark doesn't realize the evil that he has done to his own family: his son is waist-deep in resentment, and his daughter- married to an unsuccessful lawyer - ends up prostituting herself.
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Toda a Vida em 15 Minutos (1954)
Character: N/A
Passengers aboard a seemingly doomed plane reminisce about their lives, questioning the façade of their daily social activities. Once safe at Santos Dumont Airport, they go back to their old hypocritical selves.
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Macumba na Alta (1959)
Character: Doutor
A small-time con man is run down by a drunken young millionaire . The former blackmails the other into being taken in the family mansion.
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Quanto Mais Samba Melhor (1961)
Character: N/A
A nationalist musician, Hélio, plans to stage a samba show at a luxury hotel nightclub. The owner, Ademar, influenced by his daughter Marisa, is only interested in big jazz acts. Hélio, aided by Bebeto and Dorothéia, presents a fake Dorothy Bridge and a Sunday Júnior, parodies of Eartha Kitty and Sammy Davis Junior. While being covered by these fake artists, Hélio searches for a singer for a repertoire based on Carmen Miranda.
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O Grito da Mocidade (1937)
Character: N/A
The lives of five young medical interns in in the emergency ward of a hospital in Rio de Janeiro.
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Futebol em Familia (1939)
Character: Leonidas Jau
Professor Leônidas Jau is an enemy of football, and in conferences and articles he throws all his hatred against the sport. Friendenreich, his son, however, loves the sport. Leonidas then has a falling out with his son, which may be saved.
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O Samba da Vida (1937)
Character: Pedro Paulo
An ordinary thief and two accomplices invade a mansion whose owners traveled to Buenos Aires. They settle there with the whole family, until the real owners return. The owner's natural son saves the thief's situation when he threatens to reveal some compromising documents.
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Cidade Mulher (1936)
Character: N/A
A theater manager about to go bankrupt decides to accept help from his daughter and her boyfriend to save the family's finances, which she does with the sponsorship of a rich man.
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Céu Azul (1941)
Character: Artur
The Companhia de Esquetches Musicados do Teatro 'Brasil' is in crisis. After the debut of a new play failed, impresario Artur Fernandes, despite protests from Nini del Mar—the company's star—decides to hire Vitorino, the only writer who understands the audience's tastes and the company's artistic capabilities, to write the next play.
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Amor para Três (1958)
Character: Dr. Almeida
When a woman discovers her husband's infidelity, she decides to get divorced. But he still loves her, and learning that another guy has fallen for her, decides to change places with him. He would be the lover.
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Bom Mesmo É Carnaval (1962)
Character: Ambrósio
Colonel Polidoro is the political chief of the small town of Passaroca. Near the city hall elections, he decides to help his candidate by setting up an adult literacy course. For this, he needs to find a competent teacher and decides to go to Rio de Janeiro with this function. False moralist that is, ends up falling in the revelry, meets a beautiful dancer and invites the girl to spend the carnival on his farm. Drunk, he confuses the addresses and causes his driver to take the dancer in place of the teacher to Passaroca, which will cause a lot of confusion.
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Crônica da Cidade Amada (1965)
Character: Doutor (episódio "Luzia")
Eleven small stories, loving chronicles about Rio de Janeiro and its people, written by some of the best Brazilian writers of the time.
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Os Dois Ladrões (1960)
Character: Panariço
The sophisticated thief Mão Leve and his simple-minded accomplice Jonjoca take from the rich to give to the poor. Their new mission is raising funds in order Mão Leve's brother can study abroad. But great care must be taken lest the honest boy discovers the origin of the money.
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A Gigolette (1924)
Character: Álvaro
Only a fragment of the film survives. Taking advantage of Carnival season, Álvaro devises a Machiavellian plan to seduce a young woman. When she shows up at his house to deliver a bundle of clothes, he shows her a beautiful gigolo dress and invites her to the town's dances. They would only be for two or three hours. Liz accepts, and together they go out dressed as a gigolo, he as an Apache. Liz has fun with Álvaro, and at one point, they decide to go to the beach. Dizzy from champagne and dancing, she loses consciousness, waking up alone. Desperate, Liz runs to Álvaro's house and discovers that he has left for the north. Disoriented, she wanders the streets until she meets Maneco, an employee of Dr. Elzman. Maneco takes her to the doctor's house, and Liz tells him everything that happened. The doctor, fond of the young woman, decides to protect her.
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Favela dos Meus Amores (1935)
Character: N/A
Two young men from Paris bring "wonderful civilizing ideas" into the brain. But, as they returned without pity, they began to call for an auction of the furniture and objects of art that garrison their "garconiére", last vestige of the passage of opulence. The great idea would be to install a cabaret in the favela for tourists in search of new sensations and also for the inhabitants of the city. On the hill, one of the boys experiences the greatest surprise: he found there, living among the humble, teaching to read to the children, Rosinha, an enchanted little princess, queen of the hill.
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